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Post DomestiCity
PostDomestiCity is an inquiry and speculative exercise into the conditions of obsolescence in the post-industrial city, from a contemporary perspective. Working with three paradigmatic cases that were conceived from industrial logics—the Packard plant in Detroit, Lima’s PREVI neighbourhood, and theGrand’Mare complex in Rouen—, we explore alternative ways of reusing, reprogramming, and redensifying the built environment as alternatives to demolition. Relevant voices in the field of architecture share their approaches and visions of the future for the pre-existing city, helping us imagine post-domesticity in the current climate crisis and socio-technological context. With Contributions of Anne Lacaton, Marina Otero, Ippolito Pestellini, Duplex Architects, Lacol, Antonio Vázquez de Castro, Carmen Espegel, Luis Takahashi, Lys Villalba, O.F. architects, DABG, Patricia Lucas, Ramón Araujo, Paulo Dam, Renato Manrique, CoLaboratorio (Diego García-Setién, Enrique Espinosa, Begoña de Abajo, Almudena Ribot).
Open City
This publication inquires into the future of post-industrial cities framing and speculating on different industrial contexts: archipelagos (Eibar), fabrics (Cobo Calleja), assemblies (Detroit). Currently 55% of the world’s population lives in cities, predictably reaching 70% in 2050. Cities are organisms in continuous transformation: growth, change, but also shrinking or collapse. Open City explores and speculates from contemporaneity about the future of the post-industrial city, where industrial archipelagoes (S), frames (XL) and obsolete or deprogrammed singularities (M/L) represent critical contexts but also opportunities for a new Open City. Open Systems have been the research focus of...
Fold Unfold : deployable structures and digital fabrication
The publication "Fold, Unfold : Deployable Structures and Digital Fabrication" is the documentation of the workshop of the same name hosted at TU-Berlin from february till march 2017 in collaboration with ETSAE Cartagena. The main objective of this seminar was to design and build different prototypes of deployable structures that can colonize a space to be inhabited temporarily. Die Publikation „Fold, Unfold : Deployable Structures und Digital Fabrication" dokumentiert den gleichnamigen Workshop, der von Februar bis März 2017 an der TU Berlin in Zusammenarbeit mit der ETSAE Cartagena stattgefunden hat. Besonderes Ziell des Seminars war es, entfaltbare Strukturen zu entwerfen und zu bauen, die Räume einnehmen können und diese vielfältig und temporär nutzbar machen.
Fold, refold. Deployable narratives and digital fabrication
Deployable structures are mobile constructions with a great variety of spacial peculiarity, extent and layout. The documented workshop “Digital Fabrication & Deployable Structures” investigates in their history and tests how those flexible structures can be digitally fabricated and parametrically designed using lasercutting technology. The resulting prototypes were developed in a collaborative process and furthermore functionalized by the embedment into a narrative. Abbaubare Strukturen oder “Deployable Structures” sind mobile Konstruktionen mit einer großen Varianz in ihrer räumlichen Ausprägung, Ausdehnung und Anordnung. Während des dokumentierten Workshops “Digital Fabrication & Deployable Structures” wurde erst deren Geschichte untersucht und dann erprobt, wie eben solche flexiblen Strukturen mittels Lasercutting Technologie digital hergestellt und parametrisch entworfen werden können. Die Ergebnisse wurden in Gruppen prototypisch hergestellt und durch die Einbettung in einen Narrativ mit einer Funktion belegt.
COLABORATORIO: FABRICACIÓN DIGITAL Y ARQUITECTURAS COLABORATIVAS
En 2009 Almudena Ribot, Ignacio Borrego, Javier Garcia-Germán y Diego Garcia-Setién se unieron para formar CoLaboratorio, una nueva unidad docente en la Escuela de Arquitectura de la Universidad Politécnica de Madrid. El objetivo de CoLaboratorio es investigar las transferencias que pueden existir entre las estrategias proyectuales y los nuevos procesos de diseño empleados por la industria contemporánea, para aplicarlos a la práctica del proyecto de arquitectura, empleando para ello un modelo de colaboración basado en el trabajo colectivo. En esta edición se recogen parte de las reflexiones elaboradas a lo largo de estos cinco años, junto con las aportadas por los CoLaboradores que han formado parte de esta experiencia, enmarcada en el Grupo de Investigación PROLAB, Laboratorio de Investigación del Proyecto Contemporáneo.
Zero Gravity
Daniel Canogar's photographs and photographic installations have long dwelt on issues of immersion and realism, of corporeal images and sensations, of light instrumentalized to reveal figments and traces of visual matter. His consistent use of photography undermines and transcends simple questions of photographic realism through play and variable scales, obsessive pseudo-repetition, and disconcerting projection procedures and surfaces. The Zero Gravity opus contains Departure, a forest of manipulable fiber optic cables that obliges spectators to blaze their own image trails; Pulse of Darkness projects an endless wall-to-wall loop of photographed bones; and Leap of Faith adopts a panoramic cylindrical structure as an ethereal white surface charged with dozens of floating bodies. Daniel Canogar was born in 1964 in Madrid, where he continues to live and work. He studied visual communications and received a Master's in photography from New York University and the International Center for Photography.
The Routledge Companion to Fashion Studies
This collection of original essays interrogates disciplinary boundaries in fashion, gathering fashion studies research across disciplines and from around the globe. Fashion and clothing are part of material and visual culture, cultural memory, and heritage; they contribute to shaping the way people see themselves, interact, and consume. For each of the volume’s eight parts, scholars from across the world and a variety of disciplines offer analytical tools for further research. Never neglecting the interconnectedness of disciplines and domains, these original contributions survey specific topics and critically discuss the leading views in their areas. They include discursive and reflective pieces, as well as discussions of original empirical work, and contributors include established leaders in the field, rising stars, and new voices, including practioner and industry voices. This is a comprehensive overview of the field, ideal not only for undergraduate and postgraduate fashion studies students, but also for researchers and students in communication studies, the humanities, gender and critical race studies, social sciences, and fashion design and business.
La Ribot
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Comparison
Design-Driven Research encompasses many different forms of research in which architectural, design, and artistic practices and the results thereof, are implemented as a means to generate and disseminate new knowledge. This includes contemporary alternative formulations of the field, like Artistic Research, Research by Design, Practice-Based/Led Research, Creative Practice Research. CA2RE+ is a joint Erasmus+ strategic partnership of nine European universities in association with EAAE, ELIA and ARENA, and it supports early-career researchers and Ph.D. students to improve the quality of their research. CA²RE+ explicates the transformative and innovative power of highly individual strategies in artistic research, the diversity of research traditions, and the integrative nature of architectural design research, able to face the contemporary knowledge fragmentation from humanities, social sciences, and technology. Along with the CA2RE+ timeline project, the focus of Milano conference narrows by comparing design strategies and tactics applied to highlight common approaches and methodological specificities within the consortium and the broader community involved.
Arquitectura COAM.
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