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Best known for his screen prints of soup cans and movie stars, this shy young boy from Pittsburgh shot to fame with his radical ideas of what “art” could be. Working in the aptly named “Factory,” Warhol’s paintings, movies, and eccentric lifestyle blurred the lines between pop culture and art, ushering in the Pop Art movement and, with it, a national obsession. Who Was Andy Warhol? tells the story of an enigmatic man who grew into a cultural icon.
This title explores the creative works of famous artist Andy Warhol. Works analyzed include 32 Campbell's Soup Cans, Turquoise Marilyn, 16 Jackies, Brillo Boxes, and Mickey Mouse (Myths Series). Clear, comprehensive text gives background biographical information of Warhol. “You Critique It” feature invites readers to analyze other creative works on their own. A table of contents, timeline, list of works, resources, source notes, glossary, and an index are also included. Essential Critiques is a series in Essential Library, an imprint of ABDO Publishing Company.
Meet the Artist: Andy Warhol is packed with make-and-dos and inspiring activities for budding young artists Experiment with printing and blotted line drawings, design your own disco outfit, be famous for 15 minutes, make your very own time capsule, and even become the director of your own movie! Bursting with inspiring activities, the revised and expanded Meet the Artist series of activity books introduces children to internationally renowned artists in a fun and engaging way. Every book includes a brief introduction to the artist's life followed by a series of activities that explore prominent themes and ideas in the artist's body of work. Featuring beautiful reproductions of key artworks, and illustrated by a leading contemporary illustrator, every book in the Meet the Artist series encourages children to use art as an avenue for exploring ideas and expressing their own experiences through art-making.
Warhol offers his observations of love, beauty, fame, work, and art and discusses the continuous play and display of his many fetishes.
A new reading of Warhol presents his life and work in the context of contemporary concerns, emphasizing his continued relevance in the digital age. As an underground art star, Andy Warhol was the antidote to the prevalent Abstract Expressionist style of the 1950s. His work in advertising, fashion, film, and music videos featured popular everyday subjects, openly acknowledged wide-ranging influences, and had a fascination with popular culture. Looking at his background in an immigrant family, ideas of death and religion, sexuality, and ambition to push traditional artistic boundaries, the book reveals Warhol as an artist who succeeded and failed in equal measure and who embraced the establishment while cavorting with the underground. It explores Warhol's flirtation with the commercial world of celebrity alongside his socially engaged collaborations and advocacy of alternative lifestyles. Including many iconic as well as lesser-known works, this book highlights Warhol's conceptual ambition within the shifting creative and political landscape, permitting a broad view of how Warhol, and his work, mark a period of cultural transformation.
'POPism reads like a novel... Social history of the rarest kind, set down in ultra-sharp focus by someone who helped shape the events he describes' The New Yorker A cultural storm swept through the 1960s - Pop Art, Bob Dylan, psychedelia, underground movies - and at its centre sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-guarde.
Scholarly considerations of Andy Warhol abound, including very fine catalogues raisonné, notable biographies, and essays in various exhibition catalogues and anthologies. But nowhere is there an in-depth scholarly examination of Warhol’s oeuvre as a whole—until now. Jonathan Flatley’s Like Andy Warhol is a revelatory look at the artist’s likeness-producing practices, not only reflected in his famous Campbell’s soup cans and Marilyn Monroe silkscreens but across Warhol’s whole range of interests including movies, drag queens, boredom, and his sprawling collections. Flatley shows us that Warhol’s art is an illustration of the artist’s own talent for “liking.” He argues that there is in Warhol’s productions a utopian impulse, an attempt to imagine new, queer forms of emotional attachment and affiliation, and to transform the world into a place where these forms find a new home. Like Andy Warhol is not just the best full-length critical study of Warhol in print, it is also an instant classic of queer theory.
“IN THE FUTURE EVERYBODY will be world famous for 15 minutes.” The Campbell’s Soup Cans. The Marilyns. The Electric Chairs. The Flowers. The work created by Andy Warhol elevated everyday images to art, ensuring Warhol a fame that has far outlasted the 15 minutes he predicted for everyone else. His very name is synonymous with the 1960s American art movement known as Pop. But Warhol’s oeuvre was the sum of many parts. He not only produced iconic art that blended high and popular culture; he also made controversial films, starring his entourage of the beautiful and outrageous; he launched Interview, a slick magazine that continues to sell today; and he reveled in leading the vanguard o...
With his tomato soup cans, silk-screened disasters, and matter-of-fact commercialism, Andy Warhol (born 1928) helped create the Pop art ethos. Warhol's life-long infatuation with glamour and the media provided the touchstone for all his work, from his earliest shoe advertisements to the most recent celebrity portraits, all of which can be seen here. Presents a brief biography of Andy Warhol and discusses his works and their influence on the art world.