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Biography of the first black photographer for Life magazine who also is a successful novelist, director, producer, screenwriter, and music composer.
Ann Parr's unique and awe-inspiring art of stitching on metal is showcased here, in this her first book. Her work ranges from jewellery to richly decorated boxes and panels, and represents a rare fusion of traditional and contemporary methods and design which cannot fail to excite and inspire. Appealing to multi-media artists, textile artists, embroiderers and indeed anyone with a love of beautiful, innovative works of art, this book is a treasure trove of ideas and inspiration. It provides not only a wealth of information on materials and methods, but also twelve step-by-step projects and numerous stunning photographs of Ann's own pieces, and so contains everything you need to explore this ...
Ancestry is a dual aspect entity, both private and public. It is private because it is personal. It is public because the stories of the ancestors need to be told. This work deals with both these aspects, while recording the facts for the family researcher and putting across the stories and lives that shaped the ancestors and how they saw and understood the world around them. One should never be ashamed of one's ancestors, for we have no more a right to judge them than they have to judge us. Yes, they really do live among us and they really do affect us from beyond the grave, not only with the material goods they leave us, but also with the karma that is passed down to us. It is our job, the living, to deal with this karma, to dig out the hidden aspects of our ancestors' lives that society and culture would not allow them to express. Seen through her eyes, Volume IV is the life & ancestry, the somewhat sad story, of that 19th-century matriarch of the Parr family, dear Florence -bless her tender heart.
"With extensive data provided by many family members."
"Reprinted after revision and correction from the 'Weekly Mercury,'" Mar. 1881-May 1884.
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Following on from Ancestral Chains DNA Part I, this work takes the reader a step further along the intrigue of the Family Tree. Viewing Victorian life through the mind-set of great-grandmother, Kate, the stage is set in a posh Georgian terrace in Lewes that serves as the Sussex Probate Office. Money matters are inevitable, but madness and attempted murder play out the scenes of life, as a large family adapt to the sudden incarceration of their father. Clockmakers, the Tolkiens and the creator of Lorna Doone in Teddington, all play their roles in the Battersby family saga. There is mischief and innuendo too, as when the early 19th century grocer from Isleworth is buried with 2 of his 3 wives; the headstone even today forming a paving stone in the church path, regularly walked over by worshippers. A search & locate mission for a great uncle lost in the Battlefield at Passchendaele in 1917 is launched; love was not lost on his finance though because his elder brother took on the cause.