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Stranger in the Shogun's City
Shortlisted for the Baillie Gifford Prize 2020, a vivid work of history that explores the life of an unconventional woman in Edo - now known as Tokyo - and a portrait of a great city on the brink of momentous change 'Compelling... Deeply absorbing' Guardian The daughter of a Buddhist priest, Tsuneno was born in 1804 in a village in Japan's snow country and was expected to lead a life much like her mother's. Instead - after three divorces and with a temperament much too strong-willed for her family's approval - she ran away to follow her own path in Edo, the city we now call Tokyo. Stranger in the Shogun's City is a rare, captivating portrait of one woman as she endeavours to recreate herself and her life, and provides a window into the drama and excitement of Japan at a pivotal moment in history. 'Marvellous... Stanley builds up a picture of Tsuneno's world, immersing us in an experience akin to time travel' TLS * Winner of the National Book Critics Circle Award for Biography 2020 * * Finalist for the Pulitzer Prize for Biography 2021 * * Winner of the PEN/Jacqueline Bograd Weld Award for Biography * * Longlisted for the HWA Non-Fiction Crown *
Selling Women
“At last, a study that goes far beyond the urban-centered discourse with which we are already familiar to place the trafficking of women in a solid historical and comparative context. Through a carefully reasoned and balanced analysis of diverse sources, Stanley shows how prostitution practices varied. This book will set the standard for studies of prostitution in early modern Japan for decades to come.” -Anne Walthall, University of California, Irvine “Selling Women is a remarkable achievement. With her gaze fixed firmly on the young women whose labor sustained prostitution as an industry, Amy Stanley traces shifts in the moral economy of the sex trade over the course of the Tokugawa era, and unveils the ironic consequences of economic growth and social change. This meticulously researched, wonderfully written book is a major contribution to the literature on gender and society in Japan.” -David L. Howell, Harvard University
The Weak Body of a Useless Woman
In 1862, fifty-one-year-old Matsuo Taseko left her old life behind by traveling to Kyoto, the old imperial capital. Peasant, poet, and local political activist, Taseko had come to Kyoto to support the nativist campaign to restore the Japanese emperor and expel Western "barbarians." Although she played a minor role in the events that led to the Meiji Restoration of 1868, her actions were nonetheless astonishing for a woman of her day. Honored as a hero even before her death, Taseko has since been adopted as a patron saint by rightist nationalists. In telling Taseko's story, Anne Walthall gives us not just the first full biography in English of a peasant woman of the Tokugawa period (1603-1868), but also fresh perspectives on the practices and intellectual concerns of rural entrepreneurs and their role in the Meiji Restoration. Writing about Taseko with a depth and complexity that has thus far been accorded only to men of that time, Walthall has uncovered a tale that will captivate anyone concerned with women's lives and with Japan's dramatic transition to modernity.
From Bondage to Contract
In the era of slave emancipation no ideal of freedom had greater power than that of contract. The antislavery claim was that the negation of chattel status lay in the contracts of wage labor and marriage. Signifying self-ownership, volition, and reciprocal exchange among formally equal individuals, contract became the dominant metaphor for social relations and the very symbol of freedom. This 1999 book explores how a generation of American thinkers and reformers - abolitionists, former slaves, feminists, labor advocates, jurists, moralists, and social scientists - drew on contract to condemn the evils of chattel slavery as well as to measure the virtues of free society. Their arguments over the meaning of slavery and freedom were grounded in changing circumstances of labor and home life on both sides of the Mason-Dixon line. At the heart of these arguments lay the problem of defining which realms of self and social existence could be rendered market commodities and which could not.
Summary of Amy Stanley's Stranger in the Shogun's City
Please note: This is a companion version & not the original book. Sample Book Insights: #1 The baby girl, Tsuneno, was born in 1804. She had everything she needed for the first few months of her life. Her family had old clothes and rags to piece together for diapers, so she could be changed whenever she was wet. #2 Tsuneno’s family were investors and planners. They had to be, since even substantial fortunes could be lost quickly through bad harvests and mismanagement. But they also spent money freely on the small things of everyday life. #3 In the house of Tsuneno, which was attached to the temple, some of those everyday things were funded by donations from parishioners. The True Pure Land sect’s scholars taught that raising a child to become a priest or priest’s wife was a gift to the Buddha equal to all the treasures that fill three thousand worlds. #4 Echigo was a region in Japan that was known for its harsh winters. But at least everyone knew what to expect. It would be freezing from equinox to equinox, and sometimes farmers would need to shovel out the fields so that they could plant their rice seedlings.
Stranger in the Shogun's City
The daughter of a Buddhist priest, Tsuneno was born in 1804 in a village in Japan's snow country and was expected to lead a life much like her mother's. Instead -- after three divorces and with a temperament much too strong-willed for her family's approval -- she ran away to follow her own path in Edo, the city we now call Tokyo. Stranger in the Shogun's City is a portrait of one woman as she endeavours to recreate herself and her life, and provides a window into the drama and excitement of Japan at a pivotal moment in history.
Tokyo Before Tokyo
A rich and original history of Edo, the shogun’s city that became modern Tokyo. Tokyo today is one of the world’s mega-cities and the center of a scintillating, hyper-modern culture—but not everyone is aware of its past. Founded in 1590 as the seat of the warlord Tokugawa family, Tokyo, then called Edo, was the locus of Japanese trade, economics, and urban civilization until 1868, when it mutated into Tokyo and became Japan’s modern capital. This beautifully illustrated book presents important sites and features from the rich history of Edo, taken from contemporary sources such as diaries, guidebooks, and woodblock prints. These include the huge bridge on which the city was centered; the vast castle of the Shogun; sumptuous Buddhist temples, bars, kabuki theaters, and Yoshiwara—the famous red-light district.
Taste
"From award-winning actor and food obsessive Stanley Tucci comes an intimate ... memoir of life in and out of the kitchen"--
The Tokugawa World
With over 60 contributions, The Tokugawa World presents the latest scholarship on early modern Japan from an international team of specialists in a volume that is unmatched in its breadth and scope. In its early modern period, under the Tokugawa shoguns, Japan was a world apart. For over two centuries the shogun’s subjects were forbidden to travel abroad and few outsiders were admitted. Yet in this period, Japan evolved as a nascent capitalist society that could rapidly adjust to its incorporation into the world system after its forced "opening" in the 1850s. The Tokugawa World demonstrates how Japan’s early modern society took shape and evolved: a world of low and high cultures, comic b...
Playing with Things
More than a thousand years ago on the north coast of Peru, Indigenous Moche artists created a large and significant corpus of sexually explicit ceramic works of art. They depicted a diversity of sex organs and sex acts, and an array of solitary and interconnected human and nonhuman bodies. To the modern eye, these Moche “sex pots,” as Mary Weismantel calls them, are lively and provocative but also enigmatic creations whose import to their original owners seems impossible to grasp. In Playing with Things, Weismantel shows that there is much to be learned from these ancient artifacts, not merely as inert objects from a long-dead past but as vibrant Indigenous things, alive in their own hum...
