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Narratives of Gendered Dissent in South Asian Cinemas
This book conducts a post-colonial, gendered investigation of women-centred South Asian films. In these films, the narrative becomes an act of political engagement and a site of feminist struggle: a map that weaves together multiple strands of subjectivity—gender, caste, race, class, religion, and colonialism. The book explores the cinematic construction of an oppositional narrative of feminist dissent with a view to elaborate a historical understanding and theorisation of the ‘materiality and politics’ of the everyday struggle of Indian women. The book analyzes the ways that ‘cultural workers’ have tended to use subversive narratives as a tool of resistance. Narratives that are po...
Transnationalism Reversed
Winner of the 2012 Gloria E. Anzaldua Book Prize presented by the National Women's Studies Association Acid attacks against women and girls have captured the attention of the global media, with several high-profile reports ranging from the BBC to The Oprah Winfrey Show. In Bangladesh, reasons for the attacks include women's rejection of sexual advances from men, refusal of marriage proposals, family or land disputes, and unmet dowry demands. The consequences are multiple: permanent marks on the body, disfiguration, and potential blindness. In Transnationalism Reversed, Elora Halim Chowdhury explores the complicated terrain of women's transnational antiviolence organizing by focusing on the w...
Panic, Transnational Cultural Studies, and the Affective Contours of Power
This volume explores the panic that is a central affective register of our current international order. Fears of Somali pirates, "Gypsy" kidnappers, African warlords, Ebola, "Mexican meth," pimps, coyotes, gangs, climate refugees and more, structure the dark side of a metropolitan unconscious. These are terrors over things that (might) cross borders, threatening the sanctity of territoriality and capital. Inspired by scholarship challenging panics around human and sex trafficking, the contributors to this volume develop the umbrella category of the global moral panic. Embracing the challenge of grasping a phenomenon not previously regarded as cohering, they consider panics provoked by travel...
Stardom and the Aesthetics of Neorealism
In this exciting new book, Gelley considers the collaboration between Rossellini and Ingrid Bergman in light of the neorealist aesthetic. This study re-examines the director's postwar works in relation to the contemporary discussion on Italian national identity: rather than marking a radical break with the director's early neorealist successes, Rossellini's films with Bergman in fact extend the boundaries of neorealism and challenge the standard reading of its basic tenets, especially the relationship between character and setting. Gelley reassesses the relationship between European postwar and American cinema, looking at how the image of the Hollywood star was translated and transformed whe...
The Routledge Companion to Feminism and Postfeminism
Approachable for general readers as well as for students in women's studies related courses at all levels, this invaluable guide follows the unique Companion format in combining over a dozen in-depth background chapters with more than 400 A-Z dictionary entries. The background chapters are written by major figures in the field of feminist studies, and include thorough coverage of the history of feminism, as well as extensive discussions of topics such as Postfeminism, Men in Feminism, Feminism and New Technologies and Feminism and Philosophy. The dictionary entries cover the major individuals and issues essential to an understanding both of feminism's roots and of the trends that are shaping its future. Readers will find entries on people such as Aphra Behn, Simone de Beauvoir, Princess Diana, Courtney Love and Robert Bly, and on subjects such as Afro-American feminism, cosmetic surgery, the 'new man', prostitution, reproductive technologies and 'slasher' films.
Women and Resistance in Contemporary Bengali Cinema
Historically, Indian cinema has positioned women at the intersection of tradition and a more evolving culture, portraying contradictory attitudes which affect women’s roles in public and private spheres. Examining the work of three directors from West Bengal, this book addresses the juxtaposition of tradition and culture regarding women in Bengali cinema. It argues the antithesis of women’s roles, particularly in terms of ideas of resistance, revolution, change, and autonomy, by suggesting they convey resistance to hegemonic structures, encouraging a re-envisioning of women’s positions within the familial-social matrix. Along with presenting a perception of culture as dynamic and evolv...
Popular Film Music and Masculinity in Action
Amanda Howell offers a new perspective on the contemporary pop score as the means by which masculinities not seen—or heard—before become a part of post-World War II American cinema. Popular Film Music and Masculinity in Action addresses itself to an eclectic mix of film, from Elvis and Travolta star vehicles to Bruckheimer-produced blockbuster action, including the work of musically-innovative directors, Melvin Van Peebles, Martin Scorsese, Gregg Araki, and Quentin Tarantino. Of particular interest is the way these films and their representations of masculinity are shaped by generic exchanges among contemporary music, music cultures, and film, combining American cinema's long-standing in...
Eco-Trauma Cinema
Film has taken a powerful position alongside the global environmental movement, from didactic documentaries to the fantasy pleasures of commercial franchises. This book investigates in particular film’s complex role in representing ecological traumas. Eco-trauma cinema represents the harm we, as humans, inflict upon our natural surroundings, or the injuries we sustain from nature in its unforgiving iterations. The term encompasses both circumstances because these seemingly distinct instances of ecological harm are often related, and even symbiotic: the traumas we perpetuate in an ecosystem through pollution and unsustainable resource management inevitably return to harm us. Contributors to...
Feminist Catholic Theological Ethics: Conversations in the World Church
The growing body of feminist literature in the late 20th and early 21st centuries demonstrates the phenomenal advances of feminist thought and movements in the context of church and society. Characteristic of this growth is the re-location of issues from the global North, and broadening of focus to include voices from the global South.
In the context of globalization new vistas and voices are emerging that trace new directions and seek to rephrase the central questions in the feminist discourse. This volume aims to highlight the changing face and color of feminist theological discourse, recognize innovative research in the field, and facilitate a global conversation among feminists engaged in theological ethics in the world church.
