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Interculturalism
This volume explores the relation between identity and diversity as the essential condition of interculturalism, and the sometimes positive, sometimes negative, role that identity and diversity play within intercultural dialogue in an increasingly globalised world. An international conference, in Madrid, October 2003, brought together scholars from four continents and allowed them to share their knowledge and learn about the issues of «identity and diversity: philological and philosophical reflections». The present volume contains a selection of the conference papers. The contributors explore the dynamics of identity as a process open to differences. Although identity and difference are not exclusively discursive, it is discourse and natural language that incorporate them.
Gender I-Deology
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Telling Histories
The proliferation of historical novels with more or less overt metafictional traits in the late seventies and eighties in Britain is a particularly arresting phenomenon at a time when historians are openly questioning the validity of the traditional concept of history understood as a scientific search for knowledge. This apparent contradiction justifies the attempt made by the contributors of this volume to analize the relationship between history and literature in English. The reader will find four preliminary essays on The End of the Classical Period establishing the characteristics of the appropriation of history since the appearance of Sir Walter Scott's historical romances with special ...
The Autofictional
This open access book offers innovative and wide-ranging responses to the continuously flourishing literary phenomenon of autofiction. The book shows the insights that are gained in the shift from the genre descriptor to the adjective, and from a broad application of “the autofictional” as a theoretical lens and aesthetic strategy. In three sections on “Approaches,” “Affordances,” and “Forms,” the volume proposes new theoretical approaches for the study of autofiction and the autofictional, offers fresh perspectives on many of the prominent authors in the discussion, draws them into a dialogue with autofictional practice from across the globe, and brings into view texts, forms, and media that have not traditionally been considered for their autofictional dimensions. The book, in sum, expands the parameters of research on autofiction to date to allow new voices and viewpoints to emerge.
Victimhood and Vulnerability in 21st Century Fiction
New Visibilities: Victimhood and Other Forms of Vulnerability in 21st-century Fiction (eds. Jean-Michel Ganteau and Susana Onega) addresses the relationship between trauma and ethics, and moves one step further to engage with vulnerability studies in their relation to literature and literary form. It consists of an introduction and of twelve articles written by specialists from various European countries and includes an interview with US novelist Jayne Anne Philips, conducted by her translator into French, Marc Amfreville, addressing her latest novel, Quiet Dell, through the victimhood-vulnerability prism. The corpus of primary sources on which the volume is based draws on various literary backgrounds in English, from Britain to India, through the USA. All contributions are original.
Under Postcolonial Eyes
In the Western literary tradition, the "jew" has long been a figure of ethnic exclusion and social isolation--the wanderer, the scapegoat, the alien. But it is no longer clear where a perennial outsider belongs. This provocative study of contemporary British writing points to the figure of the "jew" as the litmus test of multicultural society. Efraim Sicher and Linda Weinhouse examine the "jew" as a cultural construction distinct from the "Jewishness" of literary characters in novels by, among others, Salman Rushdie, Anita Desai, Doris Lessing, Monica Ali, Caryl Philips, and Zadie Smith, as well as contemporary art and film. Here the image of the "jew" emerges in all its ambivalence, from po...
Shakespeare and the Modern Novel
The Shakespearean novel is undergoing a renaissance as the long prose narrative form becomes reinvigorated through new forms of media such as television, film, and the internet. Shakespeare and the Modern Novel explores the history of the novel as a literary form, suggesting that the form can trace its strongest roots beyond the eighteenth-century work of Daniel Defoe, Henry Fielding and Samuel Richardson to Shakespeare’s plays. Within this collection, well-established Shakespeare critics demonstrate that the diversity and flexibility of interactions between Shakespeare and the modern novel are very much alive.
AAA Arbeiten aus Anglistik und Amerikanistik 2013
Das Nichts stellt eine Konstante in Leopardis Werk dar, deren Darstellung bei Weitem nicht auf die bloße Nennung des ,nulla' beschränkt ist. Es erweist sich als polyvalente Denkfigur, die unter anderem auf Mangel, Abwesenheit, Wertlosigkeit, Zersetzung und Vergehen verweist. Durch eine genaue Betrachtung der unterschiedlichen Nichts-Konzeptionen wird eine gleitende Semantik sichtbar, die im ganzen Werk dynamisch bleibt. Diese entsteht durch die wiederholte Parallelisierung von gegensätzlichen Begrifflichkeiten wie ,Vernunft und Natur', ,Antike und Moderne', ,Dichtung und Philosophie', ,Materie und Geist', ,Leben und Tod', ,Inneres und Äußeres', etc. Dies ist aber nicht die einzige Funktion, die das Nichts in Leopardis Gedankenbewegungen einnimmt: Das Nichts entpuppt sich vielerorts als Orientierungspunkt.
Trauma and Romance in Contemporary British Literature
"Drawing on a variety of theoretical approaches including trauma theory, psychoanalysis, genre theory, narrative theory, theories of temporality, cultural theory, and ethics, this book brings together trauma and romance, showing how romance strategies have become an essential component of trauma fiction in general and traumatic realism in particular"-- Provided by publisher.
