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The Heinemann Book of South African Short Stories
All by writers who spent their formative years in South Africa, this diverse range of short stories spans from the end of World War II when the National Party was on the upsurge, to the early 1990s when the legal framework of apartheid was abolished, the ANC was legalized and Mandela was released.
The Loss Library
What happens when a story goes missing or remains unrecorded? When a writer carelessly gives his plot away during a conversation or dies before writing the ending? These stories end up in the Loss Library, where the books that have never been written are kept. In this poignant, thought-provoking book, one of South Africa’s fi nest writers examines eleven of his own lost fictions, how the ideas arose and why he abandoned them. But this reflection on the art of writing is not a lament for unfinished work. Rather The Loss Library is a meditation on creativity, mortality and the allure of the incomplete.
Theatre & Change in South Africa
First Published in 1997. Can South African theatre continue to maintain its autonomy and exercise its critical role? Can one rethink form and find new content? Can a concept of post-protest theatre be developed? How might theatre contribute to post-apartheid soceity? These are just of the questions addressed in this book. The real and present difficulties South Africian theatre is facing, as well as possible future orientations, are clearly shown, at one of the most complex moments of political transition in the history of the South African society. The authors include contributions from playwrights, actors, visual artists, poets, directors, administrators, critics and theatre academics. Their comments and thoughts portray the active process of reflection and reappraisal, redefining their artistic and political aims, searching for new and vital theatrical forms.
Voices that Reason
Voices that Reason is a path-breaking work. The author has charted the thoroughfares that speed the thought of many black South Africans towards specific expectations, grievances and actions. The present work constitutes an important and thought-provoking culmination of a generation's worth of disparate but related revisionist thinking within the social sciences and history of South Africa.
Listening Up, Writing Down, and Looking Beyond
Listening Up, Writing Down, and Looking Beyond is an interdisciplinary collection that gathers the work of scholars and performance practitioners who together explore questions about the oral, written, and visual. The book includes the voices of oral performance practitioners, while the scholarship of many of the academic contributors is informed by their participation in oral storytelling, whether as poets, singers, or visual artists. Its contributions address the politics and ethics of the utterance and text: textualizing orature and orality, simulations of the oral, the poetics of performance, and reconstructions of the oral.
Creating Books for the Young in the New South Africa
This collection of essays analyzes the work of 29 authors and illustrators. South African children's and youth literature has a long history. The country is the most prolific publisher of children's books on the continent, producing perhaps the highest quality literature in Africa. Its traditions resonate within the larger world of children's literature but are solidly grounded in African myth and archetypes. The African diaspora in the U.S. and elsewhere have stories rooted in these oral traditions. Much has changed in South African literature for children since the 1994 transformation of the country. A field once dominated by all white and mostly female writers and illustrators has diversified, adding many new voices.
Letters to my Native Soil
Lewis Nkosi's influence as both a South African writer and critic has been profound. His significance stems from the fact that he was one of the very few surviving members of the Drum generation of writers of the 1950s; one who continued to write throughout the apartheid and post-apartheid decades. As an author of plays, critical essays, and novels, Nkosi's voice is preserved in Letters to My Native Soil, which collects correspondence between the writer and others, and provides a valuable insight into a working writer's life in Europe and at home. The book is illustrated with personal photographs and accompanied by Nkosi's own work in the form of appendices. (Series: African Languages - African Literatures. Langues Africaines - Litteratures Africaines - Vol. 6)
Bushmen in a Victorian World
Wilhelm Bleek was fascinated by African languages and set out to make sense of a complex and alien Bushman tongue. At first Lucy Lloyd worked as his assistant, but soon proved to be so gifted a linguist and empathetic a listener that she created a monumental record of Bushman culture. Their informants were a colorful cast. The teenager, /A!kunta, taught Bleek and Lloyd their first Bushman words and sentences. The wise old man and masterful storyteller, //Kabbo, opened their eyes to a richly imaginative world of myth and legend. The young man, Dia!kwain, explained traditional beliefs about sorcery, while his friend #Kasin spoke of Bushman medicines and poisons. The treasures of Bushman culture were most fully revealed in conversations with a middle-aged man known as /Han=kass'o, who told of dances, songs and the meaning of images on rocks. The human histories and relationships involved in this unique collaboration across cultures are explored in full for the first time in this remarkable narrative.
