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Religious toleration appears near the top of any short list of core liberal democratic values. Theorists from John Locke to John Rawls emphasize important interconnections between the principles of toleration, constitutional government, and the rule of law. Conscience and Community revisits the historical emergence of religious liberty in the Anglo-American tradition, looking deeper than the traditional emergence of toleration to find not a series of self-evident or logically connected expansions but instead a far more complex evolution. Murphy argues that contemporary liberal theorists have misunderstood and misconstrued the actual historical development of toleration in theory and practice. Murphy approaches the concept through three "myths" about religious toleration: that it was opposed only by ignorant, narrow-minded persecutors; that it was achieved by skeptical Enlightenment rationalists; and that tolerationist arguments generalize easily from religion to issues such as gender, race, ethnicity, and sexuality, providing a basis for identity politics.
It may surprise many that William Penn, who founded one of the thirteen original American colonies, spent just four years on American soil. Even more surprising, though, is Penn's remarkable impact on the fundamental principles of religious freedom on both sides of the Atlantic, especially given his tumultuous life: from his youthful radicalism as leader of the Quaker movement to his role as governor and proprietor of a major American colony; from royal courtier to alleged traitor to the Crown. In the first major biography of this important transatlantic figure in more than forty years, Andrew R. Murphy takes readers through the defiant and complex life of a religious dissenter, political theorist, and social activist.
Explores the manner in which Shakespeare acquired a working-class readership during the nineteenth century.
"William Penn played a crucial role in the emergence of religious liberty and remains a singular, if often overlooked, figure in the history of liberty of conscience. Penn's political thought provides a window into the tolerationist movement that gained strength over the second half of the seventeenth century. In addition, Penn experienced firsthand the complex relationship between political theory and practice as proprietor of a major American colony. A careful examination of Penn's political thought points scholars toward a new way of understanding the enterprise of political theory itself"--
Examination of literacy and reading habits in nineteenth-century Ireland and implications for an emerging cultural nationalism.
In this stunning picture book beautifully given form by Indigenous artist Lisa Kennedy, respected Elder Aunty Joy Murphy and Yarra Riverkeeper Andrew Kelly tell the story of one day in the life of the vital, flourishing Birrarung (Yarra River). As ngua rises, Bunjil soars over mountain ash, flying higher and higher as the wind warms. Below, Birrarung begins its long winding path down to palem warreen. Wilam - home. Yarra Riverkeeper Andrew Kelly joins award-winning picture book duo Aunty Joy Murphy and Lisa Kennedy to tell the Indigenous and geographical story of Melbourne's beautiful Yarra River, from its source to its mouth; from its pre-history to the present day.
Combining theology, politics and historical analysis, “theorizes what might be at stake—ethically—for America’s current political life” (Andrew Taylor, Journal of American History). Conventional wisdom holds that attempts to combine religion and politics will produce unlimited violence. Concepts such as jihad, crusade, and sacrifice need to be rooted out, the story goes, for the sake of more bounded and secular understandings of violence. Ted Smith upends this dominant view, drawing on Walter Benjamin, Giorgio Agamben, and others to trace the ways that seemingly secular politics produce their own forms of violence without limit. He brings this argument to life—and digs deep into ...
Seamus Heaney is one of the foremost poets of his generation. His work is greatly admired by scholars and general readers alike, as confirmed by his appointment to professorships at both Harvard and Oxford and, in 1995, the award of the Nobel Prize for Literature. The appeal of Heaney's poetry lies in its gracefulness, its meticulous attention to the sound and structure of language, and the range of topics engaged by the poet: from the precise particularity of the local and familial to greater political, social, and cultural themes. In this lucid and wide-ranging study Andrew Murphy charts the trajectory of Heaney's career as a poet, placing his work within the contexts of both the Irish poetic tradition and his crucial social and political milieu as a writer from the north of Ireland seeking a fruitful engagement with the conflicts affecting his homeland. Heaney emerges as a complex and multi-faceted figure passionately engaged by poetry and politics alike.
At the rise of the Tudor age, England began to form a national identity. With that sense of self came the beginnings of the colonialist notion of the "other"" Ireland, however, proved a most difficult other because it was so closely linked, both culturally and geographically, to England. Ireland's colonial position was especially complex because of the political, religious, and ethnic heritage it shared with England. Andrew Murphy asserts that the Irish were seen not as absolute but as "proximate" others. As a result, English writing about Ireland was a problematic process, since standard colonial stereotypes never quite fit the Irish. But the Irish Sea Betwixt Us examines the English view of the "imperfect" other by looking at Ireland through works by Spenser, Jonson, and Shakespeare. Murphy also considers a broad range of materials from the Renaissance period, including journals, pamphlets, histories, and state papers.
Distinguished architect Andrew Andersons has redefined Australia's art galleries over the last five decades (in Sydney, Adelaide, Canberra and regionally) and his award-winning designs have extended the NSW Parliament and transformed the State Library of New South Wales. After two decades in the Government Architect's Branch, Andersons joined PTW Architects for a new period marked by renovation of the Capitol Theatre, design of the City Recital Hall and the Roslyn Packer Theatre, along with offices and major apartment buildings from Bondi to Canberra. Andersons' work has reimagined industrial areas of Sydney's shorelines, transforming Darling Harbour, Walsh Bay, Jones Bay and Barangaroo, and redefined the Sydney Opera House and East Circular Quay as Australia's 'first national precinct' and pre-eminent civic gathering place. In this landmark book, Bernice Murphy and Leon Paroissien draw on interviews and research over many years to illuminate Andersons' life and achievements.