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Telling Complexions
In Telling Complexions Mary Ann O'Farrell explores the frequent use of "the blush" in Victorian novels as a sign of characters' inner emotions and desires. Through lively and textured readings of works by such writers as Jane Austen, Elizabeth Gaskell, Charles Dickens, and Henry James, O'Farrell illuminates literature's relation to the body and the body's place in culture. In the process, she plots a trajectory for the nineteenth-century novel's shift from the practices of manners to the mode of self-consciousness. Although the blush was used to tell the truth of character and body, O'Farrell shows how it is actually undermined as a stable indicator of character in novels such as Pride and P...
Norah's Children
How much is an individual the product of his or her upbringing? To what extent is the sense of family, its pride and bonding, a part of an individual's soul and character? Ann O'Farrell narrates a story of a family's inexplicable dissolution-five children tragically split and cast off to separate worlds. In the span of fourteen formative years their story unfolds, touching the very core of what is the essence of family and attachment. Set in the rural Ireland of the 1920's and 30's, the tale is wonderfully painted in expressive detail, settings and emotion. This is a mindful and moving experience reflective of parents, siblings, and those of us sensitive to today's family-based challenges an...
Virtual Gender
Explores notions of gender fantasy across time and culture, expanding the concept of virtuality to include people and events in history
After You'd Gone
Alice Raikes takes a train from London to Scotland to visit her family, but when she gets there she witnesses something so shocking that she insists on returning to London immediately. A few hours later, Alice is lying in a coma after an accident that may or may not have been a suicide attempt. Alice's family gathers at her bedside and as they wait, argue, and remember, long-buried tensions emerge. The more they talk, the more they seem to conceal. Alice, meanwhile, slides between varying levels of consciousness, recalling her past and a love affair that recently ended. A riveting story that skips through time and interweaves multiple points of view, After You'd Gone is a novel of stunning psychological depth and marks the debut of a major literary talent.
Hamnet
'She's like no one I've ever met... She's like fire and water all at once.' Warwickshire, 1582. Agnes Hathaway, a natural healer, meets the Latin tutor, William Shakespeare. Drawn together by powerful but hidden impulses, they create a life together and make a family. As William moves to London to discover his place in the world of theatre, Agnes stays at home to raise their three children but she is the constant presence and purpose of his life. When the plague steals 11-year-old Hamnet from his loving parents, they must each confront their loss alone. And yet, out of the greatest suffering, something of extraordinary wonder is born. This new play based on Maggie O'Farrell's best-selling novel and adapted by award-winning playwright Lolita Chakrabarti (Life of Pi, Red Velvet, Hymn), pulls back a curtain on the imagined family life of the greatest writer in the English language. Hamnet is a love letter to passion, birth, grief and the magic of nature. This updated and revised edition was published to coincide with the West End transfer of the original RSC production in October 2023.
The Hand That First Held Mine
*As featured on BBC Radio 4's 'A Good Read'* Winner of the 2010 Costa Novel Award and a Sunday Times bestseller, THE HAND THAT FIRST HELD MINE by Maggie O'Farrell is a gorgeously written story of love and motherhood from the author of HAMNET and THE MARRIAGE PORTRAIT. When the sophisticated Innes Kent turns up on her doorstep, Lexie Sinclair realises she cannot wait any longer for her life to begin, and leaves for London. There, at the heart of the 1950s Soho art scene, she carves out a new life. In the present day, Elina and Ted are reeling from the difficult birth of their first child. Elina struggles to reconcile the demands of motherhood with her sense of herself as an artist, and Ted is disturbed by memories of his own childhood that don't tally with his parents' version of events. As Ted begins to search for answers, an extraordinary portrait of two women is revealed, separated by fifty years, but connected in ways that neither could ever have expected.
I Am, I Am, I Am: Seventeen Brushes With Death
AS FEATURED ON DESERT ISLAND DISCS, BIG SCOTTISH BOOK CLUB AND THE ZOE BALL BOOKCLUB, A BOOK OF THE YEAR IN THE SUNDAY TIMES, THE TIMES, GUARDIAN, IRISH TIMES, OBSERVER, RED and THE TELEGRAPH. *SHORTLISTED FOR THE PEN ACKERLEY PRIZE FOR MEMOIR AND AUTOBIOGRAPHY 2018* I AM, I AM, I AM is a memoir with a difference - the unputdownable story of an extraordinary woman's life in near-death experiences. Insightful, inspirational, gorgeously written, it is a book to be read at a sitting, a story you finish newly conscious of life's fragility, determined to make every heartbeat count. A childhood illness she was not expected to survive. A teenage yearning to escape that nearly ended in disaster. A terrifying encounter on a remote path. A mismanaged labour in an understaffed hospital. Shocking, electric, unforgettable, this is the extraordinary memoir from Costa Novel-Award winner and Sunday Timesbestselling author Maggie O'Farrell. It is a book to make you question yourself. What would you do if your life was in danger, and what would you stand to lose?
The Vanishing Act of Esme Lennox
From the Costa Award winning, bestselling author of THIS MUST BE THE PLACE and I AM, I AM, I AM, comes an intense, breathtakingly accomplished story of a woman's life stolen, and reclaimed. 'Unputdownable' Ali Smith Edinburgh in the 1930s. The Lennox family is having trouble with its youngest daughter. Esme is outspoken, unconventional, and repeatedly embarrasses them in polite society. Something will have to be done. Years later, a young woman named Iris Lockhart receives a letter informing her that she has a great-aunt in a psychiatric unit who is about to be released. Iris has never heard of Esme Lennox and the one person who should know more, her grandmother Kitty, seems unable to answer Iris's questions. What could Esme have done to warrant a lifetime in an institution? And how is it possible for a person to be so completely erased from a family's history?
The Best a Man Can Get
Michael Adams shares a flat with three other men in their late twenties. Days are spent lying in bed, playing computer games and occasionally doing a bit of work. And then, when he feels like it, he crosses the river and goes back to his unsuspecting wife and children. For Michael is living a double life - he escapes from the exhausting misery of babies by telling his wife he has to work through the night or travel up north. And while she is valiantly coping on her own, he is just a few miles away in a secret flat, doing all the things that most men with small children can only dream about. He thinks he can have it all, until is deception is inevitably exposed... The Best a Man Can Get is written with the hilarious eye for detail that sent John O'Farrell's first book, Things Can Only Get Better, to the top of the bestseller lists. It is a darkly comic confessional that is at once compelling, revealing and very, very funny.
The Best American Short Stories 2006
Presents a collection of stories selected from magazines in the United States and Canada.
