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Islamic Prayer Across the Indian Ocean
In its attempt to squash the influence of animism and pantheism or polytheism and to promote the idea of the One and Only Absolute God, Islam has come up against a tendency within itself to incorporate certain local religious traditions and practices. This book shares that combination of universality and local particularity, exploring this paradox and the contradictory tendencies contained in it.
Taarab Music in Zanzibar in the Twentieth Century
The musical genre of taarab is played for entertainment at weddings and other festive occasions all along the Swahili Coast in East Africa. Taarab contains all the features of a typical 'Indian Ocean' music, combining influences from Egypt, the Arabian Peninsula, India and the West with local musical practices. In Taarab, Music in Zanzibar, Janet Topp Fargion traces the development of the genre in Zanzibar, from the late nineteenth century to the end of the twentieth. Of special interest is the role of women. Although men play the main role in the composition and performance of the genre, Topp Fargion argues that the modernization of the genre owes a debt to the participation of women - as audiences and primary consumers, but also as poets and innovators of musical concepts. The book weaves together the historical, social, economic, religious and political dynamics involved in the development of the genre, and investigates how these are played out in the performance of taarab music on Zanzibar.
On the Frontiers of the Indian Ocean World
The first history of Lake Tanganyika and of eastern Africa's relationship with the wider Indian Ocean World during the nineteenth century.
The Surface of Things
"The first history of photography from Africa's Swahili coast, revealing the images' complicated relationships to colonialism and global influence"--
Indian Ocean Imaginings
This book is a multidisciplinary study of the Indian Ocean region, bringing together perspectives from the disciplines of history, defense and strategic studies, cultural and religious studies, and environmental studies. From the earliest exchanges through Sumerian and Harappan trade, to emerging geopolitical alliances in the twenty-first century, this volume demonstrates both the continuity and change of the region as well as its unity and diversity. The expanse of this ocean and its littoral rim is connected through the social imaginary, which enables these processes. It is with the stories of the peoples inhabiting this rim that this book is concerned—told both through micro studies of the everyday lives of the region’s people and through macro studies centered around civilizations, empires, nation-states, and climate change.
Gan's Constructivism
This compelling new account of Russian constructivism repositions the agitator Aleksei Gan as the movement’s chief protagonist and theorist. Primarily a political organizer during the revolution and early Soviet period, Gan brought to the constructivist project an intimate acquaintance with the nuts and bolts of “making revolution.” Writing slogans, organizing amateur performances, and producing mass-media objects define an alternative conception of “the work of art”—no longer an autonomous object but a labor process through which solidarities are built. In an expansive analysis touching on aesthetic and architectural theory, the history of science and design, sociology, and feminist and political theory, Kristin Romberg invites us to consider a version of modernism organized around the radical flattening of hierarchies, a broad distribution of authorship, and the negotiation of constraints and dependencies. Moving beyond Cold War abstractions, Gan’s Constructivism offers a fine-grained understanding of what it means for an aesthetics to be political.
Slavery and Emancipation in Islamic East Africa
Examining the process of abolition on the island of Pemba off the East African coast in the late nineteenth and early twentieth centuries, this book demonstrates the links between emancipation and the redefinition of honour among all classes of people on the island. By examining the social vulnerability of ex-slaves and the former slave-owning elite caused by the abolition order of 1897, this study argues that moments of resistance on Pemba reflected an effort to mitigate vulnerability rather than resist the hegemonic power of elites or the colonial state. As the meaning of the Swahili word heshima shifted from honour to respectability, individuals' reputations came under scrutiny and the Islamic kadhi and colonial courts became an integral location for interrogating reputations in the community. This study illustrates the ways in which former slaves used piety, reputation, gossip, education, kinship and witchcraft to negotiate the gap between emancipation and local notions of belonging.
Postcolonial Literature and the Impact of Literacy
Examining images of literacy in African and West Indian novels, Neil ten Kortenaar looks at how postcolonial authors have thought about the act of writing itself. Writing arrived in many parts of Africa as part of colonization in the twentieth century, and with it a whole world of book-learning and paper-pushing; of school and bureaucracy; newspapers, textbooks and letters; candles, hurricane lamps and electricity; pens, paper, typewriters and printed type; and orthography developed for formerly oral languages. Writing only penetrated many layers of West Indian society in the same era. The range of writers is wide, and includes Chinua Achebe, Wole Soyinka and V. S. Naipaul. The chapters rely on close reading of canonical novels, but discuss general themes and trends in African and Caribbean literature. Ten Kortenaar's sensitive and penetrating treatment of these themes makes this an important contribution to the growing field of postcolonial literary studies.
Knowing Your Place
Knowing Your Place directs groundbreaking attention to the role of rural and urban places in identity construction. Written to redress the longstanding neglect and denigration of the rural, this book argues that the cultural dominance of the city has been reinforced by postmodern theory's near fixation on the urban and the sophisticated. The essays explore rural identity in a number of cultures and situations, and look at issues of contemporary interest. Topics covered include the uses of popular and high culture, the explosion of high technology, the social and economic impact of ecological policy, the role of labor in the global marketplace, museum curatorship, and post-colonial politics. Throughout, the essays address the many ways in which place identity alters and influences the experience of race, class, gender and ethnicity.
African Art, Interviews, Narratives
Joanna Grabski and Carol Magee bring together a compelling collection that shows how interviews can be used to generate new meaning and how connecting with artists and their work can transform artistic production into innovative critical insights and knowledge. The contributors to this volume include artists, museum curators, art historians, and anthropologists, who address artistic production in a variety of locations and media to question previous uses of interview and provoke alternative understandings of art.
