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A raíz de los recientes y muy diversos pronunciamientos de nuestras altas cortes, así como del avance doctrinal en la responsabilidad civil, este texto nace del deseo de unificar criterios en el de por sí problemático derecho de daños. En este tercer y último tomo de Estudios de responsabilidad civil continuamos con el análisis sistemático y coherente que caracterizó los dos tomos previos. Las diversas temáticas relativas a la responsabilidad civil fueron abordadas con el mismo rigor académico e investigativo. Igualmente, los capítulos fueron escritos de cara a una pregunta problematizadora que guio la labor de cada uno de los autores.
Crime and violence soared in twenty-first-century Venezuela even as poverty and inequality decreased, contradicting the conventional wisdom that these are the underlying causes of violence. The Paradox of Violence in Venezuela explains the rise of violence under both Hugo Chávez and Nicolás Maduro—leftist presidents who made considerable investment in social programs and political inclusion. Contributors argue that violence arose not from the frustration of inequality, or the needs created by poverty, but rather from the interrelated factors of a particular type of revolutionary governance, extraordinary oil revenues, a reliance on militarized policing, and the persistence of concentrated disadvantage. These factors led to dramatic but unequal economic growth, massive institutional and social change, and dysfunctional criminal justice policies that destabilized illicit markets and social networks, leading to an increase in violent conflict resolution. The Paradox of Violence in Venezuela reorients thinking about violence and its relationship to poverty, inequality, and the state.
Brings together the latest work of artist Emiliano Gironella Parra around the violence unleashed by drug trafficking in Mexico. Also includes images of the creations of other socially committed artists who have addressed the issue of violence, such as Joan Miró, Francisco de Goya, Yoko Ono, Marina Abramovic and Chapman.
My Father’s Shoes is, at its core, an anthology of short stories. The book is allegoric and the shoes are metaphoric. Unlike most anthologies, however, these stories are an amalgam of themselves. They integrate and coalesce. There is a rhythm and a cadence both in substance and in form. This book was initially written as a gift to my father. I wanted to share certain memories with him that were meaningful and lasting. I wanted him to know, from my perspective, just how important he was in my life. He never really understood the profound impact that he had on the lives of other people –especially his family. Because of that humility, or perhaps in honor of it, I wanted to him know that he...
"Teresa Lozano Long Institute of Latin American Studies."
The 2022 Inter-American Yearbook on Human Rights provides an extract of the principal jurisprudence of the Inter-American Commission on Human Rights and the Inter-American Court of Human Rights. Part One contains the Decisions on the Merits of the Commission, and Part Two the Judgments and Decisions of the Court. The Yearbook is partly published as an English-Spanish bilingual edition. Some parts are in English or Spanish only. NB: This book is part of a four volume set. Vol. 1 ISBN: 978-90-04-71518-9 Vol. 2 ISBN: 978-90-04-71520-2 Vol. 3 ISBN: 978-90-04-53773-6 Vol. 4 ISBN: 978-90-04-53775-0
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