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Studies in Arthurian Illustration
This volums collects and updates Professor Stones's papers on Arthurian manuscript illustration. These essays explore aspects of the inconography of the romances of Chretien de Troyes in French verse, the lengthy Lancelot-Grail romance in French prose, and other versions of the chivalrous exploits of King Arthur's knights - the best sellers of the Middle Ages."
A Companion to the Lancelot-Grail Cycle
The early thirteenth-century French prose Lancelot-Grail Cycle (or Vulgate Cycle) brings together the stories of Arthur with those of the Grail, a conjunction of materials that continues to fascinate the Western imagination today. Representing what is probably the earliest large-scale use of prose for fiction in the West, it also exemplifies the taste for big cyclic compositions that shaped much of European narrative fiction for three centuries. A Companion to the Lancelot-Grail Cycle is the first comprehensive volume devoted exclusively to the Lancelot-Grail Cycle and its medieval legacy. The twenty essays in this volume, all by internationally known scholars, locate the work in its social,...
Hot Stone Massage
Hot stone massage is a unique variant of massage therapy that employs heated stones to release physical tension and calm the nervous system. The stones' warmth and weight help the recipient focus more intently on the massage, and to be more receptive to its benefits. This superb introduction explains everything about this ancient healing practice, from which stones to choose (color, smoothness, shape, and mineral content matter) to which strokes to use. Along with attractive instructional photos throughout, there's information on setting up the massage, working different parts of the body, stimulating the chakra points, and alleviating specific symptoms--including muscular aches, back pain, arthritis, circulatory problems, and insomnia.
Image and Imagination
The first in-depth interdisciplinary study of word and image in the Old French chanson degeste, Image and Imagination: Picturing the Old French Epic examines the fascinating relationship between illumination and epic narrative constructed by the medieval understanding of the imagination. The study focuses on the epic cycle known as "the geste of Saint Gille," including Aiol and Elie de Saint Gille. The poems in manuscript were produced in the context of the opulent francophone Flemish courts of the mid-to-late thirteenth century. The manuscript (known as BNF fr 25516) is richly illuminated, and the study includes the popular Beuves de Hanstone, forerunner of Shakespeare's Hamlet, and the poem Robert le Diable, later becoming meyerbeer's celebrated opera. Concluding with the comparative study of BNF fr 24403's epic treatment of the only illuminated version of Chretien de Troyes' first Arthurian work, Erec et Enide, and the Sancti Bertini version of La Chevalerie Vivien, the first dated collection of epics made for a prominent northern Bishop, this study introduces the hitherto little-explored world of medieval illumination and epic narrative poetics. Book jacket.
Illuminating the Borders of Northern French and Flemish Manuscripts, 1270-1310
This study first examines the marginal repertoire in two well-known manuscripts, the Psalter of Guy de Dampierre and an Arthurian Romance, within their material and codicological contexts. This repertoire then provides a template for an extended study of the marginal motifs that appear in eighteen related manuscripts, which range from a Bible to illustrated versions of the encyclopedias of Vincent de Beauvais and Brunetto Latini. Considering the manuscript as a whole work of art, the marginalia's physical relationship to nearby texts and images can shed light on the reception of these illuminated books by their medieval viewers.
Les Manuscrits de Chrétien de Troyes
These two volumes are about the forty-five surviving manuscripts and fragments that transmit, and sometimes illustrate, the texts of Chrétien de Troyes. Here is presented, for the first time, a photographic corpus of those manuscripts that is as complete as possible and includes all the illustrations of the illustrated manuscripts, organized according to a new interpretation of their chronology and distribution. This visual material is complemented by a catalogue of all the extant manuscripts and their illustrations and by a series of analytical essays on aspects of the codicology, palaeography, the history of style and iconography, and the history of textual transmission of the manuscripts. The 24 colour and 435 black/white plates and figures include at least one reproduction of every manuscript and fragment, with the unfortunate exception of the fragments that have been lost since their texts were edited and of which no photograph has been preserved. The collaboration of literary scholars with art historians, codicologists, and palaeographers make this enterprise a new departure in manuscript and text studies: many of the essays are also illustrated.
The Grail
"This volume of the "Arthurian Characters and Themes" series is the only one dealing with theme, rather than character. Essays include both newly commissioned and reprinted articles that explore a variety of issues regarding the Arthurian search for the Holy Grail. Topics include analysis of the Grail as vessel, Perceval's sister in the Grail quest, the symbolism of the Grail in Wolfram, chivalric nationalism, and investigations of the use of the Grail in poetry and literature by authors such as Tennyson, T.S. Eliot, and Walker Percy"--Barnes & Noble.
Illuminating the Border of French and Flemish Manuscripts, 1270–1310
This study first examines the marginal repertoire in two well-known manuscripts, the Psalter of Guy de Dampierre and an Arthurian Romance, within their material and codicological contexts. This repertoire then provides a template for an extended study of the marginal motifs that appear in eighteen related manuscripts, which range from a Bible to illustrated versions of the encyclopedias of Vincent de Beauvais and Brunetto Latini. Considering the manuscript as a whole work of art, the marginalia’s physical relationship to nearby texts and images can shed light on the reception of these illuminated books by their medieval viewers.
