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Re-Humanising Shakespeare
Can Shakespeare help us with the question of how to live? Re-Humanising Shakespeare argues that although Shakespeare himself contributed to the uncertainties of modern living, his work can still serve as a source of existential wisdom and guidance.The book examines through a wide range of Shakespeare's plays the conditions under which human beings flourish or perish. Love, ethics, emotion, vulnerability and humility are amongst the topics discussed as part of the book's argument that Shakespeare is continually at pains to reclaim the human from its complete liquefaction. Given the range and originality of its approach, Re-Humanising Shakespeare will make provocative reading for all those interested in Shakespeare, ethics and questions of literary value.
Literature and the Human
Why does literature matter? What is its human value? Historical approaches to literature have for several decades prevailed over the idea that literary works can deepen our understanding of fundamental questions of existence. This book re-affirms literature's existential value by developing a new critical vocabulary for thinking about literature's human meaningfulness. It puts this vocabulary into practice through close reading of a wide range of texts, from The Second Wakefield Shepherds’ Play to Mohsin Hamid’s The Reluctant Fundamentalist. Individual chapters discuss: Literature’s engagement of the emotions Literature’s humanisation of history Literature’s treatment of universals and particulars The depth of reflection provoked by literary works Literature as a special kind of seeing and framing The question at the heart of the volume, of why literature matters, makes this book relevant to all students and professors of literature.
The Routledge Anthology of Renaissance Drama
This anthology offers a full introduction to Renaissance theatre in its historical and political context, along with newly edited and thoroughly annotated texts of the following plays: * The Spanish Tragedy (Thomas Kyd) * Arden of Faversham (Anon.) * Edward II (Christopher Marlowe) * A Woman Killed with Kindness (Thomas Heywood) * The Tragedy of Mariam (Elizabeth Cary) * The Masque of Blackness (Ben Jonson) * The Knight of the Burning Pestle (Francis Beaumont) * Epicoene, or the Silent Woman (Ben Jonson) * The Roaring Girl (Thomas Middleton & Thomas Dekker) * The Changeling (Thomas Middleton & William Rowley) * 'Tis Pity She's a Whore (John Ford). Each play is prefaced by an introductory headnote discussing the thematic focus of the play and its textual history, and is cross-referenced to other plays of the period that relate thematically and generically. An accompanying website contains a wide selection of contextual documents which supplement the anthology: www.routledge.com/textbooks/0415187346
Human Nature in an Age of Biotechnology
New biotechnologies have propelled the question of what it means to be human – or posthuman – to the forefront of societal and scientific consideration. This volume provides an accessible, critical overview of the main approaches in the debate on posthumanism, and argues that they do not adequately address the question of what it means to be human in an age of biotechnology. Not because they belong to rival political camps, but because they are grounded in a humanist ontology that presupposes a radical separation between human subjects and technological objects. The volume offers a comprehensive mapping of posthumanist discourse divided into four broad approaches—two humanist-based app...
The Humanist Project
Humanistic studies has been subjected to critiques from the inside of the university disciplines and shrinking support structures on the outside; moreover, recent technological developments have trapped humans in the maws of the information machine, where will, agency, and dialogue are constantly stunted and mediated, disclosing a nihilistic, dilated present. Against this panorama, Peter Carravetta argues that there is a need to recover the “human” in humanistic reflection, here described as a free social, creative, yet elusive being, caught between idealizations (utopias, concepts of society, autonomy of powers), the realities of survival (basic economics and geographies), and the dynam...
A Primer on Theatre and Aesthetics
A Primer on Theatre and Aesthetics explores the philosophy of arts from the Ancient Greeks to our contemporary world. What began as a debate in a monoculture eventually mushroomed into a vision for aesthetic diversity and inclusion as declarative statements receded in importance and subjective perceptions became fundamental. Studies in aesthetics often focus on music or the visual arts whereas this volume explores the nexus between philosophical perspectives and theatre. The purpose for theatre is wholeness (catharsis) and philosophy is the guide for that analysis.
The Meaning of Form in Contemporary Innovative Poetry
This study engages the life of form in contemporary innovative poetries through both an introduction to the latest theories and close readings of leading North American and British innovative poets. The critical approach derives from Robert Sheppard’s axiomatic contention that poetry is the investigation of complex contemporary realities through the means (meanings) of form. Analyzing the poetry of Rosmarie Waldrop, Caroline Bergval, Sean Bonney, Barry MacSweeney, Veronica Forrest-Thomson, Kenneth Goldsmith, Allen Fisher, and Geraldine Monk, Sheppard argues that their forms are a matter of authorial design and readerly engagement.
Canadian Cultural Exchange / Échanges culturels au Canada
The essays in Canadian Cultural Exchange / Échanges culturels au Canada provide a nuanced view of Canadian transcultural experience. Rather than considering Canada as a bicultural dichotomy of colonizer/colonized, this book examines a field of many cultures and the creative interactions among them. This study discusses, from various perspectives, Canadian cultural space as being in process of continual translation of both the other and oneself. Les articles réunis dans Canadian Cultural Exchange / Échanges culturels au Canada donnent de l’expérience transculturelle canadienne une image nuancée. Plutà ́t que dans les termes d’une dichotomie biculturelle entre colonisateur et colonisé, le Canada y est vu comme champ oÃ1 plusieurs cultures interagissent de manià ̈re créative. Cette étude présente sous de multiples aspects le processus continu de traduction d’autrui et de soi-mÃame auquel l’espace culturel canadien sert de théâtre.
Shakespeare's History Plays: Rethinking Historicism
Boldly moves criticism of Shakespeare's history plays beyond anti-humanist theoretical approaches. This important intervention in the critical and theoretical discourse of Shakespeare studies summarises, evaluates and ultimately calls time on the mode of criticism that has prevailed in Shakespeare studies over the past thirty years. It heralds a new, more dynamic way of reading Shakespeare as a supremely intelligent and creative political thinker, whose history plays address and illuminate the very questions with which cultural historicists have been so preoccupied since the 1980s. The book reignites old debates and re-energises recent bids to humanise Shakespeare and to restore agency to the individual in the critical readings of his plays.
Rethinking Race, Politics, and Poetics
Rethinking Race, Politics, and Poetics offers a critical appraisal of C.L.R. James as a major twentieth-century activist-intellectual, exploring his prolific output spanning decades within genres as diverse as history, philosophy, sociology, literary and cultural criticism, prose fiction, and reportage. The book also analyzes some of the flaws and contradictions that surfaced within James’ writings as a consequence of the difficult circumstances in which he worked and lived as an itinerant migrant intellectual invariably involved with fringe political groups. Assessing James as a lifelong committed Marxist and humanist, the book argues that his core concern with racial, political, and cultural questions as central to human and social understanding led him to develop a distinctive critique of the modern world.
