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Dangerous Inspiration
Synesthesia alters detective-turned-novelist Ronan Mezini’s perceptions. But can it help him find the killer? Detective-turned-novelist Ronan Mezini has skewed perceptions because of a condition called synesthesia, which for him transforms sounds into colors. These visions give him unusual insights that help him solve the case. So when a collection of eccentric – and possibly violent — creative people come together at an elite artists' colony in rural Vermont, murders occur in rapid succession and suspicion falls on everyone as Mezini unearths the founding family's secrets.
Deadline on Arrival
Appearing in a news story can be fatal. News becomes a dangerous business for everyone involved when the people profiled in the pages of The Boston Observer start filling the morgue. Spearheading the investigation, literate Detective Ronan Mezini has a rare condition called synesthesia that commingles his senses, turning sounds into colors. Though he feels as if he's living in a movie with special effects, his skewed perceptions lead him to a startling link between the murders and put him on the trail of a killer on a warped mission.
The History of the Italian Secret Services
The book is about the history of the Italian Secret Services from the pre-unitarian states to the ultimate events.
Puppetmasters
The CIA has been accused of a massive intelligence failure in the run-up to the 9/11 attacks -- the result, it is said, of a moralistic and bureaucratic approach to information-gathering. But the CIA's spies had few qualms when it came to cultivating terrorist organisations and interfering in the internal politics of Cold War Italy. Puppetmasters reveals how US intelligence services exploited the P2 masonic lodge to prop up friendly Christian Democrat-dominated governments and counter the growing political influence of the Italian Communist Party. It was a ruthless strategy involving coup plots, right wing terrorist bombings and the manipulation of the Red Brigades. And it gave Italy one of the bloodiest and most protracted periods of terrorist violence ever seen in a modern, industrialised society.
Conspiracy Theories in Contemporary Italy
This volume explores the role played by conspiracy narratives in the contemporary Italian political, cultural, and social context, through a series of case studies. It begins with a historical and genealogical account of the troubled success of Italian conspiracy thinking from the early 1970s to the present day. Among the issues examined are the unclear division between legitimate/illegitimate forms of knowledge, the use of conspiracy as a confrontational discursive device, the emergence of moral panic, and the stabilization of information outlets against dominant official explanations. The analysis covers the case of a well-known national survey, and a digital platform specializing in conspiracy storytelling. The second axis of the book concerns the pervasive use of conspiracy as a theory or narrative that currently circulates in various Italian cultural fields: multiculturalism, immigration, and racism; Catholic traditionalism; football fandom; small business economics; and cooking and food. This volume will be of interest to researchers of conspiracy theories, and Italian politics and history.
Italian Gothic Horror Films, 1980-1989
The Italian Gothic horror genre underwent many changes in the 1980s, with masters such as Mario Bava and Riccardo Freda dying or retiring and young filmmakers such as Lamberto Bava (Macabro, Demons) and Michele Soavi (The Church) surfacing. Horror films proved commercially successful in the first half of the decade thanks to Dario Argento (both as director and producer) and Lucio Fulci, but the rise of made-for-TV products has resulted in the gradual disappearance of genre products from the big screen. This book examines all the Italian Gothic films of the 1980s. It includes previously unpublished trivia and production data taken from official archive papers, original scripts and interviews with filmmakers, actors and scriptwriters. The entries include a complete cast and crew list, plot summary, production history and analysis. Two appendices list direct-to-video releases and made-for-TV films.
The Revolutionary Mystique and Terrorism in Contemporary Italy
What drives terrorists to glorify violence? In The Revolutionary Mystique and Terrorism in Contemporary Italy, Richard Drake seeks to explain the origins of Italian terrorism and the role that intellectuals played in valorizing the use of violence for political or social ends. Drake argues that a combination of socioeconomic factors and the influence of intellectual elites led to a sanctioning of violence by revolutionary political groups in Italy between 1969 and 1988. Drake explores what motivated Italian terrorists on both the Left and the Right during some of the most violent decades in modern Italian history and how these terrorists perceived the modern world as something to be destroye...
Darkening the Italian Screen
The birth and rise of popular Italian cinema since the early 1950s can be attributed purely to necessity. The vast number of genres, sub-genres, currents and crossovers and the way they have overlapped, died out or replaced each other has been an attempt, in postwar years, to contain the invasion of U.S. product while satisfying the demands the American industry had created in Italy. The author explores one of the most multi-faceted and contradictory industries cinema has ever known through the careers of those most closely associated with it. His recorded interviews were conducted with directors and actors both well-known and upcoming.
ANNO 2023 LA SOCIETA' SECONDA PARTE
Antonio Giangrande, orgoglioso di essere diverso. ODIO OSTENTAZIONE, IMPOSIZIONE E MENZOGNA. Si nasce senza volerlo. Si muore senza volerlo. Si vive una vita di prese per il culo. Tu esisti se la tv ti considera. La Tv esiste se tu la guardi. I Fatti son fatti oggettivi naturali e rimangono tali. Le Opinioni sono atti soggettivi cangianti. Le opinioni se sono oggetto di discussione ed approfondimento, diventano testimonianze. Ergo: Fatti. Con me le Opinioni cangianti e contrapposte diventano fatti. Con me la Cronaca diventa Storia. Noi siamo quello che altri hanno voluto che diventassimo. Facciamo in modo che diventiamo quello che noi avremmo (rafforzativo di saremmo) voluto diventare. Rappresentare con verità storica, anche scomoda ai potenti di turno, la realtà contemporanea, rapportandola al passato e proiettandola al futuro. Per non reiterare vecchi errori. Perché la massa dimentica o non conosce. Denuncio i difetti e caldeggio i pregi italici. Perché non abbiamo orgoglio e dignità per migliorarci e perché non sappiamo apprezzare, tutelare e promuovere quello che abbiamo ereditato dai nostri avi. Insomma, siamo bravi a farci del male e qualcuno deve pur essere diverso!
Italian Horror Film Directors
There is no cinema with such effect as that of the hallucinatory Italian horror film. From Riccardo Freda's I Vampiri in 1956 to Il Cartaio in 2004, this work recounts the origins of the genre, celebrates at length ten of its auteurs, and discusses the noteworthy films of many others associated with the genre. The directors discussed in detail are Dario Argento, Lamberto Bava, Mario Bava, Ruggero Deodato, Lucio Fulci, Umberto Lenzi, Antonio Margheriti, Aristide Massaccesi, Bruno Mattei, and Michele Soavi. Each chapter includes a biography, a detailed career account, discussion of influences both literary and cinematic, commentary on the films, with plots and production details, and an exhaustive filmography. A second section contains short discussions and selected filmographies of other important horror directors. The work concludes with a chapter on the future of Italian horror and an appendix of important horror films by directors other than the 50 profiled. Stills, posters, and behind-the-scenes shots illustrate the book.
