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Goldie
Known to the world as Goldie, Vijay Anand, the visionary Hindi film director and screenwriter, whose oeuvre includes such respected and successful films as Kala Bazaar, Tere Ghar Ke Saamne, Guide, Teesri Manzil, Jewel Thief, Johny Mera Naam, Tere Mere Sapne, Blackmail and Kora Kagaz, amongst many more, has remained largely uncelebrated. Goldie was one of the few ‘complete’ filmmakers in the Hindi film industry, who had the ability to look beyond stereotypes and help actors re-invent themselves. A rare non-filmy personality in the midst of the otherwise quite filmy industry folks, he always saw himself as a student and an explorer, and is credited with bringing newness and slickness to Hi...
Marathi Cinema, Cultural Space, and Liminality
This book is a critical history of Marathi cinema, from its formative years in the 1920s till the end of 1990s. It is the first work to explore the industrial and aesthetic dynamics of Marathi cinema, and elaborate on the idea of region as performance using the framework of critical socio-spatial analysis. Against the dominance of Hindi cinema, the Marathi film industry, as a regional film practice in India, has developed within a cultural and spatial liminality. This historical situation of the Marathi film industry is formulated here as the shaping and dispersal of a vernacular cultural space; and is traced over a period of seven decades, across genres like the saint-film, social melodramas, and the tamasha film, as well as in urban and mofussil sites of film circulation. The book aims to be a useful resource for students, researchers, and general readers, while attending to a lack of scholarly inquiries on this important regional film culture.
Ten Classics (English)
Ten Classics is an in-depth look into the intricacies that went into making of ten legendary Hindi movies−milestones in the history of Indian cinema. Surprising and intriguing facts, the filmmakers’ inspiration behind making them, the conceptualization and actual filming, dotted with anecdotes, incidents, events and trivia surrounding the process of making each of the films, are narrated as recalled by the actual people involved, or someone closely associated with these films. Painstakingly researched and fascinating to read, the book sheds light on factors that make these ten films the classics that they are today. A film journalist for over 23 years, Authors familiarity with the craft ...
Sex Ke Rang Raaz Evam Rehesya
Nar Nari ke pyar me pavitrata madakta aur khushiyo ka sangam chippa hota hai. Duniya ke samast sukho aur rango ke mool me sex sukh aur jananshakti ki mahatvpurna bhumika hoti hai. Dukh ka vishya ye hai ki hamare samaj me sex ko apavitra roop se prastut kiya jata jai tatha paap samjha jata hai ek aur ise agyanta ki chadar se dhak diya jata hai aur dusri aur lajjarahit sex pradarshan kiya jata hai. Agyanta ki vajah se nar nari Praay apne jeevan ki khushiyo ko nasth kar lete hai. Vahi kishor evam yuva vikrut manovritiyo ke shikar ho jate hai. Prastut pustak me kaam kala ko ashleelta se pare rakh kar vagyanik evam manovagyanik drishtikono se pesh kiya gaya hai is pustak me sex ko samajhne ke liye uchit udaharan evam chitra diye gaye hai. Jinse sex vishya ko samajhne me tatha sex se judi bhrantiyo se mukt hone me sahayta milti hai. Sex ka sahi gyan manav jeevan me khushiyo ki apaar vridhi lata hai. Pustak me sex sambandhi gyan ko sahaj evam saral tarike se prastut kiya gaya hai jisse aapka jeevan khushiyo se bhar sake.
Bad Man
A small-town boy, Gulshan Grover moved to Mumbai to pursue acting in the 1970s. At a time when most wannabe actors held out for a leading role, he made the conscious choice to opt for villainous roles. He went on to portray many memorable characters, with a career-defining role in the 1989 blockbuster, Ram Lakhan, that established him firmly as a villain in Bollywood. In this authorised biography, Grover tells his story - the films, the journey, the psychological and personal toll of sustaining the 'bad man' image, the competition among Bollywood's villains, the move to playing more rounded characters, and the challenge of doing international films.
Raj Kapoor
'If cinema did not exist, I would be non-existent.' - Raj Kapoor In this warm, thoughtful memoir, veteran filmmaker Rahul Rawail goes back to his days spent in R.K. Studios where he was nurtured and taught to handle the ropes of filmmaking from the Master himself-Raj Kapoor. Through stories only he can tell, Rawail delves not only into the techniques of the legendary filmmaker, but also into hitherto unknown aspects of Raj Kapoor's eccentric personality-his quirky sense of humour, his insights into life, the relationship he shared with his crew and his associations with artists of three generations. The book also examines how the lessons he learnt under the tutelage of Raj Kapoor carried Rahul Rawail through directing his own blockbuster films including Love Story, Betaab, Arjun and Dacait. Raj Kapoor: The Master at Work offers unique insights into what it took for Raj Kapoor to be an exceptional filmmaker, with his understanding of human emotions, virtues of music and the art of visual storytelling. Within these pages, one sees behind the enigma who lived and breathed cinema, in his before-seen role as a teacher, mentor, parent and guru.
Khullam Khulla
Few actors in Hindi cinema have had the sort of career arc: from the gawky adolescent pining for his schoolteacher (Mera Naam Joker, 1970) to the naughty ninety-year-old (Kapoor & Sons, 2016), Rishi Kapoor has regaled audiences for close to fifty years. He won a National Award for his debut, became an overnight sensation with his first film as a leading man (Bobby, 1973), and carved a niche for himself with a string of romantic musical blockbusters in an era known for its angst-ridden films. Characteristically candid, Rishi Kapoor brings Punjabi brio to the writing of Khullam Khulla. This is as up close and personal a biography as any fan could have hoped for. A foreword by Ranbir Kapoor and a stirring afterword by Neetu Singh bookend the warmest, most dil se biography an Indian star has ever penned.
Beyond the Last Blue Mountain
An exhaustive and unforgettable portrait of India's greatest and most respected industrialist. Written with J.R.D. Tata's co-operation, this superb biography tells the J.R.D. story from his birth to 1993, the year in which he died in Switzerland. The book is divided into four parts: Part I deals with the early years, from J.R.D's birth in France in 1904 to his accession to the chairmanship of Tatas, India's largest industrial conglomerate, at the age of thirty-four; Part II looks at his forty-six years in Indian aviation (the lasting passion of J.R.D's life) which led to the initiation of the Indian aviation industry and its development into one of India's success stories; Part III illuminates his half-century-long stint as the outstanding personality of Indian industry; and Part IV unearths hitherto unknown details about the private man and the public figure, including glimpses of his long friendships with such people as Jawaharlal Nehru, Mahatma Gandhi, Indira Gandhi and his association with celebrities in India and abroad.
