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The Akashic Noir Series moves fearlessly to the city hosting the European/Asian divide.
Practical guide for today's parents - parents who wonder if breastfeeding will work in their busy lives. This separates the facts from the myths about breastfeeding. It answers the questions most often asked about breastfeeding.
From an “exceptionally sensitive and perceptive” Turkish writer and human rights activist (Orhan Pamuk, winner of the Nobel Prize in Literature), the captivating story of a writer whose own autobiographical novel forces her to come to terms with the dichotomy of the city she once loved: Rio de Janeiro. Özgür is a young woman on fire: poor, hungry, and on the verge of a mental breakdown. She has only one weapon: her ability to write the city that has robbed her of everything, Rio de Janeiro. Through the reading of the bits and pieces of Özgür’s unfinished eponymous novel, with its autobiographical protagonist named Ö, Özgür’s story begins to emerge. As Özgür follows ...
Clear, concise, and easy to read, this book answers the breastfeeding questions parents and their families most ask most often. Amy Spangler's warmth and knowledge are evident throughout the book. She gives parents confidence in their ability to breastfeed and makes breastfeeding simpler and easier for the whole family.
Latin American noir at its finest. “[A] diverse collection of stories which reflect the harshness and also the brittle brilliance of life in Mexico City.”—MostlyFiction Book Reviews Akashic Books’s acclaimed series of original noir anthologies has set a high standard for portraying cities and their neighborhoods in all their dark and violent splendor. Now, “Mexico City Noir surpasses that standard with phantasmagorical tales of double-dealing, corruption, violence and self-delusion . . . This collection is such a varied literary feast. Fans of Jorge Luis Borges will find surprises galore in the story ‘Violeta Isn’t Here Anymore.’ The noir-ish maze that Myriam Laurini construc...
Seemingly disparate lives are brought together in a clever, prism-like plot in this award-winning novel. The story is based on three people--Ali, Dogan, and Olcay--and vividly depicts the struggle between the older generation who were content with the new (post-Ottoman) Turkey and who are disturbed by changes sought and brought on by the rebellious young generation. In this unforgettable, epic portrait of 1960s Turkey, the personal and political are intertwined in a questioning of what fidelity means--to sibling, lover, country, and cause.
The pioneering debut novel by one of Turkey's most radical female authors tells the story of an aspiring intellectual in a complex, modernizing country. In English at last: the first novel by a Turkish woman to ever be nominated for the Nobel. A Strange Woman is the story of Nermin, a young woman and aspiring poet growing up in Istanbul. Nermin frequents coffeehouses and underground readings, determined to immerse herself in the creative, anarchist youth culture of Turkey’s capital; however, she is regularly thwarted by her complicated relationship to her parents, members of the old guard who are wary of Nermin’s turn toward secularism. In four parts, A Strange Woman narrates the past and present of a Turkish family through the viewpoints of the main characters involved. This rebellious, avant-garde novel tackles sexuality, the unconscious, and psychoanalysis, all through the lens of modernizing 20th-century Turkey. Deep Vellum brings this long-awaited translation of the debut novel by a trailblazing feminist voice to US readers.
With all the wit and brilliance of Chekhov, a distinctive collection of lyrical stories from Sait Faik Abasıyanık, “Turkey’s greatest short story writer” (The Guardian) Sait Faik Abasıyanık’s fiction traces the interior lives of strangers in his native Istanbul: ancient coffeehouse proprietors, priests, dream-addled fishermen, poets of the Princes’ Isles, lovers and wandering minstrels of another time. The stories in A Useless Man are shaped by Sait Faik’s political autobiography – his resistance to social convention, the relentless pace of westernization, and the ethnic cleansing of his city – as he conjures the varied textures of life in Istanbul and its surrounding islands. The calm surface of these stories might seem to signal deference to the new Republic’s restrictions on language and culture, but Abasıyanık’s prose is crafted deceptively, with dark, subversive undercurrents. “Reading these stories by Sait Faik feels like finding the secret doors inside of poems,” Rivka Galchen wrote. Beautifully translated by Maureen Freely and Alexander Dawe, A Useless Man is the most comprehensive collection of Sait Faik’s stories in English to date.
Amy Thielen, author of the James Beard Award-winning cookbook The New Midwestern Table, traces her journey from Park Rapids, Minnesota, to cooking professionally under some of New York City's finest chefs -- including David Bouley, Daniel Boulud, and Jean-Georges Vongerichten -- and then back home again. A love of food and an overwhelming desire to get the hell out of small-town America drive Thielen to New York to seek out its intense culinary world, which she embraces enthusiastically, while her boyfriend finds success in its fickle art world. After years of living in the city, with frequent trips back home in the summertime, the couple eventually chooses life deep in the woods in a cabin Thielen's husband built by hand. There Aaron can practice his craft while Amy takes the skills she learned cooking professionally and turns them to undoing years of processed foods to uncover true Midwestern cooking, which begins simply with humble workhorse ingredients such as potatoes and onions.