You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Be Free! The Gift of Freedom explains how to find freedom and transform our lives making us people of great joy and happiness, by showing how to overcome fear, deception, anger, guilt, feelings of inferiority, and other things that keep us from being free. In today's world we seem to be losing more and more of our freedom. Be Free! The Gift of Freedom demonstrates what we can do to throw off all the bondage that enslaves us, impeding our happiness and stifling our joy. Ricardo C Castellanos and Allienne R. Becker describe the peace and contentment that flow from those who have attained freedom and liberty.
Peace seems to be the most difficult thing to find in life today and the thing most desired by us all. Peace! Be Still! The Gift of Peace demonstrates how we can acquire peace in the midst of the tempests of daily life and know joy unspeakable and full of glory.
All You Need is Love: The Way of Joy explains how love can transform our lives making us people of great joy and happiness, by showing how to overcome fear, anger, guilt, and other negative emotions as we let love enter our hearts, taking possession of them. Getting rid of a poor self image, finding healing for our diseases, and successful family living are dealt with in detail. The book describes how to find eternal happiness and joy that will never fade.
The debate surrounding the Christian aspects of C.S. Lewis's The Chronicles of Narnia, J.R.R. Tolkien's The Lord of the Rings, Philip Pullman's His Dark Materials and J.K. Rowling's Harry Potter has revealed not only the prominence of religious themes in fantasy fiction, but also readers' concerns over portrayals of religion in fantasy. Yet while analyses of these works fill many volumes, other fantasy series have received much less attention. This critical study explores the fantastic religions and religious themes in American and Canadian works by Stephen R. Donaldson (Chronicles of Thomas Covenant), Guy Gavriel Kay (Fionavar Tapestry), Celia S. Friedman (Coldfire Trilogy), and Brandon Sanderson (Mistborn). References to biblical tradition and Christian teachings reveal these writers' overall approach to Christianity and the relationship between Christianity and the fantasy genre.
Winner of the 1997 International Association of the Fantastic in the Arts Best Non-fiction Book In 1897, Archibald Constable & Company published a novel by the unheralded Bram Stoker. That novel, Dracula, has gone on to become perhaps the most influential novel of all time. To commemorate the centennial of that great novel, Carol Margaret Davison has brought together this collection of essays by some of the world's leading scholars. The essays analyze Stoker's original novel and celebrate its legacy in popular culture. The continuing presence of Dracula and vampire fiction and films provides proof that, as Davison writes, Dracula is "alive and sucking." "Dracula is a Gothic mandala, a vast d...
"This wide-ranging collection of essays re-opens the connection between science fiction and the increasingly science-fictional world. Kevin Alexander Boon reminds us of the degree to which the epistemology of science fiction infects modern political discourse. Károly Pintér explores the narrative structures of utopian estrangement, and Tamás Bényei and Brian Attebery take us deeper into the cultural exchanges between science fiction and the literary and political worlds. In the second half, Donald Morse, Nicholas Ruddick and Éva Federmayer look at the way in which science fiction has tackled major ethical issues, while Amy Novak and Kálmán Matolcsy consider memory and evolution as cul...
Spiritually engaged readers commonly look towards fiction to better understand the depth of a faithful life, and Christians are no exception. Many followers of Jesus value beautifully written, deftly characterized and pulse-quickening literary art that seems more satisfying than dry, tedious doctrinal textbooks. This book surveys 12 pieces of historical fiction that feature notable Christian thinkers. They include an illustrated children's book about St. Irenaeus of Lyons, a novel about Martin Luther's Reformation, a screenplay focusing on Dietrich Bonhoeffer and even a story about Pope Francis narrated in popular manga style. Rather than arcane literary analyses, this book provides thoughtful and sometimes painful interviews with the authors of the covered works. Most interviewees are little known or emerging writers. Some have published their work with a church or denominational press, others with a major publishing empire or popular print-on-demand platforms. Storytellers reflect on their literary choices and the contexts of their writing, sharing what modern Christians can learn from historical religious fiction.
From Cristina Fernández Cubas, Spain's award-winning master of the short story, comes a collection of unsettling, thought-provoking, and often hilarious stories, The Angle of Horror. A socially awkward twenty-something who transforms from Jekyll to Hyde by playing the tuba; a miserly curmudgeon whose ultimate act of generosity as well as his final breath are snuffed out by a seemingly innocent grandson; a young collegian who suffers a nightmare of shadows and slants, then discovers his waking world is also horribly askew; a lonely Spaniard living abroad who seeks familiarity in a Spanish specialty shop but only finds true belonging while obsessively stalking the proprietor. These are but a few of the "angles" that Fernández Cubas constructs in these four twisted tales: "Helicon," "Grandfather’s Legacy," "The Angle of Horror," and "The Flower of Spain." Presented in critical edition and translation for the first time, these acclaimed Spanish tales are featured alongside their English translation, with historical contextualization and critical commentary by scholars Jessica A. Folkart and Michelle Geoffrion-Vinci.
Jason Marc Harris's ambitious book argues that the tensions between folk metaphysics and Enlightenment values produce the literary fantastic. Demonstrating that a negotiation with folklore was central to the canon of British literature, he explicates the complicated rhetoric associated with folkloric fiction. His analysis includes a wide range of writers, including James Barrie, William Carleton, Charles Dickens, George Eliot, Sheridan Le Fanu, Neil Gunn, George MacDonald, William Sharp, Robert Louis Stevenson, and James Hogg. These authors, Harris suggests, used folklore to articulate profound cultural ambivalence towards issues of class, domesticity, education, gender, imperialism, nationalism, race, politics, religion, and metaphysics. Harris's analysis of the function of folk metaphysics in nineteenth- and early twentieth-century narratives reveals the ideological agendas of the appropriation of folklore and the artistic potential of superstition in both folkloric and literary contexts of the supernatural.
Under modernity, time is regarded as linear and measurable by clocks and calendars. Despite the historicity of clock-time itself, the modern concept of time is considered universal and culturally neutral. What Walter Benjamin called “homogeneous, empty time” founds the modern notions of progress and a uniform global present in which the past and other forms of time consciousness are seen as superseded. In Translating Time, Bliss Cua Lim argues that fantastic cinema depicts the coexistence of other modes of being alongside and within the modern present, disclosing multiple “immiscible temporalities” that strain against the modern concept of homogeneous time. In this wide-ranging study...