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Anan Ameri played a pivotal role in the creation of the Arab American National Museum in Dearborn, Michigan. The Wandering Palestinian chronicles her life from 1974 in Beirut, Lebanon to Detroit, Michigan as she learns how to adjust to culture shock, finds her independence, and becomes a driving force in Detroit’s large and politically active Arab American community—an involvement that helped her break away from her isolation, resume her activism, and paved the way for her to become a recognized and respected leader in her community.
JOURNEY TO A WORLD LITTLE KNOWN TO WESTERN READERS. Born to a Syrian mother and a Palestinian father in 1944, Anan Ameri’s refreshing memoir, The Scent of Jasmine, offers a funny, spirited, unique self-portrait of her childhood, adolescence and passage to adulthood as a young woman in the Arab world. A collection of twenty-three vignettes, Anan’s search for the familiar fragrance of jasmine blossoms leads her to reimagine the puzzle pieces of her early life. While these stories—creative nonfictions—reverberate with the impact of enormous political upheavals and conflicts, The Scent of Jasmine demonstrates how the intricate bonds of family, community and place can nourish in us the creative capacity together to reimagine and repair our world
The last couple of decades have witnessed a flourishing of Arab-American literature across multiple genres. Yet, increased interest in this literature is ironically paralleled by a prevalent bias against Arabs and Muslims that portrays their long presence in the US as a recent and unwelcome phenomenon. Spanning the 1990s to the present, Carol Fadda-Conrey takes in the sweep of literary and cultural texts by Arab-American writers in order to understand the ways in which their depictions of Arab homelands, whether actual or imagined, play a crucial role in shaping cultural articulations of US citizenship and belonging. By asserting themselves within a US framework while maintaining connections...
Perceptions of the Middle East in conflicting discourses from North America, South America, and Europe
The rich history and culture of the Arab American people is found in the passionate works of its artists. Whether they be traditional media such as painting and calligraphy, or more sophisticated media such as digital work and installation, the pieces represent the beauty of heritage, the struggles of growing up in war-torn countries, the identity conflicts of female artists in male-dominated societies, and the issues surrounding migration to a Western culture very different from one's own. Many of the artists included here, though their works appear in museums and galleries throughout the world, have never before been featured in a reference book. Interviews conducted by the author provide a personal look into the experiences and creative processes of these artists. Artists included: *Etel Adnan *Wasma Chorbachi *Nihad Dukhan *Kahlil Gibran *Sari Khoury *Emily Jacir *Sari Khoury *Mamoun Sakkal *Mary Tuma *Madiha Umar *Afaf Zurayk
"Freed Black women organizing for protection in the Reconstruction-era South. Jewish immigrant garment workers braving deadly conditions for a sliver of independence. Asian American fieldworkers rejecting government-sanctioned indentured servitude across the Pacific. Incarcerated workers advocating for basic human rights and fair wages. The queer Black labor leader who helped orchestrate America's civil rights movement. These are only some of the working-class heroes who propelled American labor's relentless push for fairness and equal protection under the law. The names and faces of countless silenced, misrepresented, or forgotten leaders have been erased by time as a privileged few decide ...
Radical Planes? 9/11 and Patterns of Continuity, edited by Dunja M. Mohr and Birgit Däwes, explores the intersections between narrative disruption and continuity in post-9/11 narratives from an interdisciplinary transnational perspective, foregrounding the transatlantic cultural memory of 9/11. Contesting the earlier notion of a cataclysm that has changed ‘everything,’ and critically reflecting on American exceptionalism, the collection offers an inquiry into what has gone unchanged in terms of pre-9/11, post-9/11, and post-post-9/11 issues and what silences persist. How do literature and performative and visual arts negotiate this precarious balance of a pervasive discourse of change and emerging patterns of political, ideological, and cultural continuity?
Intends to challenge the black-white dichotomy that historically has defined race and ethnicity, not by a small minority, but by the most vocal segment of the increasingly diverse American population - Mexicans, Chinese, Japanese, Koreans, Indians, and Arabs - who are breaking down and recreating the very definitions of race.