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Comparing Literatures: Aspects, Method, and Orientation
Globalization is not a new phenomenon. Ideas have been circulating all over Europe (and the world) since ancient times, and intercultural dialog is a wide field offering a great variety of approaches. In such times as ours, when the world is swift to change and cultures are destined to meet (sometimes, alas, to clash), the place of literature, or broadly speaking: human and social sciences, within society is often questioned and needs redefining: From the reception studies of the 1970s and 1980s to the stress laid on intermedial and intercultural relations, not forgetting the work done on cultural transfers, this question opens up a wide field of theoretic, methodological, and aesthetic research, which is explored through this volume.
Dreams of Empire
Andre Vachon is clearly traditional in his choice of theme, selection of material, and the historical methods that he adopts. He expounds an older interpretation that accounted for the expansion of New France in terms of missionary zeal, the geographic imperative, economic necessity, and military security. Nothing is said that reflects the historical revisionism of the last two decades with its emphasis on self-interest and the personal pecuniary motive. The heroes are familiar: Cartier, Champlain, Talon, and Laval, but not Frontenac. The author raises no serious doubts about the desire on the part of these individuals for the expansion of New France, but he is forced to admit that by 1700 the colony had become too big and too fragile. Hardly a soul is criticized in the entire text. The general reader might be amused by knowing how cunning Amerindians duped Jacques Cartier or that Champlain never learned an Indian language and judged their conduct by the standards of French law rather than according to native customs he could never appreciate. ..."-- from review by T.A. Crowley ://journals.sfu.ca/archivar/index.php/archivaria/article/view/12657/13822.
Comparative Literature for the New Century
Since its beginning, Comparative Literature has been characterized as a discipline in crisis. But its shifting boundaries are its strength, allowing for collaboration and growth and illuminating a path forward. In Comparative Literature for the New Century a diverse group of scholars argue for a distinct North American approach to literary studies that includes the promotion of different languages. Chapters by senior scholars such as George Elliott Clarke, E.D. Blodgett, and Sneja Gunew are placed in dialogue with those by younger scholars, including Dominique Hétu, Maria Cristina Seccia, and Ndeye Fatou Ba. The writers, many of whom are multilingual, discuss problems with translation, iden...
Lorie Line
(Piano Solo Personality). This matching songbook to Lorie's 2005 release features some of her most contemporary work ever, including several pop and Broadway tunes of today as well as some great standards of yesterday. Includes: I'm Not That Girl (from Wicked ) * 100 Years (Five for Fighting) * Here Alone (from Little Women ) * You Raise Me Up * Here Without You (Three Doors Down) * Yesterday (The Beatles) * For Good (from Wicked ) * Clocks (Coldplay) * Someone to Lay Down Beside Me * In Dreams (from Lord of the Rings: The Fellowship of the Ring ) * You've Got a Friend * and more.
Sampling the Book
Reference is also made to the typology set up by Gerard Genette, but efforts are made to indicate how the Renaissance prologues chart their own prefatory course.
Comparative Literature in Canada
This timely volume takes stock of the discipline of comparative literature and its theory and practice from a Canadian perspective. It engages with the most pressing critical issues at the intersection of comparative literature and other areas of inquiry in the context of scholarship, pedagogy and academic publishing: bilingualism and multilingualism, Indigeneity, multiple canons (literary and other), the relationship between print culture and other media, the development of information studies, concerted efforts in digitization, and the future of the production and dissemination of knowledge. The authors offer an analysis of the current state of Canadian comparative literature, with a dual focus on the issues of multilingualism in Canada’s sociopolitical and cultural context and Canada’s geographical location within the Americas. It also discusses ways in which contemporary technology is influencing the way that Canadian literature is taught, produced, and disseminated, and how this affects its readings.
The Anthology of Italian-Canadian Writing
The more than fifty authors represented come from across Canada and have backgrounds in all regions of Italy.
Echo
This collection of essays explores the literature of Italian immigrants in Canada and their children by focusing on the central role that themes of migration hold in their work. Addressing topics such as the oral roots of Canadian immigrant writing, the changing place of women in works of the Italian diaspora, and the persistent difficulties of translation, this work provides an international perspective on some of the most pressing questions in the study of literature today. In addition to Canadian works, the work of immigrant writers from Australia and other countries is also considered, producing nuanced observations of cultural differences and affinities.
Sheila Watson
Sheila Watson published the iconic novel, The Double Hook, in 1959 and influenced the writing styles of many Canadian authors who followed her, including: Robert Kroetsch, Michael Ondaatje, George Bowering, Daphne Marlatt and others. This is the first collection of essays devoted to all of Watson's writing as well as her work as editor and mentor. The collection examines not only The Double Hook but also the first novel she wrote, Deep Hollow Creek (published in 1992), her short stories and the McLuhan connection. The contributors include: Caterina Edwards, E.D. Blodgett, Mary G. Hamilton, George Melnyk, Margaret Morriss, Margot Northey, Glenn Willmott, and Sergiy Yakovenko. The collection also features material from Sheila Watson herself, including her notes on "How to read Ulysses." Joseph Pivato is editor and contributor. The cover photo is by Rowland McMaster from 1976.
