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Ana M. López: Essays
Brings together Ana M. López's field-defining essays on Latin American film and media in one indispensable volume.
Imitations of Life
On melodrama.
Dangerous Speech
Dangerous Speech is the first systematic treatment of blasphemous speech in colonial Mexico. This engaging social history examines the representation of blasphemy as a sin and a crime, and its repression by the Spanish Inquisition. The Spanish colonists viewed blasphemy not only as an insult against God but also as a dangerous misrepresentation of the deity, which could call down his wrath in a ruinous assault on the imperial enterprise. Why then, asks Villa-Flores, did Spaniards dare to blaspheme? Having mined the period’s moral literature—philosophical works as well as royal decrees and Inquisition treatises and trial records in Spanish, Mexican, and U.S. archives and research librarie...
Homecoming Queers
Homecoming Queers provides a critical discussion of the multiple strategies used by queer Latina authors and artists in the United States to challenge silence and invisibility within mainstream media, literary canons, and theater spaces. Marivel T. Danielson's analysis reveals the extensive legacy of these cultural artists, including novelists, filmmakers, students and activists, comedians, performers, and playwrights. By clearly discussing the complexities and universalities of ethnic, racial, sexual, gender, and class intersections between queer Chicana and U.S. Latinas, Danielson explores the multiple ways identity shapes and shades creative expression. Weaknesses and gaps are revealed in the treatment of difference as a whole, within dominant and marginalized communities. Spanning multiple genres and forms, and including scholarly theory alongside performances, films, narratives, and testimonials, Homecoming Queers leads readers along a crucial path toward understanding and overcoming the silences that previously existed across these fields.
White Lives Matter Most
Modern-day movements to end racism in the U.S. seem sadly doomed to fail. If more fundamental approaches to social change and more sober analysis of U.S. history are not considered, our efforts will lead to continued fragmentation—or worse. The essays in this book—written by lifelong anti-imperialist organizer, educator, and author Matt Meyer—reveal the successful strategies and methods of multigenerational and multitendency coalitions used in recent campaigns to free Puerto Rican and Black Panther political prisoners, confront neo-Nazis in Charlottesville, and many more. Meyer’s reflections on the need for a new, intensified solidarity consciousness and accountability among white folks provide a provocative and urgent challenge. These essays—some coauthored by Black Lives Matter and Ferguson Truth Telling leaders Natalie Jeffers and David Ragland, Puerto Rican professor Ana López, Muslim interfaith activist Sahar Alsahlani, and Afro-Asian cultural icon Fred Ho—offer up-to-the-minute insights. Read on, and get ready for hope in the context of hard work.
Modern Mexican Culture
This collection of essays presents a key idea or event in the making of modern Mexico through the lenses of art and history--Provided by publisher.
Bunuel and Mexico
Though Luis Buñuel, one of the most important filmmakers of the twentieth century, spent his most productive years as a director in Mexico, film histories and criticism invariably pay little attention to his work during this period. The only book-length English-language study of Buñuel's Mexican films, this book is the first to explore a significant but neglected area of this filmmaker's distinguished career and thus to fill a gap in our appreciation and understanding of both Buñuel's achievement and the history of Mexican film. Ernesto Acevedo-Muñoz considers Buñuel's Mexican films—made between 1947 and 1965—within the context of a national and nationalist film industry, comparing the filmmaker's employment of styles, genres, character types, themes, and techniques to those most characteristic of Mexican cinema. In this study Buñuel's films emerge as a link between the Classical Mexican cinema of the 1930s through the 1950s and the "new" Cinema of the 1960s, flourishing in a time of crisis for the national film industry and introducing some of the stylistic and conceptual changes that would revitalize Mexican cinema.
Strange Pilgrimages
This anthology "decolonizes" the voices of Latin Americans who travel abroad and engage in cultural critiques of their homelands in counterpoint to foreigners' better known accounts of Latin America. The 17 contributions by North and South American academics examine--including entertaining first person accounts--the themes of constructing nations/a national identity post- independence, touring modernity, taking sides, and the art of living and working abroad. References include suggested films (e.g. Carmen Miranda: Bananas is My Business, 1994) as well as readings. Lacks an index. Annotation copyrighted by Book News Inc., Portland, OR
