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This book details the origin of the Grand Hospitaller Priory of Messina. It discusses a breadth of themes, such as the historiography, the Hospitaller’s European commandery and Sicilian patrimony, its management and organization in the seventeenth century, its religious practices, and the prioral mansion in Messina. The final chapter includes a detailed account of the 1674 Messina insurrection against the Spanish overlords. This event plunged the priory into political chaos, fracturing it and pitting members against each other. It also shattered neutrality issues embedded in the statutes of the religion and ignoring the precepts emanating from the Convent on Malta. The Hospitaller Grand Priory of Messina in the Seventeenth Century will appeal to students and scholars alike interested in the Crusading Orders, the history of the Knights Hospitaller, and the history of Malta.
Late medieval and early modern cities are often depicted as cradles of artistic creativity and hotbeds of new material culture. Cities in renaissance Italy and in seventeenth and eighteenth-century northwestern Europe are the most obvious cases in point. But, how did this come about? Why did cities rather than rural environments produce new artistic genres, new products and new techniques? How did pre-industrial cities evolve into centres of innovation and creativity? As the most urbanized regions of continental Europe in this period, Italy and the Low Countries provide a rich source of case studies, as the contributors to this volume demonstrate. They set out to examine the relationship between institutional arrangements and regulatory mechanisms such as citizenship and guild rules and innovation and creativity in late medieval and early modern cities. They analyze whether, in what context and why regulation or deregulation influenced innovation and creativity, and what the impact was of long-term changes in the political and economic sphere.
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