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Not Many Readers Of Shashi Deshpande May Be Aware That Her First Experiments In Writing Fiction Started With The Short Story. Over The Years, She Has Published About A Hundred Stories In Literary Journals, Magazines And Newspapers, In Between Writing Her Immensely Popular Novels Which Are Now Read All Over The World, And Taught In Universities Wherever Indian Writing Has An Audience. In This Collection We Find Shashi Deshpande At Her Best, Writing With Subtlety And A Rare Sensitivity About Men And Women Trapped In Relationships And Situations Often Not Of Their Making. The Wife Of A Successful Politician Who Must Look To A Long-Lost Past In Order To Keep Up The Pretence Of Contentment; A Lit...
The essays in South Asia and Its Others: Reading the "Exotic" reveal fresh perspectives on the notion of exoticism in South Asia, and also challenge and extend existing scholarship in the broader discourse of what constitutes South Asia. Significantly, the anthology considers how the phenomenon of "exoticization" may be interpreted as a strategic methodology utilized by writers of South Asian descent to examine critically both the post-colonialist ramifications of casteism, religious intolerance, and gender violence across differing cultural contexts within the region, and how current perceptions of "native" and "diasporic" South Asian subjects problematize ideologies of authenticity across Western-Eastern divides. The papers in this collection show how authors of South Asian ethnicity construct their own version of an "exotic" South Asia globally and the colonialist discourse of "exocitism" is employed as a discursive tool that uncovers the ambiguity that continues to mark the marginality of identities even today.
This book addresses the idea of 'civility' as a manifestation of the fluidity and ambivalence of imperial power as reflected in British colonial literature and culture. Discussions of Anglo-Indian romances of 1880-1900, E.M. Forster's The Life to Come and Leonard Woolf's writings show how the appeal to civility had a significant effect on the constitution of colonial subject-hood and reveals 'civility' as an ideal trope for the ambivalence of imperial power itself.
Proceedings of a seminar held in September 1996.
Nature and Literary Studies supplies a broad and accessible overview of one of the most important and contested keywords in modern literary studies. Drawing together the work of leading scholars of a variety of critical approaches, historical periods, and cultural traditions, the book examines nature's philosophical, theological, and scientific origins in literature, as well as how literary representations of this concept evolved in response to colonialism, industrialization, and new forms of scientific knowledge. Surveying nature's diverse applications in twenty-first-century literary studies and critical theory, the volume seeks to reconcile nature's ideological baggage with its fundamental role in fostering appreciation of nonhuman being and agency. Including chapters on wilderness, pastoral, gender studies, critical race theory, and digital literature, the book is a key resource for students and professors seeking to understand nature's role in the environmental humanities.
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Elleke Boehmer's work on the crucial intersections between independence, nationalism and gender has already proved canonical in the field. 'Stories of women' combines her keynote essays on the mother figure and the postcolonial nation, with incisive new work on male autobiography, 'daughter' writers, the colonial body, the trauma of the post-colony, and the nation in a transnational context. Focusing on Africa as well as South Asia, and sexuality as well as gender, Boehmer offers fine close readings of writers ranging from Achebe, Okri and Mandela to Arundhati Roy and Yvonne Vera, shaping these into a critical engagement with theorists of the nation like Fredric Jameson and Partha Chatterjee. This edition will be of interest to readers and researchers of postcolonial, international and women's writing; of nation theory, colonial history and historiography; of Indian, African, migrant and diasporic literatures, and is likely to prove a landmark study in the field.
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Lorna Sage provides a fascinating study of the works of Angela Carter - the most inventive British novelist of her generation. All of Carter's novels and short stories are covered, as well as some non-fiction.
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