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Some of the most iconic, hard-boiled Irish detectives in fiction insist that they are not detectives at all. Hailing from a region with a cultural history of mistrust in the criminal justice system, Irish crime writers resist many of the stereotypical devices of the genre. These writers have adroitly carved out their own individual narratives to weave firsthand perspectives of history, politics, violence, and changes in the economic and social climate together with characters who have richly detailed experiences. Recognizing this achievement among Irish crime writers, Babbar shines a light on how Irish noir has established a new approach to a longstanding genre. Beginning with Ken Bruen’s ...
Happiness Is a Warm Gun
Happiness Is a Warm Gun is the sixth of Josh Pachter’s “inspired by” anthologies, following volumes of stories inspired by the songs of Joni Mitchell, Jimmy Buffett, Billy Joel, and Paul Simon…and by the films of the Marx Brothers. For this collection, the lyrics of the Beatles’ inspired the contributing authors to imagine a world in which murder, kidnapping, blackmail, and theft are as common as meter maids and yellow submarines. Each story was inspired by a song from one of the Fab Four’s studio albums: seventeen albums, seventeen songs, seventeen stories—by a total of eighteen authors (since one was written collaboratively by Dru Ann Love and Kristopher Zgorski, two of crime...
Memoirs of a Coxcomb
Published in 1751, John Cleland’s second novel (after the notorious Memoirs of a Woman of Pleasure) is a witty and complex portrait of aristocratic British society in the mid-eighteenth century. Its young protagonist, Sir William Delamore, meets, falls in love with, and pursues the mysterious heiress Lydia. Rather than a conventional romance, however, the novel is an acerbic social satire, and Sir William an unreliable narrator and incomplete hero. In its experiments with narrative form and its sophisticated examination of masculine identity, Memoirs of a Coxcomb is an important marker in the development of the eighteenth-century novel. This Broadview edition includes a critical introduction that places Memoirs in the context of Cleland’s life and literary career. Also included is a broad selection of appendices, including Tobias Smollett’s review of the novel, selections from Cleland’s criticism, three texts by Lady Mary Wortley Montagu, and contemporary documents on masculinity (particularly the figures of the coxcomb and the fop) and prostitution.
Thomas Drew and the Making of Victorian Belfast
In Thomas Drew and the Making of Victorian Belfast, Farrell analyzes the career of “political parson” Thomas Drew (1800-70), creator of one of the largest Church of Ireland congregations on the island and leading figure in the Loyal Orange Order. Farrell demonstrates how Drew’s success stemmed from an adaptive combination of his fierce anti-Catholicism and populist Protestant politics, the creation of social and spiritual outreach programs that placed Christ Church at the center of west Belfast life, and the rapid growth of the northern capital. At its core, the book highlights the synthetic nature of Drew’s appeal to a vital cross-class community of Belfast Protestant men and women,...
Raddoppiamento Sintattico in Italian
First Published in 2002. The Italian phenomenon known as raddoppiamento sintattico, or sometimes raddoppiamento fonosintattico, has received a vast amount of attention. Long recognized in Italian grammar books, the process consists of the gemination of a word-initial consonant in certain environments. The word raddoppiamento means “doubling,” and it is deemed “syntactic” or “phonosyntactic” because the process spans word boundaries. This offers a synchronic and diachronic cross-dialectical study of this phenomenon.
Papers for Pay
A disturbing trend faces education in the U.S.--not plagiarism but academic forgery (students purchasing and signing their names to work produced by others). This book, by a former professional forger, describes the difference between the two and presents case studies along with an expose of the trade. The author provides a thorough treatment of the topic and reveals the serious implications for the future of academia. Educators should educate themselves about forgery and join the conversation about solving the problem.
Forging Identity in the "age of Authors".
This dissertation focuses on the increased emphasis on authorial biography and personality in the eighteenth century. Specifically, it considers how authors such as Savage, Johnson, Macpherson, and Chatterton develop autobiographical personae to present themselves as uniquely capable of authoring particular kinds of texts, to respond to conflicting ideas about ancient and modern standards of authorship, and to cater to the various demands of the broadened reading audience engendered by print culture. The constructed identities that I examine in "Forging" call for a reconsideration of the complexities involved in the creation of an authorial persona during this era. Ultimately, I challenge the contention of Alvin Keman and others that these created personae represent endeavors by authors to present themselves as exclusively ancient or modern.
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