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All My Friends Have Issues
Why is it so challenging to create and keep meaningful friendships? Amanda Anderson provides the wise and witty answers, giving practical advice and sharing personal stories to guide us toward the kinds of friendships we long for. Blending faith-based insights and psychological truths, All My Friends Have Issues is a liberating guide to finding and becoming an authentic and encouraging friend. “Anderson becomes the friend we’ve always needed and, in the process, helps us become a better friend.” —Elisa Morgan, president emerita of MOPS International, speaker, and author of The Beauty of Broken “Be ready to laugh and then to learn as Amanda shares her weaknesses and foibles in her relationships with herself and her friends.” —David Stoop, PhD, clinical psychologist and author of You Are What You Think “A captivating and often hilarious book.” —Milan and Kay Yerkovich, authors of How We Love and How We Love Our Kids “Fun and informative. . . . A book I highly recommend!” —Debbie Alsdorf, speaker and author of It’s Momplicated and The Faith Dare “Warm, funny, authentic, and relatable.” —Vivian Mabuni, speaker and author of Open Hands, Willing Heart
Bleak Liberalism
Bleak liberalism -- Liberalism in the age of high realism -- Revisiting the political novel -- The liberal aesthetic in the postwar era: the case of Trilling and Adorno -- Bleak liberalism and the realism/modernism debate: Ellison and Lessing
Tainted Souls and Painted Faces
Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction—the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman within the context of mid-Victorian debates over the nature of selfhood, gender, and agency. In richly textured readings of works by Charles Dickens, Elizabeth Gaskell, Dante Gabriel Rossetti, and Elizabeth Barrett Browning, among others, she argues that depictions of fallen women express profound cultural anxieties about the very possibility of self-control and traditional moral responsibility.
One Good Cowboy
Charlisse Brighton has loved Grant Turner all her life until she finds him in a compromising position. One that caused her hero to fall from the pedestal she placed him upon. When she finds that her dreams along with her innocence lay in tatters at his feet she decides to flee from the life she has known for eleven years and return home to Boston, but when unexpected events force her to return she must once again face the man who has held her heart all her life.Can she reconcile her feelings of doubt and mistrust and take the love that he offers her or will she run away again? Can she ever truly escape her own heart and the love a one good cowboy and does she truly want to?
The Way We Argue Now
How do the ways we argue represent a practical philosophy or a way of life? Are concepts of character and ethos pertinent to our understanding of academic debate? In this book, Amanda Anderson analyzes arguments in literary, cultural, and political theory, with special attention to the ways in which theorists understand ideals of critical distance, forms of subjective experience, and the determinants of belief and practice. Drawing on the resources of the liberal and rationalist tradition, Anderson interrogates the limits of identity politics and poststructuralism while holding to the importance of theory as a form of life. Considering high-profile trends as well as less noted patterns of ar...
Character
Over the last few decades, character-based criticism has been seen as either naive or obsolete. But now questions of character are attracting renewed interest. Making the case for a broad-based revision of our understanding of character, Character rethinks these questions from the ground up. Is it really necessary to remind literary critics that characters are made up of words? Must we forbid identification with characters? Does character-discussion force critics to embrace humanism and outmoded theories of the subject? Across three chapters, leading scholars Amanda Anderson, Rita Felski, and Toril Moi reimagine and renew literary studies by engaging in a conversation about character. Moi re...
Psyche and Ethos
We live in a psychological age. Contemporary culture is saturated with psychological concepts and ideas, from anxiety to narcissism to trauma. While it might seem that concern over psychological conditions and challenges is intrinsically oriented toward moral questions about what promotes individual and collective well-being, it is striking that from the advent of Freudian psychoanalysis in the late nineteenth-century up to recent findings in cognitive science, psychology has posed a continuing challenge to traditional concepts of moral deliberation, judgment, and action, all core components of moral philosophy and central to understandings of character and tragedy in literature. Psyche and ...
The Powers of Distance
Gender, modernity, and detachment: domestic ideals and the case of Charlotte Brontë's Villette -- Cosmopolitanism in different voices: Charles Dickens's Little Dorrit and the hermeneutics of suspicion -- Disinterestedness as a vocation: revisiting Matthew Arnold -- The cultivation of partiality: George Eliot and the Jewish question -- "Manners before morals": Oscar Wilde and epigrammatic detachment.
The Powers of Distance
Combining analysis of Victorian literature and culture with forceful theoretical argument, The Powers of Distance examines the progressive potential of those forms of cultivated detachment associated with Enlightenment and modern thought. Amanda Anderson explores a range of practices in nineteenth-century British culture, including methods of objectivity in social science, practices of omniscience in artistic realism, and the complex forms of affiliation in Victorian cosmopolitanism. Anderson demonstrates that many writers--including George Eliot, John Stuart Mill, Charlotte Brontë, Matthew Arnold, and Oscar Wilde--thoughtfully address the challenging moral questions that attend stances of ...
Reclaiming Life
Meredith Richardson had struggled her whole life. First with the fact that she had no father, then with her teenage pregnancy and marriage, later she struggled with her husband's illness and death. Her life seemed to be one trial after another and all she could do was survive and attempt to give her young daughter a stable life. Then as if out of the blue she was confronted by a determined force that would wrench her out of her self-imposed solitude and back into the world of the living. Jackson St. John was a man of ambition. He had built his fortune with a will of iron, but he was driven by a past he could not escape. With all that he had accomplished he still lacked what he wanted most, a...
