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Containing letters written between September 2, 1879, and May 14, 1880, this second volume of The Complete Letters of Henry James, 1878–1880 documents the full establishment of Henry James as a professional writer and critic on both sides of the Atlantic, as James publishes the novel Confidence and the literary biography Hawthorne and begins work on Washington Square and The Portrait of a Lady. James also visits Paris, Florence, Rome, and Naples; begins his friendship with Constance Fenimore Woolson; and deepens his attachment to London and to his friends and acquaintances there.
The untold chronicles of the looting and collecting of ancient Mesoamerican objects. This book traces the fascinating history of how and why ancient Mesoamerican objects have been collected. It begins with the pre-Hispanic antiquities that first entered European collections in the sixteenth century as gifts or seizures, continues through the rise of systematic collecting in Europe and the Americas during the nineteenth and twentieth centuries, and ends in 1940—the start of Europe’s art market collapse at the outbreak of World War II and the coinciding genesis of the large-scale art market for pre-Hispanic antiquities in the United States. Drawing upon archival resources and international...
Historians generally recognise E.A. Preobrazhensky as the most famous Soviet economist of the 1920s. English-language readers know him best as author of The New Economics and co-author (with N.I. Bukharin ) of The ABC of Communism. The documents in this volume, many newly discovered and almost all translated into English for the first time, reveal a Preobrazhensky previously unknown, whose interests ranged far beyond economics to include not only party debates and issues affecting the lives of workers and peasants, but also philosophy, world events, and Russian history, culture and politics. Including moments of triumph and tragedy, they tell an intimate story of political awakening and of commitment to socialist revolution as the path to human dignity.
he revival of the bronze statuette popular in classical antiquity stands out as an enduring achievement of the Italian Renaissance. These small sculptures attest to early modern artists' technical prowess, ingenuity, and desire to emulate—or even surpass—the ancients. From the studioli, or private studies, of humanist scholars in fifteenth-century Padua to the Fifth Avenue apartments of Gilded Age collectors, viewers have delighted in the mysteries of these objects: how they were made, what they depicted, who made them, and when. This catalogue is the first systematic study of The Metropolitan Museum of Art's European Sculpture and Decorative Arts collection of Italian bronzes. The colle...