You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
One of the most accomplished and internationally celebrated artists of the eighteenth century, Angelica Kauffman (1741-1807) established her reputation with sensitive portraits as well as ambitious history paintings. This major study explores the artist's work and career by considering how Kauffman reconciled the public and presumed masculine pursuit of painting with her role as woman artist and arbiter of private taste. Featuring a wealth of new information, this illustrated book demonstrates Kauffman's role in shaping European visual culture, shedding new light on the history of women artists and on art history as a critical discipline.
The role of race and ethnicity in global humor
Portraiture, the most popular genre of painting, occupies a central position in the history of Western art. Despite this, its status within academic art theory is uncertain. This volume provides an introduction to major issues in its history.
Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery.
Focusing on the visual arts and written texts, this book explores the nature of femininity and masculinity in 18th-century Britain and France. The activities and collective conditions of women as producers of art and culture are investigated, together with analysis of representation and the ways in which it might be gendered. This illustrated book should make an important contribution to debates on representation, constructions of sexuality and women as producers.
Fresh and provocative readings of familiar stage objects provide new ways of understanding theater, dramatic literature, and culture
By focusing on the artist's most famous works, this collection of essays applies studies of science and philosophy from the period to give a more accurate sense of the meanings in Hogarth's art.
William Hogarth (1697-1764), famous for his satiric representations of high and low life in eighteenth-century London, took as one of his central artistic themes the staging of otherness and difference. In a groundbreaking book, a group of international art historians and cultural theorists investigates this major yet overlooked dimension of Hogarth's art and aesthetics. They show that, whether Hogarth depicts a harlot or a wealthy patroness, a gouty earl or a dissolute rake, a black servant or an effeminate parasite, issues of class, gender, and race reverberate throughout his paintings and prints and deeply inform his unique innovation, the Modern Moral Subject. Drawing on a broad array of...
Edited and with text by Tobias G. Natter.
Inside the Invisible investigates the life and works of Turner Prize-winning Black British artist and curator Lubaina Himid (CBE) to provide the first study of her lifelong determination to do justice to the hidden histories and untold stories of Black women, children, and men bought and sold into transatlantic slavery.