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Anarchy and Art
One of the powers of art is its ability to convey the human aspects of political events. In this fascinating survey on art, artists, and anarchism, Allan Antliff interrogates critical moments when anarchist artists have confronted pivotal events over the past 140 years. The survey begins with Gustave Courbet’s activism during the 1871 Paris Commune (which established the French republic) and ends with anarchist art during the fall of the Soviet empire. Other subjects include the French neoimpressionists, the Dada movement in New York, anarchist art during the Russian Revolution, political art of the 1960s, and gay art and politics post-World War II. Throughout, Antliff vividly explores art’s potential as a vehicle for social change and how it can also shape the course of political events, both historic and present-day; it is a book for the politically engaged and art aficionados alike. Allan Antliff is the author of Anarchist Modernism.
Anarchist Modernism
Reveals that during the World War I era modernists participated in a wide-ranging anarchist movement that encompassed lifestyles, literature, and art, as well as politics.
Only a Beginning
Drawing on a wide-range of anarchist publications, Only a Beginning is the first comprehensive overview of anarchist theory and practice in North America from 1976 to the present. Compiled and edited by Allan Antliff, it documents over a quarter-century of grassroots activism, including protests and gatherings, art exhibitions, street theatre, Internet sites, and squats, as well as environmental and anti-globalization protests, the rise of anarchist-feminism, the fight for queer rights, indigenous struggles, and prisoners' liberation. In today's post-9/11 climate, protests against global trade deals, war-mongering, environmental destruction and other issues are becoming more frequent and hig...
Only a Beginning
Drawing on a wide-range of anarchist publications, "Only a Beginning" is the first comprehensive overview of anarchist theory and practice in North America from 1976 to the present. Compiled and edited by Allan Antliff, it documents over a quarter-century of grassroots activism, including protests and gatherings, art exhibitions, street theatre, Internet sites, and squats, as well as environmental and anti-globalization protests, the rise of anarchist-feminism, the fight for queer rights, indigenous struggles, and prisoners' liberation. In today's post-9/11 climate, protests against global trade deals, war-mongering, environmental destruction and other issues are becoming more frequent and h...
Joseph Beuys
The Phaidon Focus series presents engaging, up–to–date introductions to art’s modern masters. Compact, affordable, and beautifully produced, the books in this growing series are written by top experts in their field. Each features a complete chronological survey of an artist’s life and career, interspersed throughout with one–page "Focus" essays examining specific bodies of work. Joseph Beuys ranks amongst the most radical and influential artists to emerge during the second half of the twentieth century. An enigmatic figure who was never one to shun controversy, Beuys strove to establish a truly democratic approach towards making and presenting art. Here, Allan Antliff, the Canada Research Chair in Modern Art at the University of Victoria and a founding member of the Toronto Anarchist Free School, explores the origins, development, style, and themes of Beuys’ provocative and prophetic work.
Anarchist Pedagogies
Education is a challenging subject for anarchists. Many are critical about working within a state-run education system that is embedded in hierarchical, standardized, and authoritarian structures. Numerous individuals and collectives envision the creation of counterpublics or alternative educational sites as possible forms of resistance, while other anarchists see themselves as “saboteurs” within the public arena—believing that there is a need to contest dominant forms of power and educational practices from multiple fronts. Of course, if anarchists agree that there are no blueprints for education, the question remains, in what dynamic and creative ways can we construct nonhierarchical...
With Freedom in Our Ears
Jewish anarchism has long been marginalized in histories of anarchist thought and action. Anna Elena Torres and Kenyon Zimmer edit a collection of essays which recovers many aspects of this erased tradition. Contributors bring to light the presence and persistence of Jewish anarchism throughout histories of radical labor, women’s studies, political theory, multilingual literature, and ethnic studies. These essays reveal an ongoing engagement with non-Jewish radical cultures, including the translation practices of the Jewish anarchist press. Jewish anarchists drew from a matrix of secular, cultural, and religious influences, inventing new anarchist forms that ranged from mystical individualism to militantly atheist revolutionary cells. With Freedom in Our Ears brings together more than a dozen scholars and translators to write the first collaborative history of international, multilingual, and transdisciplinary Jewish anarchism.
Unleashing the Imagination
Tour of works by anarchists in the National Gallery of Canada.
I Am Not a Man, I Am Dynamite!
'As the primary liberatory project, anarchism - the project which aims at the abolition of all forms of power, control, and coercion - remains entitled to appropriate the work of one of the greatest iconoclasts of all time. And although Nietzsche was rather harsh on his anarchist contemporaries - or more precisely on a type of contemporary anarchist - he nevertheless in some respects shared with them a vision of total transformation. The notion of a transvaluation of all values clearly remains not merely compatible with, but an integral component of the anarchist project, and the idea of philosophy with a hammer underlies the anarchist commitment to radical social transformation.'- John Moor...
