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Old Roots, New Routes
An in-depth look at the influences, meaning, and identity of this contemporary music form
No Depression # 76
For most of its thirteen-year history as a beloved and decorated music magazine, No Depression sought to be an instrument of change: to draw attention to the deep well of American musical traditions; to shine a light on performers whose gifts far exceed the size of their audiences or their pocketbooks; and to provide a safe harbor for the best long-form writing about music on the newsstand. These traditions continue through No Depression's now semi-annual series of bookazines. The inaugural bookazine, numberedND #76so as to make explicit the continuity betweenNo Depression's original and new formats, focused on the next generation of emerging roots music performers.ND #78, due out the fall o...
Modern Twang
The only sourcebook dedicated to the alternative country movement. The Chicago Tribune aptly described it -- "lf you think of country music as big hair, big hats, and slick production, then clearly, you've missed out on the alternative country revolution".
Modern Twang
The only sourcebook dedicated to the alternative country movement. The Chicago Tribune aptly described it -- "lf you think of country music as big hair, big hats, and slick production, then clearly, you've missed out on the alternative country revolution".
Country Music
In popular music, country music, also called country and western music or country-western, is an amalgam of popular musical forms developed in the Southern United States, with roots in traditional folk music, Celtic Music, Blues, Gospel music, and Old-time music that began to develop rapidly in the 1920s. The term country music began to be widely applied to the music in the 1940s and was fully embraced in the 1970s while country and western declined in use. "Encompassing a wide range of musical genres, from folk songs and religious hymns to rhythm and blues, country music reflects our Nation's cultural diversity as well as the aspirations and ideals that unite us. It springs from the heart of America and speaks eloquently of our history, our faith in God, our devotion to family, and our appreciation for the value of freedom and hard work. With its simple melodies and timeless, universal themes, country music appeals to listeners of all ages and from all walks of life." (President George H. W. Bush celebrated country music by declaring October, 1990 "Country Music Month")
Country Music
Includes essays tracing Country's growth from hand-me-down folk to a major American industry; concise biographies; critical album reviews, from the earliest commercial recordings of the 1920s through the mulitplatinum artists of today; and vintage album jackets and previously unpublished photographs.
Country Music Goes to War
"Listening to the Beat of the Bomb" UPK author Charles Wolfe discusses his work and his new book Country Music Goes to War in the NEW YORK TIMES. While Toby Keith suggests that Americans should unite in support of the president, the Dixie Chicks assert their right to criticize the current administration and its military pursuits. Country songs about war are nearly as old as the genre itself, and the first gold record in country music went to the 1942 war song "There's a Star Spangled Banner Waving Somewhere" by Elton Britt. The essays in Country Music Goes to War demonstrate that country musicians' engagement with significant political and military issues is not strictly a twenty-first-centu...
The Oxford Handbook of Country Music
Approaches country music through an interdisciplinary lens, Features close analyses of gendered and racial disparities in country music, Examines politics of both the performance of country music and the scholarship surrounding it Book jacket.
Rednecks, Queers, and Country Music
In her provocative new book Rednecks, Queers, and Country Music, Nadine Hubbs looks at how class and gender identity play out in one of AmericaÕs most culturally and politically charged forms of popular music. Skillfully weaving historical inquiry with an examination of classed cultural repertoires and close listening to country songs, Hubbs confronts the shifting and deeply entangled workings of taste, sexuality, and class politics. In HubbsÕs view, the popular phrase ÒIÕll listen to anything but countryÓ allows middle-class Americans to declare inclusive ÒomnivoreÓ musical tastes with one crucial exclusion: country, a music linked to low-status whites. Throughout Rednecks, Queers, a...
The Honky Tonk on the Left
Massively popular for the past century, country music has often been associated with political and social conservatism. While such figures as George Wallace, Richard Nixon, and Ted Cruz have embraced and even laid claim to this musical genre over the years, country performers have long expressed bold and progressive positions on a variety of public issues, whether through song lyrics, activism, or performance style. Bringing together a wide spectrum of cultural critics, The Honky Tonk on the Left takes on this conservative stereotype and reveals how progressive thought has permeated country music from its beginnings to the present day. The original essays in this collection analyze how diver...
