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Learning from Thoreau
Learning from Thoreau is an intimate intellectual walk with America's most edgy and original environmentalist. The thrust of the book consists not in learning "about" Thoreau from an intermediary but, as the title suggests, in learning "from" Thoreau along with the author--whose lifelong engagement with this "genius of the natural world" leads him to examine the process of learning from an admired model. Using both images and text, Andrew Menard offers a personal meditation on Thoreau's thought, its originality, and its influence on the modern environmental movement. He places Thoreau in dialogue with contemporary artists and thinkers and associates him with a rich variety of places: Walden ...
The Sum of Trifles
When Julia Ridley Smith’s parents died, they left behind a virtual museum of furniture, books, art, and artifacts. Between the contents of their home, the stock from their North Carolina antiques shop, and the ephemera of two lives lived, Smith faced a monumental task. What would she do with her parents’ possessions? Smith’s wise and moving memoir in essays, The Sum of Trifles, peels back the layers of meaning surrounding specific objects her parents owned, from an eighteenth-century miniature to her father’s prosthetics. A vintage hi-fi provides a view of her often tense relationship with her father, whose love of jazz kindled her own artistic impulse. A Japanese screen embodies her...
Exploded View
In Exploded View "graphic" essays play with the conventions of telling a life story and with how illustration and text work together in print. This mixture of the machine-like and the lyrical helps the reader engage with the author's mind and imagination more fully.
The United States Army and the Making of America
The United States Army and the Making of America: From Confederation to Empire, 1775–1903 is the story of how the American military—and more particularly the regular army—has played a vital role in the late eighteenth- and nineteenth-century United States that extended beyond the battlefield. Repeatedly, Americans used the army not only to secure their expanding empire and fight their enemies, but to shape their nation and their vision of who they were, often in ways not directly associated with shooting wars or combat. That the regular army served as nation-builders is ironic, given the officer corps’ obsession with a warrior ethic and the deep-seated disdain for a standing army tha...
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A Slow Burning Fire
Yugoslavia's diverse and interconnected art scenes from the 1960s to the 1980s, linked to the country's experience with socialist self-management. In Yugoslavia from the late 1960s to the late 1980s, state-supported Student Cultural Centers became incubators for new art. This era's conceptual and performance art--known as Yugoslavia's New Art Practice--emerged from a network of diverse and densely interconnected art scenes that nurtured the early work of Marina Abramovi&ć, Sanja Ivekovi&ć, Neue Slowenische Kunst (NSK), and others. In this book, Marko Ili&ć offers the first comprehensive examination of the New Art Practice, linking it to Yugoslavia's experience with socialist self-management and the political upheavals of the 1980s.
Alienation Effects
Examines the interplay of artistic, political, and economic performance in the former Yugoslavia and reveals their inseparability
The Crisis of Socialist Modernity
In the 1970s industry in the West had reached its limits, precipitating a major discussion about how to solve the crisis. But what was going on in Eastern Europe parallel to this development? Were any similar trends being registered? The authors of this volume pursue the answers to these questions by studying the politics, economics, social and cultural movements of that time in the multiethnic countries of Yugoslavia and the Soviet Union. It becomes clear that these two countries were themselves in the midst of a latent crisis resulting from the global developments around them and from their own internal conflicts. The symptoms of this crisis were well known in expert circles, but not registered fully by either the political leaders or the citizens at large.
Artists' Magazines
How artists' magazines, in all their ephemerality, materiality, and temporary intensity, challenged mainstream art criticism and the gallery system. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In Artists' Magazines, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustr...
