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Beneath Yggdrasil's Shadow
Norse mythology has a fascinating take on the universe and a pantheon of amazing gods and goddesses. Although there are many stories that have survived the ages, there are several tales that were lost to time. This anthology focuses on stories about Norse goddesses that have been mostly forgotten. There are many goddesses that we now know very little about, their origins erased from history. Who are these barely mentioned goddesses? Where did they come from? These are the stories that history did not remember. Featuring 23 stories about Norse goddesses such as Sigyn, Ran, Idun, Nott, Eir, Angrboda, and many more! With stories by Cindar Harrell, Victor H. Rodriguez, Christine Morgan, Jade Black, Amelia Sirina, Jane Dougherty, R.A. Goli, Eddie D. Moore, Lisa M. Landreth, Tony Daly, Cassandra Schoeber, Aaron Hwang, Genevieve Gornichec, Matthew Wilson, Nicki J. Markus, by Tahni J. Nikitins, DJ Tyrer, Kari Holloway, Claire Davon, Gerri Leen, Antonius M. Hogebrandt, David W. Landrum, and S. Locke.
Guilds & Glaives
Stop right there! If you like your fantasy filled with fellowships and noble quests, this anthology is not for you. And if you love lengthy tales of politics and power, then it won’t be to your taste either. But if you like a little intimacy with your evil, and your vengeance short and sweet, with perhaps a pinch of silliness in the witchcraft, then these fourteen delicious sweetmeats of sword and sorcery will prove right up your alley. And it will be a dank, twisting, fetid alley, too. In this book you will find no high elves (only low), no politics (unless assassination is involved), and certainly no nobility. Join Lawrence Harding, Howard Andrew Jones, Esther Friesner, Jenna Rhodes, Gini Koch, Violette Malan, Leah Webber, David Farland, R.K. Nickel, Ashley McConnell, D.B. Jackson, James Enge, Jason Palmatier, and Amelia Sirina as they explore the perilous streets and clashing blades found in GUILDS & GLAIVES.
Amelia
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Amelia
The year is 1914 and Amelia Pim will soon be thirteen. There are rumours of war and rebellion, and Dublin is holding its breath for major, dramatic events. But all that matters to Amelia is what she will wear to her birthday party and how she can be the envy of her friends. But where are Amelia's friends when disaster strikes her family? Now that the Pims have come down in the world, what use will Amelia have for a shimmering emerald-green dress? When Mama's political activities bring the final disgrace, it is Amelia who must hold the family together. Only the friendship of the servant girl Mary Ann seems to promise any hope.
Amelia - Complete
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Amelia – Complete
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Amelia
ot much good to be said. The peer of the eighteenth-century writers (even when, as in Fielding's case, there was no reason why they should "mention him with Kor," as Policeman X. has it) is almost always a faint type of goodness or wickedness dressed out with stars and ribbons and coaches- and-six. Only Swift, by combination of experience and genius, has given us live lords in Lord Sparkish and Lord Smart. But Mrs. Ellison and Mrs. Atkinson are very women, and the serjeant, though the touch of "sensibility" is on him, is excellent; and Dr Harrison's country friend and his prig of a son are capital; and Bondum, and "the author," and Robinson, and all the minor characters, are as good as they can be.
Amelia Chamelia and the Farm Adventure
Amelia’s family are going on holidays to a farm! The best news is that Willow is coming too. The girls can’t wait to play with the baby lambs, go strawberry picking and ride horses. There’s just one thing worrying Amelia – she’s decided to tell Willow about her chameleon powers. But how? The big reveal doesn’t quite go to plan and Amelia isn’t happy. Can she use her magic powers to turn things around?
Adeline Mowbray; or, The Mother and Daughter
Adeline Mowbray; or, The Mother and Daughter is a novel by Amelia Opie that was published in 1804. Many of the heroine's experiences are based on the unconventional life of Mary Wollstonecroft, an acquaintance of Opie. In the novel, Opie explores what might happen when a woman's idealistic philosophical beliefs conflict with society's notions about female sexuality.
