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Combining his deep knowledge of Luther with a passion to speak the promising word of the gospel with clarity and integrity in our age, Oswald Bayer has emerged as a leading Lutheran theologian. The chapters in this Festschrift demonstrate the wide scope of Bayer’s interest: Martin Luther, Johann Georg Hamann, the doctrine of justification, ethics, hermeneutics, theological method, sacraments, and the theology of lament. These essays, written by scholars from North America and Australia who have been influenced by Bayer’s pioneering work, demonstrate the resources that his work has for not only Reformation studies and systematic theology but also for preaching, liturgical theology, pastoral care, and apologetics. For those who are not yet acquainted with the contributions of this Tübingen theologian, Promising Faith for a Ruptured Age: An English-Speaking Appreciation of Oswald Bayer will serve as a guide to and commentary on Bayer’s multifaceted approach to theology. Those familiar with Bayer’s work as a systematic theologian and Luther scholar will discover new applications of fundamental themes for in interdisciplinary research, ecumenical conversation, and church life.
This book collects a large number of essays written in honour of Professor Ernst-Ulrich Petersmann by his friends, colleagues and former students. The respective contributions cover the fields of international economic law, international constitutional law/transnational constitutionalism, EU law and human rights. The broad thematic scope of this book mirrors the extremely large field of interests of the jubilarian. Paying tribute to a particular trait of Professor Petersmann ́s character who was always both a dogmatic thinker and a curious researcher, the authors try to cover both structural issues of law as well as most recent developments, in particular in the field of international economic law. “Construing” the constitution of international economic law, in both senses of this activity, was an aim throughout Professor Petersmann ́s academic career and this goal stands also at the heart of this book.
Were those who worked in the theatres of the Third Reich willing participants in the Nazi propaganda machine or artists independent of official ideology? To what extent did composers such as Richard Strauss and Carl Orff follow Nazi dogma? How did famous directors such as Gustaf Grüdgens and Jürgen Fehling react to the new regime? Why were Shakespeare and George Bernard Shaw among the most performed dramatists of the time? And why did the Nazis sanction Jewish theatre? This is the first book in English about theater in the entire Nazi period. The book is based on contemporary press reports, research in German archives, and interviews with surviving playwrights, actors, and musicians.
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In Adam Boreel (1602-1665): A Collegiant’s Attempt to Reform Christianity, Francesco Quatrini offers an account of the life and thought of Adam Boreel, a leading member of the seventeenth-century Collegiant movement in Amsterdam.