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Historical Romance: After botching his request for Elizabeth Beaudreax's hand in marriage, Andrew Leroux learns his worst fear has been realized. Beau Manning has escaped and promises to kill everyone involved with his unfortunate incarceration. To make matters worse, Elizabeth is his main target. And of course she refuses to believe Andrew. Elizabeth believes he never really loved her. So Andrew does the only thing he can think of. Kidnap her. Now he must keep her from escaping him, protect her from Beau and prove his love is real.
In a rapidly changing world, the ways in which economic forces affect both personal and global change can be difficult to track, particularly in the arts. This collection of twenty new essays explores both obscure and famous plays dealing with economic issues. Beginning with the Industrial Revolution, the text moves from Marx's theories to Wall Street speculation, nineteenth century immigration issues, the excesses of the Gilded Age and the 1920s, the Great Depression, World War II and millennial economic challenges.
Mixture models are a powerful tool for analyzing complex and heterogeneous datasets across many scientific fields, from finance to genomics. Mixture Models: Parametric, Semiparametric, and New Directions provides an up-to-date introduction to these models, their recent developments, and their implementation using R. It fills a gap in the literature by covering not only the basics of finite mixture models, but also recent developments such as semiparametric extensions, robust modeling, label switching, and high-dimensional modeling. Features Comprehensive overview of the methods and applications of mixture models Key topics include hypothesis testing, model selection, estimation methods, and ...
The press and politicians. A delicate relationship. Too close, and danger ensues. Too far apart, and democracy itself cannot function. Pravda (which means "truth") is a satire written at the height of Thatcherism when huge political changes were afoot. The play essentially studies, through black humour and close scrutiny, the tabloid ethic and the media industry as a get-rich-quick-fix. In the programme for the original 1985 production of Pravda, Brenton wrote: "Pravda means 'the truth'. English newspapers aren't propaganda sheets. The question is, why do so many of them choose to behave as if they are?" The character of Lambert Le Roux is a South African newspaper tycoon and the owner of se...
In The People’s Zion, Joel Cabrita tells the transatlantic story of Southern Africa’s largest popular religious movement, Zionism. It began in Zion City, a utopian community established in 1900 just north of Chicago. The Zionist church, which promoted faith healing, drew tens of thousands of marginalized Americans from across racial and class divides. It also sent missionaries abroad, particularly to Southern Africa, where its uplifting spiritualism and pan-racialism resonated with urban working-class whites and blacks. Circulated throughout Southern Africa by Zion City’s missionaries and literature, Zionism thrived among white and black workers drawn to Johannesburg by the discovery o...
Twenty years isn’t enough to erase the sins of the past—but the future is even more terrifying in this thrilling read perfect for fans of Megan Collins and Julia Heaberlin. In 1997, Eve Foster’s daughter, Kelsey, runs away to New Mexico and vanishes without a trace. Eve is convinced that she’s the victim of a serial killer who’s been hunting women in the region—but Kelsey’s body is never found. Years later, Eve dies, leaving everything to her adopted twin daughters. The majority of the wealthy estate in Vermont goes to Lisa, the “good daughter,” while Connie inherits only a small stipend and a property in New Mexico. Connie, often the target of Eve's cruelty, suspects this ...
This analysis of twenty published texts by David Hare employs definitions from contemporary semiotic literary theory as a means of describing typologies of political drama. By tracing the incorporation of stylistic devices from agitational propaganda (caricature, self-referentiality, the frisson between oral and visual signification) throughout the typologies, the study illustrates how each text subverts audience expectation based on established dramatic genres. The collection of texts is seen as inherently self-referential and politically subversive. At the centre of each typology is a protagonist who functions as a martyr to or parodic emblem of contemporary society. Consistently, the herm...
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