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Encyclopedia of the Harlem Renaissance: K-Y
An interdisciplinary look at the Harlem Renaissance, it includes essays on the principal participants, those who defined the political, intellectual and cultural milieu in which the Renaissance existed; on important events and places.
The Philosopher King
Texas-born T Bone Burnett is an award-winning musician, songwriter, and producer with over forty years of experience in the entertainment industry. In The Philosopher King, Heath Carpenter evaluates and positions Burnett as a major cultural catalyst by grounding his work, and that of others abiding by a similar "roots" ethic, in the American South. Carpenter examines select artistic productions created by Burnett to understand what they communicate about the South and southern identity. He also extends his analysis to artists, producers, and cultural tastemakers who operate by an ethic and aesthetic similar to Burnett's, examining the interests behind the preservationist/heritage movement in...
Interrogating Popular Culture
Interrogating Popular Culture: Key Questions offers an accessible introduction to the study of popular culture, both historical and contemporary. Beginning from the assumption that cultural systems are dynamic, contradictory, and hard to pin down, Stacy Takacs explores the field through a survey of important questions, addressing: Definitions: What is popular culture? How has it developed over time? What functions does it serve? Method: What is a proper object of study? How should we analyze and interpret popular texts and practices? Influence: How does popular culture relate to social power and control? Identity and disposition: How do we relate to popular culture? How does it move and connect us? Environment: How does popular culture shape the ways we think, feel and act in the world? Illustrated with a wide variety of case studies, covering everything from medieval spectacle to reality TV, sports fandom and Youtube, Interrogating Popular Culture gives students a theoretically rich analytical toolkit for understanding the complex relationship between popular culture, identity and society.
Your Children Are Under Attack
How to protect your children from popular culture.
Westerns
Whatever we might think of them, popular Westerns, both movies and cheap paperbacks on the newsstand racks, have had a powerful impact on both U.S. culture and Western European culture in general. Collected here are new studies from a variety of critical approaches of popular Westerns by scholars from the U.S., the U.K., and Europe, new studies of classic William S. Hart, John Ford, Clint Eastwood, and Sam Peckinpah film Westerns as well as new studies of seldom studied writers such as James Warner Bellah, Clarence Mulford, Charles Portis, and Oakley Hall.
Black Notes
Following in the footsteps of renowned authors like Alain Locke, Harold Cruse, and Amiri Baraka, Black Notes: Essays of A Musician Writing in A Post-Album Age, takes as its mission an important aesthetic inquiry, asking the compelling questions: How did we get where we are? What's next among this generation's artistic voices, concerns, and practices? What is the future of Black Popular Music? In this fascinating collection of essays, interviews, and notes, Author William C. Banfield celebrates and critiques the values of contemporary Black popular music through the exploration of both present and past voices and movements. From his unique vantage point as musician, artist, and writer, Banfield examines a variety of influences in the music world, from 17th-century composer/violinist Chevalier de St. Georges to jazz giant Duke Ellington; from producer Quincy Jones to pop legend Prince. Using a wide-angle lens, Banfield effectively draws from the academic world of cultural studies as well as a plethora of popular culture examples, including contemporary Black American composers, films, and television shows.
imwe imba - the other room
Munashe is a bright adolescent girl living in Zimbabwe. She feels a pressure to leave Zimbabwe and to follow most of her peers to a university or to work in the West. However, she is not convinced that this is what she really wants. Via Thomas, an experienced European scientist and manager, initiating a technical Start-up Hub at her boarding school, Munashe comes in contact with Anne. Imwe imba - the other room - is a novel covering the last 2 high-school years of Munashe and Anne in letters between the young women as well as from Thomas to Simon, his now retired personal and business coach. Through the letters, Anne and Simon discover unknown and fascinating aspects of the (southern) Africa...
The Rise of an African Middle Class
An in-depth look at Africans who challenged the status quo in colonial Zimbabwe: “Impeccable and original scholarship.” —American Historical Review Tracing their quest for social recognition from the time of Cecil Rhodes to Rhodesia’s unilateral declaration of independence, Michael O. West shows how some Africans were able to avail themselves of scarce educational and social opportunities in order to achieve some degree of upward mobility in a society that was hostile to their ambitions. Though relatively few in number and not rich by colonial standards, this comparatively better-off class of Africans challenged individual and social barriers imposed by colonialism to become the locus of protest against European domination. This extensive and original book opens new perspective into relations between colonizers and colonized in colonial Zimbabwe. “Offers an extremely sophisticated, nuanced view of the social and political construction of an African middle class in colonial Zimbabwe.” —Elizabeth Schmidt
The Spirit of Resistance in Music and Spoken Word of South Africa's Eastern Cape
From an array of prominent activists including Nelson Mandela and Steve Biko to renowned performers and oral poets such as Johnny Dyani and Samuel Mqhayi, the Eastern Cape region plays a unique role in the history of South African protest politics and creativity. The Spirit of Resistance in Music and Spoken Word of South Africa's Eastern Cape concentrates on the Eastern Cape's contribution to the larger narrative of the connection between creativity, mass movements, and the forging of a modern African identity and focuses largely on the amaXhosa population. Lindsay Michie explores Eastern Cape performance artists, activists, organizations, and movements that used inventive and historical means to raise awareness of their plight and brought pressure to bear on the authorities and systems that caused it, all the while exhibiting the depth, originality, and inspiration of their culture.
