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Victorian and Edwardian Fashion
Bonnets, capes, caps, shawls, bodices, and crinolines as people actually wore them from 1840 to 1914. More than 200 photos depict aristocrats and members of the middle class as well as celebrities.
The Gernsheim Collection
Winner, Alfred H. Barr Jr. Award, College Art Association, 2012 The Gernsheim Collection is one of the most important collections of photography in the world. Amassed by the renowned husband-and-wife team of Helmut and Alison Gernsheim between 1945 and 1963, it contains an unparalleled range of images, beginning with the world's earliest-known photograph from nature, made by Joseph Nicéphore Niépce in 1826. The Gernsheim Collection includes some 35,000 major and representative photographs from the nineteenth and twentieth centuries; a research library of some 3,600 books, journals, and published articles; about 250 autographed letters and manuscripts; and more than 200 pieces of early phot...
Fashion and Reality
Costume book extensively illustrated with photographs of men, women and children attired in fashions of the day.
Helmut Gernsheim
Essays by A.D. Coleman, Hubertus von Amelunxen, Charles Grivel, Ullrich Keller and Claude W. Sui.
Dress Culture in Late Victorian Women's Fiction
In her immensely readable and richly documented book, Christine Bayles Kortsch asks us to shift our understanding of late Victorian literary culture by examining its inextricable relationship with the material culture of dress and sewing. Even as the Education Acts of 1870, 1880, and 1891 extended the privilege of print literacy to greater numbers of the populace, stitching samplers continued to be a way of acculturating girls in both print literacy and what Kortsch terms "dress culture." Kortsch explores nineteenth-century women's education, sewing and needlework, mainstream fashion, alternative dress movements, working-class labor in the textile industry, and forms of social activism, show...
Photography and Its Origins
Recent decades have seen a flourishing interest in and speculation about the origins of photography. Spurred by rediscoveries of ‘first’ photographs and proclamations of photography’s death in the digital age, scholars have been rethinking who and what invented the medium. Photography and Its Origins reflects on this interest in photography’s beginnings by reframing it in critical and specifically historiographical terms. How and why do we write about the origins of the medium? Whom or what do we rely on to construct those narratives? What’s at stake in choosing to tell stories of photography’s genesis in one way or another? And what kind of work can those stories do? Edited by Tanya Sheehan and Andrés Mario Zervigón, this collection of 16 original essays, illustrated with 32 colour images, showcases prominent and emerging voices in the field of photography studies. Their research cuts across disciplines and methodologies, shedding new light on old questions about histories and their writing. Photography and Its Origins will serve as a valuable resource for students and scholars in art history, visual and media studies, and the history of science and technology.
L. J. M. Daguerre
This book contains the definitive account of Daguerre and the daguerreotype. It covers Daguerre's early work as the perfecter and promoter of the diorama; his collaboration with Niépce, the first man to produce a photograph, imperfect though it was; his extension of Niépce's experiments after Niépce's death; and the eventual development of the daguerreotype : a remarkably sensitive positve on a metal plate.
Seizing the Light
The definitive history of photography book, Seizing the Light: A Social & Aesthetic History of Photography delivers the fascinating story of how photography as an art form came into being, and its continued development, maturity, and transformation. Covering major events, practitioners, works, and social effects of photographic practice, author Robert Hirsch provides a concise and discerning chronological account of photography, drawing on examples from across the world. This fundamental starting place shows the diversity of makers, inventors, issues, and applications, exploring the artistic, critical, and social aspects of the creative thinking process. This new edition has been fully revis...
