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This work provides a compelling explanation of something that has bedeviled a number of feminist scholars: Why did popular authors like Edna Ferber continue to write conventional fiction while living lives that were far from conventional? Amanda J. Zink argues that white writers like Ferber and Willa Cather avoided the subject of their own domestic labor by writing about the performance of domestic labor by "others," showing that American print culture, both in novels and through advertisements, moved away from portraying women as angels in the house and instead sought to persuade other women to be angels in their houses. Zink further explores lesser-known works such as Mexican American cookbooks and essays in Indian boarding school magazines to show how women writers "dialoging domesticity" exemplify the cross-cultural encounters between "colonial domesticity" and "sovereign domesticity." By situating these interpretations of literature within their historical contexts, Zink shows how these writers championed and challenged the ideology of domesticity.
Ernst Israel Bornstein had been eighteen when his world collapsed; youthful adaptability, self-possession and above all, luck, combined to preserve his husk in seven work camps which might have been modeled on the sequence of Dante's circles of hell.
Some vols. include supplemental journals of "such proceedings of the sessions, as, during the time they were depending, were ordered to be kept secret, and respecting which the injunction of secrecy was afterwards taken off by the order of the House."
'A gorgeous love story and a hilarious political novel about precarity and abuse in the era of late capitalism.' Neel Mukherjee, author of Man Booker Prize-shortlisted The Lives of Others'Zink's confidence and authority as a writer are evident from Avalon's killer first sentences.' LA TimesBran's Southern California upbringing is anything but traditional. After her mother abandons her and joins a Buddhist colony, Bran is raised by her 'common-law stepfather' on Bourdon Farms - a plant nursery that doubles as a cover for a biker gang. She spends her days tending plants, slogging through high school and imagining what life could be if she had been born to a different family.Then she meets Peter-a charming, troubled college student from the East Coast - who launches his teaching career by initiating her into the world of art. The two begin a seemingly doomed long-distance relationship as Bran searches for meaning in her own surroundings. She knows how to survive, but now she must learn how to live.'Zink is a comic writer par excellence.' New Yorker'An extraordinary talent.' Daily Telegraph
An "excellent," darkly-told crime novel in the tradition of Tana French and Ian Rankin (Wall Street Journal). Sergeant Alexandra Cupidi is a recent transfer from the London metro police to the rugged Kentish countryside. She's done little to ingratiate herself with her new colleagues, who find her too brash, urban, and -- to make matters worse -- she investigated her first partner, a veteran detective, and had him arrested on murder charges. Now assigned the brash young Constable Jill Ferriter to look after, she's facing another bizarre case: a woman found floating in local marsh land, dead of no apparent cause. The case gets even stranger when the detectives contact the victim's next of kin...
'Simply wonderful.' - BEN FOGLE 'Kate's book has the warmth and calming effect of a log fire and a glass of wine. Unknit your brow and let go. It's a treat.' - GARETH MALONE 'Kate Humble pours her enviable knowledge into attainable goals. It's a winning combination and the prize - a life in balance with nature - is definitely worth claiming.' - LUCY SIEGLE 'As ever, where Kate leads, I follow. She has made me reassess and reset.' - DAN SNOW 'Kate Humble's new book is a lesson in moving on from a tragedy and finding our place in the world' - WOMAN & HOME 'A Year of Living Simply is timely, given that the pandemic has forced most of us, in some way to simplify our lives, whether we planned to ...