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Age of discrepancies
"The first exhibition to offer a critical assessment of the artistic experimentation that took place in Mexico during the last three decades of the twentieth century. The exhibition carefully analyzes the origins and emergence of techniques, strategies, andmodes of operation at a particularly significant moment of Mexican history, beginning with the 1968 Student Movement, until the Zapatista upraising in the State of Chiapas. Theshow includes work by a wide range of artists, including Francis Alys, Vicente Rojo, Jimmie Durham, Helen Escobedo, Julio Galán, Felipe Ehrenberg, José Bedia,Guillermo Gómez-Peña, Francisco Toledo, Carlos Amorales, Melanie Smith, and Alejandro Jodorowsky, among m...
Passion in the Piazza
Torino are one of the world's most dramatic and interesting football clubs. Peter Bourne charts the drama and suspense of the summer of 2005 which saw the death and rebirth of the club, placing it within the context of Torino's rich and tragic history.Torino became the first team to be demoted after gaining promotion, have witnessed the death of star players and in 1949 Italy's greatest ever club side wiped out in an air tragedy. This coupled with the passion and resilience of Torino supporters, the epic and lobsided rivalry with Juventus and with the fact that until 1995, Torino had always been one of Italy's top five clubs.The fall and rise of Torino is also placed into context with the unique nature of sport in Italy, the other significant scandals which shocked and paralysed Italian football during the summer of shame and within the context of Turin, a city preparing nervously for the XX Olympic Winter Games in February 2006.
The First Family
Before Al Capone and Lucky Luciano, there was the one-fingered, cunning Giuseppe Morello and his murderous coterie of brothers. Had it not been for Morello, the world may never have heard of 'men of honour', the code of omertaor Mafia wars. This explosive book tells the story of the first family of New York, and how this extended close-knit clan of racketeers and murderers left the backwaters of Sicily to successfully establish themselves as the founding godfathers of the New World. First Family will explain in thrilling, characterful detail how the American Mafia established itself so successfully. Combining strong narrative and raw violence - set against the raucous bustle of early twentieth-century New York, and the impoverished rural life of nineteenth-century Sicily - this impeccably researched, groundbreaking study of a crucial period of American history is a compelling portrait of the early years of organised crime.
Architecture, Art and Identity in Venice and its Territories, 1450–1750
Inspired by Deborah Howard’s leading role in fostering a historically grounded and interdisciplinary approach to the art and architecture of Venice, the essays here examine the connections and rapports between art and identity through the discussion of patronage, space (domestic and ecclesiastical), and dissemination of architectural knowledge as well as models within Venice, its territories and beyond.
A History of Painting in North Italy
Reprint of the original, first published in 1871.
Kant's Transcendental Deduction and the Theory of Apperception
Der Band enthält zweiundzwanzig Texte von anerkannten Experten der Kritik der reinen Vernunft, die sich mit der Theorie der Apperzeption, mit der transzendentalen Deduktion der Kategorien und mit den Paralogismen der reinen Vernunft aus sehr unterschiedlichen Perspektiven auseinandersetzen. Untersucht werden vor allem (1) die philosophischen Quellen der Kantischen Begriffe „Apperzeption" und „Selbstbewusstsein", (2) die historische Entwicklung der Lehre der Apperzeption und der Deduktion der Kategorien in der sogenannten vor-kritischen Phase, (3) Struktur und Inhalte sowohl der A- als auch der B-Deduktion der Kategorien, und schließlich (4) den (Kantischen, aber auch nicht Kantischen) Sinn der Begriffe der „Apperzeption" und des „Selbstbewusstseins".
Confronting Mortality with Art and Science
A rare entry into the nexus of science and art, this thought-provoking exploration introduces the ongoing research by scientists and artists into the fascinating subject of death and mortality. The unique practices of medical and scientific artists share a desire to piece the world together using the power of representational drawing. Their common belief that to draw is to see seeks to answer the riddles of mortality through the cultivation of their art, and what begins as an exploration of death ultimately becomes a celebration of life. This collection presents an introduction to the front lines of medical and scientific art, elaborating upon the ethos of their movement, and showcasing some of their greatest discoveries.
