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The realm of revelation is opening to a last-days revival company!Arise, shine, for your Light has come, and the glory of the Lord has risen upon you. For behold, darkness will cover the earth and deep darkness the people; But the Lord will rise over you and His glory will be seen upon you." Isaiah 60:1-2 The entire world has entered into...
An in-depth view of the way popular female stereotypes were reflected in—and were shaped by—the portrayal of women in Disney’s animated features. In Good Girls and Wicked Witches, Amy M. Davis re-examines the notion that Disney heroines are rewarded for passivity. Davis proceeds from the assumption that, in their representations of femininity, Disney films both reflected and helped shape the attitudes of the wider society, both at the time of their first release and subsequently. Analyzing the construction of (mainly human) female characters in the animated films of the Walt Disney Studio between 1937 and 2001, she attempts to establish the extent to which these characterizations were shaped by wider popular stereotypes. Davis argues that it is within the most constructed of all moving images of the female form—the heroine of the animated film—that the most telling aspects of Woman as the subject of Hollywood iconography and cultural ideas of American womanhood are to be found. “A fascinating compilation of essays in which [Davis] examined the way Disney has treated female characters throughout its history.” —PopMatters
These vintage and contemporary images of Baltimore movie palaces explore the changing face of Charm City with stories and commentary by filmmakers. Since the dawn of popular cinema, Baltimore has been home to hundreds of movie theaters, many of which became legendary monuments to popular culture. But by 2016, the number of cinemas had dwindled to only three. Many theaters have been boarded up, burned out, or repurposed. In this volume, Baltimore Sun photojournalist Amy Davis pairs vintage black-and-white images of downtown movie palaces and modest neighborhood theaters with her own contemporary color photos. Flickering Treasures delves into Baltimore’s cultural and cinematic history, from ...
There are many questions that surround Christian womanhood: What does it mean? When does it happen; at a certain age, status, or maturity? How do we know we're no longer girls? And when we've figured that out, how will others know how to recognise us as a woman rather than a girl? After all, Christian women don't usually get a rite of passage in which they are named a woman. Seeing this need, Amy Davis Abdallah has created such a rite, and this book accompanies it; there is no need to go through her rite of passage, however, to name yourself a woman. The Book of Womanhood creates a path through the confusion that surrounds the identity of women by its flexible framework, developing the reade...
These scholarly essays examine Disney’s cultural impact from various perspectives—including film studies, history, musicology, gender and more. The academic field of Disney Studies has evolved greatly over the years, as the twelve essays collected in this volume demonstrate. With a diversity of perspectives and concerns, the contributors examine the cultural significance and impact of the Disney Company’s various outputs, such as animated shorts and films, theme park attractions, television shows, books, music, and merchandising. By looking at Disney from some of its many angles—including the history and the persona of its founder, a selection of its successful and not-so-successful films, its approaches to animation, its branding and fandom, and its reception and reinterpreted within popular culture—Discussing Disney offers a more holistic understanding of a company that has been, and continues to be, one of the most important forces in contemporary culture.
From dwarves to princes, heroes to heartbreakers, the Disney treatment of male characters in the studio’s animated features. One of PopSugar’s Best Books for Women (2013) From the iconic Snow White and the Seven Dwarfs (1937) to Tangled, the 2010 retelling of Rapunzel, Handsome Heroes and Vile Villains looks at the portrayal of male characters in Disney films from the perspective of masculinity studies and feminist film theory. This companion volume to Good Girls and Wicked Witches places these depictions within the context of Hollywood and American popular culture at the time of each film’s release. “Within her idealism and love for the House of the Mouse, it seems Davis is on to something. Whether idealistic or delusional, the Disney she talks about seems to be a thing that’s waiting just around the corner.” —PopMatters
For one with the ravenmark, there is no balance.Connor Mac Niall has everything he wants. As the best freelance man-at-arms in the known world, his reputation brings him jobs that provide adventure, women, and money in abundance.But Connor has a secret: He's ravenmarked. The avenging spirit of the earth, known as the Morrag, has chosen him to be her angel of death-to kill those she wants killed. Connor has run from her call half his life, and working as a freelance helps him keep the need to kill quelled.When Connor reluctantly agrees to escort a fleeing royal heir to safety, he has no idea that the journey will bring him face to face with the Morrag-and require that he choose between destin...
"Crisp rhymes and bold illustrations" Guardian Hopp is a little frog who definitely does NOT want to be a prince! A fairy tale for the 21st century that challenges gender stereotypes and encourages children to be proud to be themselves. On a misty lagoon in a fairy tale land, young frogs wait patiently to be turned into magical princes. But one little frog is different . . . Hopp definitely does NOT want to be a prince! When Hopp sets out on a journey to find their true self, everyone assumes the little frog is destined to be a prince . . . how could such a strong, brave, and kind frog be anything else? But all it takes is one understanding new friend to help Hopp undergo a magical transformation that causes a positive change to ripple all across the lagoon!
A group of struggling young screenwriters, in 1947 Hollywood, befriend an older Academy Award winning writer. They study the art of writing and begin to see a promising future when one of the group is murdered. Unhappy with the police investigation they begin to examine the evidence themselves. First, they must answer the question of why would anyone want two dead bodies to act the role of one person. As the talented, young, Hollywood hopeful screenwriters search for their answer, they are confronted with the backdrop of creeping Communism in the film industry. It is a time in our history when a congressional committee, headed by an ambitious, and calculating young United States Senator, sea...
OH YES SHE CAN!Who says girls can't play boys' make-believe games too? "No Girls Allowed" will simply NOT do for this little princess! "Princesses Can Be Pirates Too!" proves that just because a girl is wearing a crown and pink fluffy dress does not mean she can't act like a pirate just as good as any boy. Yes- even a refined and dainty princess can become a rough and tumble pirate! This is the playful and empowering premise of "Princesses Can Be Pirates Too!" "A princess can do what pirates can too; she can captain a ship and take charge of the crew. Should unfriendly pirates try climbing aboard, she can fend off the foes with a swoosh of her sword!" are just a few of the things this feisty princess can do in this humorous interpretation and approach to a pirate's life with a princess's sense of style!