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A Companion to Jesuit Mysticism
In A Companion to Jesuit Mysticism, Robert A. Maryks provides thirteen unique essays discussing the Jesuit mystical tradition, a somewhat neglected aspect of Jesuit historiography that stretches as far back as the order’s co-founder, Ignatius of Loyola, his spiritual visions at Manresa, and ultimately the mystical perspective contained in his Spiritual Exercises. The volume’s contributions on the most significant representatives of the Jesuit mystical tradition—from Baltasar Álvarez to Louis Lallemant to Hugo Makibi Enomiya-Lassalle—aim to fill this lacuna in Jesuit historiography. Although intended primarily as a handbook for scholars seeking to further their own research in this area, the volume will undoubtedly be of interest to scholars and students of Jesuit studies more broadly.
Revolutionary Saint
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Handbook of Latin American Studies
Contains scholarly evaluations of books and book chapters as well as conference papers and articles published worldwide in the field of Latin American studies. Covers social sciences and the humanities in alternate years.
Organized Criminal Terrorism
In this book contributors engage into the theoretical dialogue about the interplay between terrorism and organized crime. Arguing in favor of its existence, the authors of the book seek to define the phenomenon of ‘organized criminal terrorism’ and examine the appropriateness of the international and regional legal frameworks on terrorism and organized crime to address this unitary criminal phenomenon. The volume reveals similarities and differences between terrorism and organized crime that support views in favor of new international legal instruments and those that defend the current approach to combat organized criminal terrorism. Contributors hope that the book will form the basis for a more informed discussion on the issue.
Exorcising History
"In Exorcising History, Jean Graham-Jones documents, contextualizes, and analyzes theater produced in Buenos Aires during Argentina's military dictatorship of 1976-83 and the nation's subsequent return to democracy. The plays discussed, while not necessarily constituting "political theater," are indeed political in that each is conditioned by sociopolitical structures present at the moment of creation. It is in this way that the plays lend themselves to Graham-Jones's examination of how personal and collective histories enter into theater production, in the creation of dramatic worlds that re-create and revise the "outside" world."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
