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Prevenge
Prevenge (2016) is an entertainingly dark 21st-century horror movie detailing the serial killing journey of heavily pregnant Ruth. It’s a cleverly crafted narrative full of stark social commentary, traversing the delicate line between comedy and tragedy by fusing together a kitchen sink approach with a supernatural revenge plot. This book, as part of the Devil’s Advocates series, examines how the film deconstructs the slasher mythology and the sexism therein, and upends stereotypical representations of the ‘weak’ woman and ‘delicate’ mother. With new exclusive input from writer, director and star Alice Lowe, the text also looks at the production’s inception and development, assesses its debts to cult British cinema, and inspects its umbilical connections to Rosemary’s Baby, Alien, Village of the Damned and many other ‘Monstrous Child’ silver screen features.
Light at the End of the Tenner
In this follow-up to his debut collection 'Citizen Kaned' Andrew Graves weaves nostalgia for 'second-hand Saturday record shops' with the colour of contemporary multi-cultural urban cadence that is all his own.
Call Me Elle
Her name is Bear. She is happy here in the Indian village she has chosen to call home even though to look at her you would see that she has white skin. At 15, she is the mate of Bright Feather and the people of The Maple Forest are her family. All she loves and holds dear are in this special garden walled around. This is the story of a captive white girl named Elle Graves who transforms into a powerful Indian woman, wife, and mother. The book encompasses a period in the 19th century during which the Cherokee achieved great success. However, dark struggles are looming, threatening all the things that she treasures. The greatest of all threats comes from the white world, a place that Bear was born into but chooses to reject. Worst of all, could her precious garden walled around be in greater danger simply because of the choices she has made to stay? Bear discovers, the hardest of choices that anyone must make has to do with those you love.
Not Dancing with Ingrid Pitt
Not Dancing with Ingrid Pitt is an honest and personal collection capturing missed opportunities, those unstructured moments and nostalgic, half recalled memories which skulk at the periphery of an increasingly confusing current world state. Andrew Graves circumnavigates his modern worries and presents his own uniquely crafted narratives which utilise estranged family members, eccentric strangers and forgotten Hollywood cast offs in his fascinating line up of unconventional protagonists. This is a dark, funny and bewitching paean to the cult, disregarded and devalued, a chaotic and comforting monochrome tome inscribed with both hope, fear and a thinly veiled longing for something better.
Prevenge
Prevenge (2016) is an entertainingly dark 21st-century horror movie detailing the serial killing journey of heavily pregnant Ruth. It’s a cleverly crafted narrative full of stark social commentary, traversing the delicate line between comedy and tragedy by fusing together a kitchen sink approach with a supernatural revenge plot. This book, as part of the Devil’s Advocates series, examines how the film deconstructs the slasher mythology and the sexism therein, and upends stereotypical representations of the ‘weak’ woman and ‘delicate’ mother. With new exclusive input from writer, director and star Alice Lowe, the text also looks at the production’s inception and development, assesses its debts to cult British cinema, and inspects its umbilical connections to Rosemary’s Baby, Alien, Village of the Damned and many other ‘Monstrous Child’ silver screen features.
Cape Fear
Martin Scorsese's Cape Fear (1991) opens with a shot of water andclimaxes on a raging river. Despite, or perhaps because of, the film's great commercialsuccess, critical analysis of the film typically does not delve beneath the surface of Scorsese's first major box office hit. As it reaches its 30th anniversary, Cape Fear is now ripe for a full appraisal. The remake of J. Lee Thompson's 1962 Cape Fear was originally conceived as a straightforward thriller intended for Steven Spielberg. Author Rob Daniel investigates the fascinating ways Scorsese's style and preoccupations transform his version into a horror epic. The director's love of fear cinema, his Catholicism and filmmaking techniques shift Cape Fear into terrifying psychological and psychosexual waters. The analysis also examines the influence of Gothic literature and fairy tales, plus how academic approaches to genre aid an understanding of the film.
