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Who is Manas? Manas is no mere man but a hero of mythic proportions, the protagonist of the Manas Epos. The Manas Epos is hailed as the classic centerpiece of Kyrguz literature, the encyclopaedia of Kyrgyz culture, the touchstone of the Kyrgyz spirit. It is the longest epic poem in the world with close to half a million lines.
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Today, the Kyrgyz Manas is one of the most celebrated epic heroic poems in the world. At the turn of the new millennium it was appointed a UNESCO ‘Masterpiece in the Oral and Intangible Heritage of Mankind’, signalling its global significance. It sits alongside Homer’s Iliad and Odyssey, or the South Asian Mahābhārata and Rāmāyana, although politics and language have during the twentieth century conspired against allowing it to become as well known. In contrast to previously published material, this book focuses on one septegenarian contemporary performer, Saparbek Kasmambetov who inherited the oral tradition of his culture, adding details and other elements to his storytelling, as...
1. The human manas is pure and impure: divided on earth, united in heaven. The immortal Manas or Higher Ego is an emanation from the Supreme Spirit. Its reflection on earth, fashioned by the creative and intelligent forces in nature, is but a temporary vehicle of its divine parent on earth. The Higher Ego, at incarnation, shoots out a Ray — the lower ego or manas. That portion of the Lower Manas, which is one with the Higher is termed Antahkarana. On it are impressed all good and noble aspirations, and in it are the upward energies of the Lower Manas. The whole fate of an incarnation depends on whether this pure essence, Antahkarana, can restrain Kama-Manas or not. It is the only salvation...
About the Book Goswami Tulsidas, who wrote Shri Rama Charit Manas, was the greatest poet of his era. The Hindu society at the time of Tulsidas was experiencing the most deep-rooted evil, the Varna or Caste systems. The People of Shudra Varna were deprived of social, religious, and educational rights. In such an environment, Tulsidas tried to remove all social in equalities through his creation, Shri Rama Charit Manas, dedicated to the devotion of Lord Rama, and built a platform for everyone, where all discrimination is erased. He was aware of their conditions and reflected this perspective in the epic. He showed the right way through, Lord Rama, who treated them at par and befriended and embraced them. The author, R.K Chopra, comes from a religious family of Varanasi, which Published Shri Rama Charit Manas in 1930s. In this book, he has tried to present a literary interpretation of supposedly controversial verses in the epic and illustrated the Poet's support for Social Equality
The real Saviours of Mankind all descend to the Nether World, the Kingdom of Darkness, of temptation, lust, and selfishness. And, after having overcome the Chrest condition or the tyranny of separateness, their astral or worldly ego is enlightened by Lucifer, the Glorified Divine Ego (Buddhi-Manas), who is the real Christ in every man. Pythagoras, Buddha, Apollonius, were Initiates of the same Secret School. The Sun is the external manifestation of the Seventh Principle of our Planetary System while the Moon is its Fourth Principle. Shining in the borrowed robes of her Master, she is saturated with and reflects every passionate impulse and evil desire of her grossly material body, our earth....
This is a story of Coco, the wonder pug who saved the Tigress, Floppy in the Manas National Park in Assam, India.
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In the heart of Asia, straddling the western Tien Shan mountain range, lies the former Soviet republic Kyrgyzstan. The country prides itself in an age old oral epic tradition that recounts the mighty deeds of the hero Manas. When explorers first encountered Manas performers in the late nineteenth century, they hailed their art as a true representation of the heroic age, and compared it to masterpieces such as the Kalevala and the Iliad. Today there are still many excellent performers who can keep their audiences spellbound. They are believed to draw their inspiration from the spirit of Manas himself. This book portrays the meaning of this huge work of art in Kyrgyz society. Based on extended...
This book explores the links between tourism and festivals and the various ways in which each mobilises the other to make social realities meaningful. Drawing upon a series of international cases, festivals are examined as ways of responding to various forms of crisis - social, political, economic - and as a way of re-making and re-animating spaces and social life. Importantly, this book locates festivals in the constantly changing, socio-economic and political contexts that they always operate in and respond to - contexts that are both historical and modern at the same time. Tourism is bound closely together with such contexts; feeding and challenging festivals with audiences that are increasingly transient and transnational. Tourism interrogates notions of ritual and tradition, shapes new spaces and creates, and renews, relationships between participants and observers. No longer can we dismiss tourists simply as value neutral and crass consumers of spectacle, nor tourism as some inevitable commercial force. Tourism is increasingly complicit in the festival processes of re-invention, and in forming new patterns of social existence.