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Forgotten Trails
How can he love a woman who doesn’t know her own name? Angela Wilcox has lost her memory. Pregnant and alone, she has no idea who she is, where she’s from or how she found her way to Montana Territory. Hank Oster is the new Deputy Sheriff in Bozeman. And he’s on the trail of a gang of cattle rustlers. When he discovers a beautiful, young woman alone in an abandoned cabin in the middle of nowhere, his first instinct is to help find her family. But he soon discovers she has no idea who they are or where they might be. And it seems she doesn’t want to know. The last installment in the Paradise Valley series of clean, historical, western romances, brings new characters home to Paradise Ranch, while old, beloved characters will have their whole world shaken to the core, as they bid the ranch a final farewell.
Paradise Valley
Five SWEET western romances in ONE. A runaway bride, a teacher with a past, a heart-broken vaquero, a woman searching for her baby, and a pregnant heroine who doesn't remember her own name. Five adventures, five weddings, a rag-tag bunch of friends, and a close-knit ranching family in one sweeping saga set in the wild west. The COMPLETE Paradise Valley series. Of Peaks and Prairies Genevieve Waters-Ewing is married to a man she doesn't love and didn't agree to marry. The scoundrel dragged her to the altar, and now everything is going to change. In a split second decision, she runs away and stows aboard a chuck wagon that's leaving on a cattle drive, heading north to Montana. She doesn't know...
Poetics and Politics
Far from teleological historiography, the pan-European perspective on Early Modern drama offered in this volume provides answers to why, how, where and when the given phenomena of theatre appear in history. Using theories of circulation and other concepts of exchange, transfer and movement, the authors analyze the development and differentiation of European secular and religious drama, within the disciplinary framework of comparative literature and the history of literature and concepts. Within this frame, aspects of major interest are the relationship between tradition and innovation, the status of genre, the proportion of autonomous and heteronomous creational dispositions within the artef...
A Feast of Folklore
"Diverting, delightful and deliciously weird enough to satisfy the most demanding appetite." — Christopher Hadley, author of The Road Folklorist Ben Gazur guides you through the dark alleys of British history to uncover how our food habits have been passed down through generations of folklore. Who was the first person to throw salt over their shoulder? Why do we think carrots can help us see in the dark? When did we start holding village fairs to honour gigantic apple pies? Or start hurling ourselves down hills in pursuit of a wheel of cheese? Gazur investigates the origins of famous food superstitions as well as much more bizarre and lesser-known tales too, from what day the devil urinates on blackberries to how to stop witches using eggshells as escape boats. Hilarious and fascinating, A Feast of Folklore will introduce you to the gloriously eccentric folk who aren’t often noticed by historians. Here lies a smorgasbord of their dark remedies and deadly delicacies, waiting to be discovered.
Handbook of Autobiography / Autofiction
Autobiographical writings have been a major cultural genre from antiquity to the present time. General questions of the literary as, e.g., the relation between literature and reality, truth and fiction, the dependency of author, narrator, and figure, or issues of individual and cultural styles etc., can be studied preeminently in the autobiographical genre. Yet, the tradition of life-writing has, in the course of literary history, developed manifold types and forms. Especially in the globalized age, where the media and other technological / cultural factors contribute to a rapid transformation of lifestyles, autobiographical writing has maintained, even enhanced, its popularity and importanc...
Marriage as a National Fiction
There is a prehistory of the adultery novel, which became a pan-European literary paradigm in the second half of the 19th century. In the wake of the French Revolution, secular marriage legislation emerges, producing a metaphorical surplus that is still effective today. Using legal history and canonical literary texts from Rousseau to Goethe and Manzoni to Hugo and Flaubert, this book traces how marriage around 1800 became a figure of reflection for the modern nation-state. In the process, original contributions to the philology of the individual texts emerge. At the same time, law and literature are made fruitful for a historical semantics of society and community. This book is a translation of an original German 1st edition “Ehe als Nationalfiktion” by Dagmar Stöferle, published by J.B. Metzler, imprint of Springer-Verlag GmbH Germany, part of Springer Nature in 2020. The translation was done with the help of artificial intelligence (machine translation by the service DeepL.com). The author (with the support of Chris Owain Carter) has subsequently revised the text further in an endeavour to refine the work stylistically.
Translation and Interpretation
A volume in honour of Angela Locatelli The book explores the significance of literary translation and interpretation, in the widest sense of terms, as multiple processes of meaning and cultural transfer, by investigating how and why literature can be considered as a repository and a disseminator of knowledge and values. Featuring essays by a number of scholars focusing on a wide range of literary and critical texts of different nations and cultures and encompassing the last three centuries, this book intends to offer a contribution to the study of translation and interpretation as literary processes of cultural and epistemic dissemination of knowledge from both a theoretical and a practical perspective.
Experiments in Life-Writing
This volume examines innovative intersections of life-writing and experimental fiction in the 20th and 21st centuries, bringing together scholars and practicing biographers from several disciplines (Modern Languages, English and Comparative Literature, Creative Writing). It covers a broad range of biographical, autobiographical, and hybrid practices in a variety of national literatures, among them many recent works: texts that test the ground between fact and fiction, that are marked by impressionist, self-reflexive and intermedial methods, by their recourse to myth, folklore, poetry, or drama as they tell a historical character’s story. Between them, the essays shed light on the broad range of auto/biographical experimentation in modern Europe and will appeal to readers with an interest in the history and politics of form in life-writing: in the ways in which departures from traditional generic paradigms are intricately linked with specific views of subjectivity, with questions of personal, communal, and national identity. The Introduction of this book is open access under a CC BY 4.0 license via link.springer.com.
Globalizing Literary Genres
Focused on the relation between processes of globalization and literary genres, this volume intervenes in the prevalent notions of globalization, literary history, genre, and the novel. Using both close reading and world history, both literary criticism and political theory, the book is a timely intervention in the debates about world, postcolonial, and transnational literature as they have been intensified by critical globalization studies, world-systems analysis, Bourdieuan sociology, and cosmopolitanism studies. It contends that globalization, far from starting in recent decades, has a long and complex history, not unlike the history of literature itself, meaning that when we speak of glo...
The Poetics of Memory
The contributors to this volume share a Poetics of Memory as the constant shift between representation in different kinds of cultural archives and its performance in various acts of cultural recollection. They are engaged in four main projects of mnemonic inquiry: The first deals with the history of the subject and the moment of recollection. The second opens the scope of an aesthetic reading of literary texts towards cultural memory in general. The third examines the nature of (literary) memory as such. The final group of contributors delimits the literary text towards intertextuality and electronic hypertext which challenges but also confirms the proposed Poetics of Memory
