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Stephen Knight traces the myth of Merlin from to the early Welsh figure of Myrddin, through centuries of literature and art, and to contemporary examples of literature, film, and television.
This 1971 edition contains selections from Heber's account of his stay in Calcutta in 1823-24 and his subsequent journey across northern India to Bombay. The journal is marked by a sympathetic understanding of and interest in India to a degree by no means always to be found in British writers of this time.
Drama in the Romantic period underwent radical changes affecting theatre performance, acting, and audience. Theatres were rebuilt and expanded to accommodate larger audiences, and consequently acting styles and the plays themselves evolved to meet the expectations of the new audiences. This book examines manifestations of change in acting, stage design, setting, and the new forms of drama. Actors exercised a persistent habit of stepping out of their roles, whether scripted or not. Burwick traces the radical shifts in acting style from Garrick to Kemble and Siddons, and to Kean and Macready, adding a new dimension to understanding the shift in cultural sensibility from early to later Romantic literature. Eye-witness accounts by theatre-goers and critics attending plays at the major playhouses of London, the provinces, and on the Continent are provided, allowing readers to identify with the experience of being in the theatre during this tumultuous period.
Contains fine examples of Anglo-Indian literature. The original books were written at various periods in the history of Anglo-Indian literature. The first two chapters are attempts to provide an overview of the beginning and the growth in Anglo-Indian prose and poetry. When Bishop Heber wrote his Journals, he described in detail what he saw and understood in India. The chapter on his Journals contains an analysis of Heber's presentation of the socio-economic-cultural condition of India in the early nineteenth century. The essay on Twenty-One Days in India analyses as to how an Englishman smiled at his own countrymen in colonial India. The behavioural peculiarities of the characters are brought into focus, examined and then mildly satirised. This book is reminiscent of the vignettes that were published during the Victorian period in England. The tetralogy The Near and the Far of L.H. Myers is, among others, exemplary of the author's understanding of the orient. The chapter on this novel is an analysis of the orientalism of the author.
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The book includes previously unpublished material, which cover broad spectrum of subject areas such as church history, medical history, and the visual arts. It consists of five papers selected from a corpus of material researched over the past quarter of a century. It will be of interest to undergraduate and postgraduate students, as well as University lecturers.
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The Ionian Islands stretch south from the Adriatic, where Corfu’s Pantokrator mountain overlooks Albania across narrow straits, along the western coast of mainland Greece through Paxi, Kephalonia, Ithaca, Lefkada and Zakynthos, to Kythira, midway between Athens and Crete. Three crucial sea-battles were fought here – Sybota (the first recorded), Actium and Lepanto – an indication of the Ionians’ role as an East-West crossroads, between Western Christendom and the Orthodox and Islamic East. Ruled by Venice in her Stato da Mar (sea-empire), the islands became an independent state, as the Septinsular Republic and then, under British Protection, as the United States of the Ionian Islands....
How did the British come to conquer South Asia in the late eighteenth and early nineteenth centuries? This title explores how the British organized the process of "islanding," aiming to create a separable unit of colonial governance and trade in keeping with conceptions of ethnology, culture, and geography.