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This book explores the appropriation of Islamic architecture by Spanish historians during the sixteenth and seventeenth centuries, illuminating its relationship to the development of Spanish national identity.
THIS NEWLY ENHANCED EDITION OF THE AUTHOR'S 1936 BOOK IS PARTICULARLY RELEVANT TO THE ORIGIN AND EVOLUTION OF THE CURRENT MORO (ISLAMIC FILIPINO) POLITICAL AND BRUTALLY SAVAGE EVENTS IN THE SOUTHERN ISLANDS, INCLUDING ABU SAYYAF AND THE HISTORICAL CONNECTION TO BOTH TRADIONAL AND RADICAL ISLAM. It now contains photographs and maps from the author's private collection never before available; a new introduction setting out the author's history and connection to the Philippines; and a new comprehensive index to this history of the Moros' 500 year struggle to maintain their culture and their tradional homeland. LEGENDARY WARRIORS: THE ISLAMIC MOROS OF THE PHILIPPINES HAVE NEVER BEEN CONQUERED. To reach a real understanding of the forces of history that made the Moros the fearsome fighters that they were and are, the author gives the reader hard facts, careful research, and vivid prose. Although Hurley was writing at a much earlier time and from a western viewpoint, there is no doubt about his respect and admiration for the character and convictions of the fighting Moros, and his disdain for the ineffective strategies and tactics of the US military.
La Conquistadora explores Mary's prominence on and off the battlefield in the culturally and ethnically diverse world of medieval Iberia, where Muslims, Christians, and Jews lived side by side, and in colonial Mexico, where Spaniards and indigenous peoples mingled.
This study of the Spanish monarchy, bureaucracy and representative government under Charles V before and after the "comunero" revolt (1520-1521) demonstrates how the emperor and Castilian republics institutionalized management procedures that promoted accountability, advanced a meritocracy, and facilitated expansionism and domestic stability.
Some cities seem destined to become major financial capitals, yet never do—Seville, for instance, was the centre of Spain's opulent New World Empire, but failed to become a financial metropolis. Others, like former colonial backwater Hong Kong, defy the odds by growing into major trading centres. What are the key factors distinguishing those cities that become wealthy from those that don't? Christopher Kennedy illuminates how geography, technology, and especially the infrastructure of urban economies allow cities to develop and thrive. The Evolution of Great World Cities unfolds through the tales of several urban centres—including Venice, Amsterdam, London, and New York City—at key junctures in their histories. Kennedy weaves together significant insights from urbanists such as Jane Jacobs and economists such as John Maynard Keynes, drawing striking parallels between the functioning of ecosystems and of wealthy capitals. The Evolution of Great World Cities offers an accessible introduction to urban economies that 'will change the way you think about cities.'
This volume forms part of the 2 volume facimile Architecture of the Renaissance. This set considers the effect of the new artistic culture on the changes that took place in the fifteenth century Italian cities and then throughout Europe.
The story of Seville’s Archive of the Indies reveals how current views of the sixteenth and seventeenth centuries are based on radical historical revisionism in Spain in the late 1700s. The Invention of the Colonial Americas is an architectural history and media-archaeological study of changing theories and practices of government archives in Enlightenment Spain. It centers on an archive created in Seville for storing Spain’s pre-1760 documents about the New World. To fill this new archive, older archives elsewhere in Spain—spaces in which records about American history were stored together with records about European history—were dismembered. The Archive of the Indies thus construct...
In the sixteenth century Spain was at the height of its glory, enjoying a period of exceptional power, wealth, and artistic splendor. In 1561 Philip II commissioned Europe's leading topographical artist, Anton van den Wyngaerde, to prepare cities and towns of his Golden Age empire. Van den Wyngaerde spent most of his time traveling in Spain from 1561 until his death in 1571, preparing views—many the earliest known depictions—of no fewer than sixty-two cities and towns, including Barcelona, Valencia, Zaragoza, Granada, Córoba, Seville, Toledo, Burgos, and Madrid. These drawings not only record Spain's cities during the most glorious moments in their history but also depict them with a precision that can almost be described as photographic.