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Art and Anatomy in Nineteenth Century Britain
This book investigates the ways in which the fine arts and the science of anatomy were interrelated in early nineteenth century Britain. It was an era in which the two disciplines were closely connected and mutually dependent. Anatomy students attended drawing classes at the Royal Academy and other institutions to develop the artistic skills they needed to accurately depict their specimens. Artists attended private anatomy schools to study the construction of the human body, so that their representations of action and expression could be more convincing. Their personal and professional lives overlapped in ways that shaped their disciplines. This book is principally concerned with three of these: how the fine arts and their practices were imported into anatomical illustration, how anatomy took on a prominent pedagogical position in some schools of art, and how anatomical accuracy became an important criterion in aesthetic evaluation. These interactions are pursued through the works of three men: John Bell, Charles Landseer, and Robert Carswell. They were all influential figures in their time, and this book serves to return them to contemporary discussions.
The Origins of Baroque Art in Rome
Delivered at the turn of the twentieth century, Riegl's groundbreaking lectures called for the Baroque period to be judged by its own rules and not merely as a period of decline.
Renaissance Drama 36/37
Renaissance Drama, an annual interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theater, and performance. This special issue of Renaissance Drama on "Italy in the Drama of Europe" primarily builds on the groundwork laid by Louise George Clubb, who showed that Italian drama was made in such a way as to facilitate its absorption and transformation into other traditions, even when it was not explicitly cited or referenced. "Italy in the Drama of Europe" takes up the reverberations of early modern Italian drama in the theaters of Spain, England, and France and in writings in Italian, English, Spanish, French, Hebrew, Latin, and German. Its scope is an example of the continuing force of and interest in one of the most rewarding, wide-ranging, and productive early modern aesthetic modes, and a tribute to the scholarship of Louise George Clubb, who, among others, recalled our attention to it.
Ernst Cassirer on Form and Technology
Ernst Cassirer's thought-provoking essay Form and Technology (1930) ascribes to technology a new dignity as a genuine tool of the mind in equal company with language and art. Translated here into English it is accompanied by critical essays that explore its current relevance.
Risk and Regulation at the Interface of Medicine and the Arts
This book brings together an edited selection of presentations from the Association for Medical Humanities annual conference 2015, held at Dartington Hall, UK, that address the question: How might innovative performing arts help to develop medical education and practice? It includes papers and accounts of both keynote talks and performances, presenting cutting-edge activity, thinking and research in the medical and health humanities. The volume also offers an archive of a visual arts exhibition focused on surgical themes that ran in conjunction with the conference. An introductory chapter situates the conference in the context of Dartington Hall’s radical education tradition, while an over...
The Share of Perspective
This book is a defense of perspectivism in the age of post-truth. At the crossroads of science, art, and philosophy, it unearths a tradition that we must rediscover: the point of view is not only what divides, it is also what is shared. Today, perspective is associated with individualism and personal viewpoints. But in an age of post-truth, the only robust answer to relativism lies in fact in a reappraisal of perspectivism. In discussion with contemporary new realisms of various sorts, this book makes a case why perspectivism alone can avoid us falling back into epistemological naivetés. A journey into the history of optics, art, philosophy, and social psychology, this book unearths the for...
Emotions and Surgery in Britain, 1793–1912
An innovative analytical account of the changing place of emotions in British surgery in the long nineteenth century.
The Medical Book
A lively, accessible, and fully illustrated guide to the history of medicine, from ancient practices to cutting edge innovations. Clifford Pickover continues his popular series that includes The Physics Book and The Math Book with this volume chronicling the advancement of medicine in 250 entertaining, illustrated landmark events. Touching on such diverse subspecialties as genetics, pharmacology, neurology, sexology, and immunology, Pickover intersperses “obvious” historical milestones—the Hippocratic Oath, general anesthesia, the Human Genome Project—with unexpected and intriguing topics like “truth serum,” the use of cocaine in eye surgery, and face transplants.
Transcendental Philosophy and Everyday Experience
This collection focuses on the transcendental philosophy of Kant and Husserl and on the intersection of transcendental philosophy and everyday life and experience. It contains sections on philosophy and everyday experience, Kant and neo-Kantianism, applications of transcendental philosophy, and transcendental philosophy and the emotions. Annotation copyrighted by Book News, Inc., Portland, OR
