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Director, producer and screenwriter Joss Whedon is a creative force in film, television, comic books and a host of other media. This book provides an authoritative survey of all of Whedon's work, ranging from his earliest scriptwriting on Roseanne, through his many movie and TV undertakings--Toy Story, Buffy the Vampire Slayer, Angel, Firefly/Serenity, Dr. Horrible, The Cabin in the Woods, and Agents of S.H.I.E.L.D.--to his forays into the Marvel Cinematic Universe. The book covers both the original texts of the Whedonverse and the many secondary works focusing on Whedon's projects, including about 2000 books, essays, articles, documentaries and dissertations.
Kate Brown's life has gone downhill fast. Her father has quit his job to sell vitamins at the mall, and Kate is forced to work with him. Her best friend has become popular, and now she acts like Kate's invisible. And then there's Will. Gorgeous, unattainable Will, whom Kate acts like she can't stand even though she can't stop thinking about him. When Will starts acting interested, Kate hates herself for wanting him when she's sure she's just his latest conquest. Kate figures that the only way things will ever stop hurting so much is if she keeps to herself and stops caring about anyone or anything. What she doesn't realize is that while life may not always be perfect, good things can happen -- but only if she lets them....
A look at African American women in science fiction, fantasy, and horror: “A compelling contribution to the scholarship on speculative cinema and television.” —Journal of American Culture When Lieutenant Uhura took her place on the bridge of the Starship Enterprise on Star Trek, the actress Nichelle Nichols went where no African American woman had ever gone before. Yet several decades passed before many other black women began playing significant roles in speculative (i.e., science fiction, fantasy, and horror) film and television—a troubling omission, given that these genres offer significant opportunities for reinventing social constructs such as race, gender, and class. Challengin...
There's a difference between falling and letting go. Lauren has a good life: decent grades, great friends, and a boyfriend every girl lusts after. So why is she so unhappy? It takes the arrival of Evan Kirkland for Lauren to figure out the answer: She's been holding back. She's been denying herself a bunch of things (like sex) because staying with her loyal and gorgeous boyfriend, Dave, is the "right" thing to do. After all, who would give up the perfect boyfriend? But as Dave starts talking more and more about their life together, planning a future Lauren simply can't see herself in -- and as Lauren's craving for Evan, and moreover, who she is with Evan becomes all the more fierce -- Lauren realizes she needs to make a choice...before one is made for her.
The films, television shows, and graphic novel series that comprise the Whedonverse continually show that there is a high price to be paid for love, rebellion, heroism, anger, death, betrayal, friendship, and saving the world. This collection of essays reveals the ways in which the Whedonverse treats the trauma of ordinary life with similar gravitas as trauma created by the supernatural, illustrating how memories are lost, transformed, utilized, celebrated, revered, questioned, feared, and rebuffed within the storyworlds created by Joss Whedon and his collaborators. Through a variety of approaches and examinations, the essays in this book seek to understand how the themes of trauma, memory, and identity enrich one another in the Whedonverse and beyond. As the authors present different arguments and focus on various texts, the essays work to build a mosaic of the trauma found in beloved works like Buffy the Vampire Slayer, Angel, Dollhouse, and more. The book concludes with a meta-analysis that explores the allegations of various traumas made against Joss Whedon himself.
Allyson Beatrice lives a not-quite-ordinary life. Her job and almost everyone she knows are the result of spending too much time on the Internet talking about vampires, slayers and lesbian witches. And her encounters are even more unusual than you'd imagine. A hilarious collection of true stories from Allyson's days as one of the Internet's leading cult TV fan gurus, her mind-boggling escapades include meetings with network executives in dark steakhouses to try to save doomed TV shows and one hastily arranged wedding for two committed Buffy fans. Honest, emotional and side-splittingly snarky, Allyson Beatrice brings a fresh voice to these wild but true stories. Will the Vampire People Please Leave the Lobby? welcomes you to a fun and sometimes bizarre world where stupidity frustrates, wit triumphs and connections are made in most unlikely ways...a world, in fact, not too different from our own.
Once upon a time, I was a little girl who disappeared. Once upon a time, my name was not Alice. Once upon a time, I didn't know how lucky I was. When Alice was ten, Ray took her away from her family, her friends -- her life. She learned to give up all power, to endure all pain. She waited for the nightmare to be over. Now Alice is fifteen and Ray still has her, but he speaks more and more of her death. He does not know it is what she longs for. She does not know he has something more terrifying than death in mind for her. This is Alice's story. It is one you have never heard, and one you will never, ever forget.
Sarah and Brianna have always been friends, and it's always gone like this: guys talk to Sarah in order to get closer to Brianna. So even though Sarah met Ryan first, she's not surprised that he ends up with Brianna (even though Sarah has a massive crush on him). The three of them hang out, and Sarah and Ryan's friendship grows until one night an innocent exchange between them leads to a moment that makes Sarah realize that Ryan might be interested in her after all. But if there's one unwritten rule, it's this: you don't mess around with a friend's boyfriend. So Sarah tries to resist temptation. But with the three of them thrown together more and more, tension builds between Sarah and Ryan, and when they find themselves alone together at one point, they realize they just can't fight how they feel anymore....
A former public relations consultant for Michael Jackson describes the singer's life and music career.
From the cult favorite Buffy the Vampire Slayer, which netted four million viewers per episode, to the summer blockbuster The Avengers, which amassed a box office of $1.5 billion, Joss Whedon has made a name for himself in Hollywood for his penchant for telling meaningful, personal tales about love, death, and redemption even against the most dramatic and larger-than-life backdrops. This biography follows his development from a creative child and teenager who spent years away from his family at an elite English public school, through his early successes—which often turned into frustrating heartbreak in both television (Roseanne) and film (Buffy the Vampire Slayer)—to his breakout turn as...