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Allan Carr was Hollywoods premier party-thrower during the towns most hedonistic era the cocaine-addled, sexually indulgent 1970s. Hosting outrageous soirees with names like the Mick Jagger/Cycle Sluts Party and masterminding such lavishly themed opening nights as the Tommy/New York City subway premiere, it was Carr, an obese, caftan-wearing producer the ultimate outsider who first brought movie stars and rock stars, gays and straights, Old and New Hollywood together. From the stunning success of Grease and La Cage aux Folles to the spectacular failure of the Village Peoples Cant Stop the Music, as a producer Carrs was a rollercoaster of a career punctuated by major hits and phenomenal flops none more disastrous than the Academy Awards show he produced featuring a tone-deaf Rob Lowe serenading Snow White, a fiasco that made Carr an outcast, and is still widely considered to be the worst Oscars ever. Tracing Carrs excess-laden rise and tragic fall and sparing no one along the way Party Animals provides a sizzling, candid, behind-the-scenes look at Hollywoods most infamous period.
John Keble today is best remembered for the Oxford college founded in his memory; his role in the seminal Oxford Movement, and for the hymns that he wrote and which are still sung today. Both John Keble and his brother Tom were educated at Corpus Christi College, Oxford and followed their father into the church. John Keble was curate of the Cotswold villages of Eastleach, Southrop and Coln St Aldwyn, with his younger brother Tom. John left Fairford and the Cotswolds to become vicar of Hursley in Hampshire where he stayed until his death. His brother Tom became vicar of Bisley, near Stroud. The author lives in the Cotswolds and his interest in the Keble family lies in the villages of Eastleach and Southrop near his home. He has written a fascinating, informative and highly researched account of a great and distinguished family, whose legacy continues today.
The Development of Anglican Moral Theology is the successor volume to The Origins of Anglican Moral Theology. It describes how Anglican theologians interacted closely with the moral philosophers of their day while providing a pastoral resource in the fast-changing period between 1680-1950. The book shows how vibrant and intellectually rigorous the tradition was, and includes detailed studies of the sermons of Butler, Wesley and Newman, the writings of William Law and Coleridge, and the later work of Maurice, Gore, Scott Holland, Moberly, William Temple and Kirk. This is the first account of this lively tradition of moral theology.
A Spencer Love Affair is the true story of the love affair and marriage between the 4th Duke of Marlborough's favourite daughter Lady Charlotte Spencer and an Oxford Vicar, the Reverend Edward Nares. After their marriage in 1795 Lady Charlotte was banished from Blenheim Palace by her parents, never to return home. The affair stemmed from their acting together in the private theatricals performed at Blenheim's newly-created private theatre during 1785-1789, the year of the French Revolution. The fashion for creating private theatres originated in France with Voltaire. In England it became fashionable amongst the aristocracy, gentry and clergy in the second half of the eighteen century. This included the Austen family at Steventon Vicarage where Jane Austen's family created their own private theatre, not in a palace but a barn. Later in life, Jane Austen was to include her childhood memories of these theatricals in her novel Mansfield Park. It was as Austen described, that these private theatricals led to dangerous intimacies amongst the actors, and this certainly seems to have been the case in the love affair between Revd. Edward Nares and Lady Charlotte Spencer.
"Report of the Dominion fishery commission on the fisheries of the province of Ontario, 1893", issued as vol. 26, no. 7, supplement.