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How do we learn what it means to be a man? And how do we learn to question what it means to be a man? This collection comprises a set of original interdisciplinary chapters on the linguistic and cultural representations of queer masculinities in a range of new and older media: television, film, online forums, news reporting, advertising and fiction. This innovative work examines new and emerging forms of gender hybridisation in relation to complex socialisation and immigration contexts including the role of EU institutions in ascertaining asylum seekers’ sexual orientation, and the European laws on gender policy. The book employs numerous analytical approaches including critical discourse ...
Meet Alyssa Dashiellattractive, gifted young attorney, relishing the wellearned reward of a few moments to herself behind the wheel of a founding partners Bugatti Veyron, the worlds fastest car. Powerless to resist taking the once-in-a-lifetime experience to its extreme, she gains the attention of Police Officer Connor Daemanan encounter that proves life-changing for both in ways neither could imagine. A fast-flowing chain of events rapidly unfolds; enthralling, hold-yourbreath occurrences that lead inexorably to what will be called the trial of the centurya powerful courtroom drama, as provocative as it is divisive, that pits two of the worlds finest lawyers against each other in a contest ...
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George Jean Nathan (1882-1958) was formative influence on American letters in the first half of this century, and is generally considered the leading drama critic of his era. With H. L. Mencken, Nathan edited The Smart Set and founded and edited The American Mercury, journals that shaped opinion in the 1920s and 1930s. This series of reprints, individually introduced by the distinguished critic and novelist Charles Angoff, collects Nathan's penetrating, witty, and sometimes cynical drama criticism.
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