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The relationship among vision, memory, and media is of burgeoning interest to the arts, cultural studies, and sciences. This comprehensive introduction to the subject couples recent scientific research on memory with a broad cultural discussion about vision and media in the technological age. It features contributions by—and interviews with—artists and leading experts, among them Ali Hossaini, Lindsay Seers, media ecology expert Andrew Hoskins, and American cultural critic Norman Klein, illustrated by the works of contemporary artists whose practice exemplifies this dynamic. Clear, comprehensive, and up-to-date, Vision, Memory and Media presents the latest scientific and theoretical debates relating to memory studies, vision, and media.
This collection sheds new light on the key ethical issues of climate change justice.
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"In this anthology some of the most influential theorists, historians and artists that work within the field of real time + art, have been asked to describe and possibly even define it. The result is a kaleidoscopic play of ideas and art forms that together define a wide range of issues in art."--BOOK JACKET.
Umbrüche markieren historische Zäsuren und teilen unser Geschichtsbewusstsein in ein Davor und Danach. Bilder helfen uns diese Zäsuren zu begreifen und greifbar zu machen, sie eignen sich aber auch in besonderer Weise zur Emotionalisierung unserer historischen Wahrnehmungen, indem sie im Gestus des Faktischen auftreten und eine stark vereinfachende Sicht des komplexen Phänomens Umbruch erlauben. Anhand unterschiedlicher zeithistorischer (trans-)nationaler medialer Beispiele wird untersucht, wie mit und durch Bilder Umbrüche registriert und erinnert werden und welche Sinnstiftungs-, Narrativisierungs- und Interpretationsangebote für die Bearbeitung und Bewältigung von Veränderungen du...
O título do livro remete o leitor à memória e não ao reducionismo dos “bits” sem poéticas. A memória transcende a temporalidade de nossas ações. Preservar a memória por meio dos artefatos, das imagens, dos cheiros, dos gestos, dos sons, das coisas em si, do acervo digital. Preservar a memória do que esteve e nunca deixou de estar dentro de nós, significa visitar e re-visitar as culturas nas diversas temporalida des, em que espaço-tempo são únicos, no processo de criação. O Prof. Pablo Gobira nos convida a visitar e re-visitar os textos de autores ilustres, em que ele se faz presente. Autores de campos e áreas de conhecimentos, que são espelhos da criação cultural. A i...
Art in the Age of the Internet, 1989 to Today is the first major thematic group exhibition in the United States to examine the radical impact of internet culture on visual art. Featuring 60 artists, collaborations, and collectives, the exhibition is comprised of over 70 works across a variety of mediums, including painting, performance, photography, sculpture, video, web-based projects, and virtual reality. The exhibition is divided into five sections that explore themes such as emergent ideas of the body and notions of human enhancement; the internet as a site of both surveillance and resistance; the circulation and control of images and information; the possibilities for exploring identity...
The ebook version of this title is Open Access, thanks to Knowledge Unlatched funding, and is freely available to read online. This book presents how sets of tablet play characteristics shape children's current digital playgrounds.
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