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"When she was found battered and bloodied in her Lincoln Phaeton convertible, authorities declared it suicide. Others called it murder. Thelma Todd, one of America's mpst popular comedians, was dead. And no one knew why. She was the blonde with style. The bombshell with the wisecrack. Thelma Todd wanted to be a schoolteacher :instead she became a star. She wanted to run a restaurant; instead she ran into the mob. In 1935 more than five hundred letters were sent to her weekly by fans. But the ones who attracted her most were dangerous men. More than fifty years after the notorious Thelma Todd murder case was closed, unsolved, Andy Edmonds fingers the killer."--Excerpt taken from the title page verso
Details the life of Charley Chase—a major force in the shaping of motion picture comedy.
Already part of a genre known for generating controversy, some true crime and scandal books have wielded a particular power to unsettle readers, provoke authorities and renew interest in a case. The reactions to such literature have been as contentious as the books themselves, clouding the "truth" with myths and inaccuracies. From high-profile publishing sensations such as Ten Rillington Place, Fatal Vision and Mommie Dearest to the wealth of writing on the JFK assassination, the death of Marilyn Monroe and the Black Dahlia murder, this book delves into that hard copy era when crime and scandal books had a cultural impact beyond the genre's film and TV documentaries, fueling outcries that sometimes matched the notoriety of the cases they discussed and leaving legacies that still resonate today.
The football game is tied. It’s in sudden death overtime. And that's when three Islamic extremists trigger an explosion that kills over 100 innocent spectators. The men who did it are promptly caught and charged with capital murder, but everyone knows that there are more guilty people behind the act. There are banks, or foundations, or governments who fronted this terrorism. Terrorists need money. Families of the victims ask attorney Robert Herrick—the “Lawyer for the Little Guy”—to bring the financiers to justice. It’s a tough claim, and he declines . . . but eventually he's persuaded to take the case. Nothing about this lawsuit is easy, from preparing the court papers, to disco...
Body and Soul explores the work of Robert Aldrich, a producer and director responsible for several notable films, including The Flight of the Phoenix, The Dirty Dozen, Too Late the Hero, The Longest Yard and Whatever Happened to Baby Jane? Author Tony Williams examines the relationship of Aldrich's films to the Cultural Front movement of the 1930s as well as to the blacklist of the 1950s. He also delineates Aldrich's attempts to follow the progressive ideals of such mentors as Jean Renoir, Lewis Milestone, and Charlie Chaplin. From the noir classic Kiss Me Deadly to the controversial thriller Twilight's Last Gleaming, Body and Soul focuses on the dilemmas--both personal and political--that affect individuals in all of Aldrich's films.
In an industry that celebrates extravagance and showmanship, Danish film director Carl Th. Dreyer was a rarity, a man who guarded his privacy fiercely and believed that film provided a way to understand human nature by focusing on the individual person. Best known for his 1928 film The Passion of Joan of Arc, dominated by its emotionally harrowing close-ups of Joan during her trial, it was Dreyer who pioneered some of the seminal techniques of modern film, techniques that would later be made famous by better known contemporaries such as Sergei Eisenstein and D.W. Griffith. Now, in My Only Great Passion, the first full-length English language biography of Dreyer, Jean and Dale D. Drum restore...
Early in the century, Marie Dressler was hailed as one of America's finest comics, with a 20-year string of Broadway and vaudeville successes including The Lady Slavey, Miss Prinnt, Higgledy Piggledy, The Man in the Moon, and Tillie's Nightmare. She starred with Charlie Chaplin in the first ever feature-length comedy Tillie's Punctured Romance and later in Min and Bill for which she won an Academy Award. A brilliant comedienne in body, timing, inflection and reactions, her talents far exceeded the expectations of slapstick, and her movies earned sums far greater than those of Garbo, or Harlow, or even Gable. This work examines Dressler's life from vaudeville to talkies. Based on extensive research and interviews with Dressler's surviving friends, co-stars and colleagues, including Maureen O'Sullivan, Jackie Cooper and Anita Page, it details her public and personal successes and failures. A listing of her stage appearances, vocal recordings and films is included.
Roberto Benigni, the Italian comedian, actor, director, and writer, gained international fame when his film La vita è bella/ Life Is Beautiful (1997) won three Oscars in 1999, including Best Foreign Film and Best Actor. Benigni has been a steady presence in Italian popular culture since the mid-1970s. This book introduces Benigni's performances in film, stage, and television, little known outside of Italy, with an emphasis on the cultural and intellectual backdrops that characterize his films, including his origins among the Tuscan rhyming poets and his experiences in the Roman avant-garde theater. Benigni's statements about his experiences and apprenticeships with cinema notables like Cesare Zavattini and Federico Fellini reveal a wealth of fresh information and confirm the sense that there is more to this madcap buffoon than meets the eye.
This volume constitutes the refereed proceedings of the Fourth European Conference, ServiceWave 2011, held in Poznan, Poland, in October 2011. The 25 revised full papers presented together with 3 invited presentations were carefully reviewed and selected from numerous submissions. They are organized in topical sections on cloud computing, security, privacy and trust, service engineering fundamentals, business services, and FI-PPP. In addition to the scientific track, 14 extended abstracts of demonstrations covering a wide spectrum of technology and application domains were accepted.
This first full-length biography of a legendary and award-winning Hollywood writer, producer, and director (Duck Soup, My Favorite Wife, An Affair to Remember, Going My Way, and The Bells of St. Mary's) explores the director's life as filtered through his art. Gehring maintains that McCarey's films were often a reworking of his antiheroic self. In addition, the apparent diversity of his films actually represents an interrelated web of various comedy genres and a pattern of antiheroic characters and themes.