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The Birmingham Group
  • Language: en
  • Pages: 300

The Birmingham Group

The focus of this study is the collective of writers known variously as the Birmingham Group, the Birmingham School or the Birmingham Proletarian Writers who were active in the City of Birmingham in the decade prior to the Second World War. Their narratives chronicle the lived-experience of their fellow citizens in the urban manufacturing centre which had by this time become Britain’s second city. Presumed ‘guilty by association’ with a working-class literature considered overtly propagandistic, formally conservative, or merely the naive emulation of bourgeois realism, their narratives have in consequence suffered undue critical neglect. This book repudiates such assertions by arguing that their works not only contrast markedly with other examples of working-class writing produced in the 1930s but also prove themselves responsive to recent critical assessments seeking a more holistic and intersectional approach to issues of working-class identity.

Finding Purple America
  • Language: en
  • Pages: 197

Finding Purple America

The new southern studies has had an uneasy relationship with both American studies and the old southern studies. In Finding Purple America, Jon Smith, one of the founders of the new movement, locates the source of that unease in the fundamentally antimodern fantasies of both older fields. The old southern studies tends to view modernity as a threat to a mystic southern essence--a dangerous outside force taking the form of everything from a "bulldozer revolution" to a "national project of forgetting." Since the rise of the New Americanists, American studies has also imagined itself to be in a permanent crisis mode, seeking to affiliate the field and the national essence with youth countercult...

My Desire for History
  • Language: en
  • Pages: 343

My Desire for History

This anthology pays tribute to Allan Berube (1946-2007), a self-taught historian and MacArthur Fellow who was a pioneer in the study of lesbian and gay history in the United States. Best known for his Lambda Literary Award-winning book Coming Out Under Fire: The History of Gay Men and Women in World War II (1990), Berube also wrote extensively on the history of sexual politics in San Francisco and on the relationship between sexuality, class, and race. John D'Emilio and Estelle Freedman, who were close colleagues and friends of Berube, have selected sixteen of his most important essays, including hard-to-access articles and unpublished writing. The book provides a retrospective on Berube's life and work while it documents the emergence of a grassroots lesbian and gay community history movement in the 1970s and 1980s. Taken together, the essays attest to the power of history to mobilize individuals and communities to create social change.

Sweet Dreams
  • Language: en
  • Pages: 225

Sweet Dreams

One of the most influential and acclaimed female vocalists of the twentieth century, Patsy Cline (1932–63) was best known for her rich tone and emotionally expressive voice. Born Virginia Patterson Hensley, she launched her musical career during the early 1950s as a young woman in Winchester, Virginia, and her heartfelt songs reflect her life and times in this community. A country music singer who enjoyed pop music crossover success, Cline embodied the power and appeal of women in country music, helping open the lucrative industry to future female solo artists. Bringing together noted authorities on Patsy Cline and country music, Sweet Dreams: The World of Patsy Cline examines the regional...

Wrong's what I Do Best
  • Language: en
  • Pages: 199

Wrong's what I Do Best

This is the first study of "hard" country music as well as the first comprehensive application of contemporary cultural theory to country music. Barbara Ching begins by defining the features that make certain country songs and artists "hard." She compares hard country music to "high" American culture, arguing that hard country deliberately focuses on its low position in the American cultural hierarchy, comically singing of failures to live up to American standards of affluence, while mainstream country music focuses on nostalgia, romance, and patriotism of regular folk. With chapters on Hank Williams Sr. and Jr., Merle Haggard, George Jones, David Allan Coe, Buck Owens, Dwight Yoakam, and the Outlaw Movement, this book is written in a jargon-free, engaging style that will interest both academic as well as general readers.

It's Just the Normal Noises
  • Language: en
  • Pages: 240

It's Just the Normal Noises

Taking a personal approach to the subject matter, Timothy Gray reads criticism and listens to music as though rock 'n' roll not only explains American culture, but also shores up his life. In It's Just the Normal Noises, Gray examines a wide array of writing about roots music from the 1960s to the 2000s. In addition to chapters on the genre-defining work of Peter Guralnick and Greil Marcus, he explores the influential writings of Grant Alden and Peter Blackstock, the editors of No Depression magazine, and the writers who contributed to its pages, Bill Friskicks-Warren, Ed Ward, David Cantwell, and Allison Stewart among them. A host of memoirists and novelists, from Patti Smith and Ann Powers to Eleanor Henderson and Dana Spiotta, shed light on the social effects and personal attachments of the music's many manifestations, from punk to alt country to hardcore.

Trending Now: New Developments in Fashion Studies
  • Language: en
  • Pages: 363

Trending Now: New Developments in Fashion Studies

  • Type: Book
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  • Published: 2019-05-15
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  • Publisher: BRILL

This volume was first published by Inter-Disciplinary Press in 2013. This volume includes a selection of papers presented at the Fourth Inter-Discplinary.net conference, Fashion: Exploring Critical Issues, held at Oxford University’s Mansfield College in September 2012. The chapters offer a wide range of disciplinary perspectives to the field of fashion studies. They include analyses of collective and individual identity, global and local expressions, nationalism, modes of self-presentation, sustainability and ethical fashion, developments in the luxury markets, and various theoretical and conceptual considerations. Its authors seek to challenge and contribute to commonly held understandings in fashion related to power dynamics in the fashion industry, representations of gender and class, fashion’s historiography, art and fashion, socio-political considerations, fashion as material culture, and fashion across media, from literature, to music and dance. The goal of this collection is to advance knowledge in the field of fashion studies and to expand upon current socio-cultural understandings of what constitutes the ‘fashion world.’

Choosing a College
  • Language: en
  • Pages: 124

Choosing a College

More than ten compelling essays debate the issues surrounding choosing a college. Readers will evaluate topics such as whether paid admission consultants are useful, and whether students should consider taking a year off between high school and college. Essay sources include the Philadelphia Inquirer Editorial Staff, Natalia Maldonado, Peter Vartanian, and Julia Reischel.

Class
  • Language: en
  • Pages: 260

Class

  • Type: Book
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  • Published: 2001-04-26
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  • Publisher: Routledge

This book traces the phenomenon of class from the medieval to the postmodern period, uniquely examining its relevance to literary and cultural analysis. Drawing on historical, sociological and literary writings, Gary Day: * gives an account of class at different historical moments * shows the role of class in literary constructions of the social * examines the complex relations between 'class' and 'culture' * focuses attention on the role of class in constructions of 'the literary' and 'the canon' * employs a revived and revised notion of class to critique recent theoretical movements.

Country Boys and Redneck Women
  • Language: en
  • Pages: 324

Country Boys and Redneck Women

Country music boasts a long tradition of rich, contradictory gender dynamics, creating a world where Kitty Wells could play the demure housewife and the honky-tonk angel simultaneously, Dolly Parton could move from traditionalist "girl singer" to outspoken trans rights advocate, and current radio playlists can alternate between the reckless masculinity of bro-country and the adolescent girlishness of Taylor Swift. In this follow-up volume to A Boy Named Sue, some of the leading authors in the field of country music studies reexamine the place of gender in country music, considering the ways country artists and listeners have negotiated gender and sexuality through their music and how gender ...